右边的

And Esdras the scribe stood upon a step of wood, which he had made to speak upon, and there stood by him Mathathias, and Semeia, and Ania, and Uria, and Helcia, and Maasia, on his right hand: and on the left, Phadaia, Misael, and Melchia, and Hasum, and Hasbadana, Zacharia and Mosollam.

厄斯德拉经师站在为此特备的木台上，他右边站著玛提提雅、舍玛、阿纳雅、乌黎雅、希耳克雅和玛阿色雅；他左边有培达雅、米沙耳、玛耳基雅、哈雄、哈协巴达纳、则加黎雅和默叔蓝。

There is a small tan-yellow subpleural granuloma in the mid-lung field on the right.

右边肺中间区域有一个小块黄褐色的胸膜下肉芽肿。

This suggestively shaped reflection nebula is associated with the bright star Rigel in the constellation Orion.

其中参宿七不在图内，而是位於星云右边一张照片宽度之外的远处。

Intend that chakras to spin to the right if you are female and left if you are male in gender and syncopated in rhythm and timing unto earth's field rotation.

如果你是女性，请意想脉轮旋转向右边，如果你是男性，则旋转向左边，根据地球的场旋转将节奏和时间切分。

Intend that chakras to spin to the right if you are female and left if you are male in gender and syncopated in rhythm and timing unto earth's field rotation.

如果你是女性，请意想脉轮旋转向右边，如果你是男性，则旋转向左边，根据地球能量场的旋转而切分节奏与定时。

Intend that chakras to spin to the right if you are female and left if you are male in gender and syncopated in rhythm and timing unto earth's field rotation.

如果你是女性，请意愿脉轮旋转向右边，如果你是男性，则旋转向左边，根据地球能量场的旋转而切分节奏与定时。

And He said to them, Cast the net on the right side of the boat, and you will find some.

21：6 耶稣对他们说，把网撒在船的右边，就必得着。

He's on my right.

他在我的右边。

Just take this street round to the right of the castle.

沿着这条街走到城堡的右边。

Keep straight on and go across the river. You'll see the railway station on your right.

直走然后过了这条河，你会看见你的右边是火车站。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。