可被代表

It is impossible to insist too much on so important a truth, and the place that Mr. Besant demands for the work of the novelist may be represented, a trifle less abstractly, by saying that he demands not only that it shall be reputed artistic, but that it shall be reputed very artistic indeed.

这是不可能坚持太多对如此重要的真相，以及地方，贝赞特先生要求的工作小说家可派代表，小事少抽象，他说，他的要求，不仅如此，它应被誉为艺术，但它应被誉为很艺术。

For example, if a modeler wants a parameter that contains the number of initial agents to be displayable, and modifiable, some String such as "numAgents" must be present in the array returned by getInitParam and the model must have a getNumAgents method and a setNumAgents method.

例如，建模者希望代表初始Agent数目的参数是可显示和可改变的，那么一些字符串如" numAgents "必须要体现在数组中，能被getInitParam返回，而且模型必须有一个getNumAgents方法和一个setNumAgents方法。

Factor analysis is a very popular multivariate statistical analysis method. It can summarize some unobservable factors from the test results which can summarize most of the observed data. The factor analysis suggest the DP, furfuran and CO_X can be divided into insulation aging factor, while the hydrocarbon gas and hydrogen were divided into another group which can be called insulation fault factor. The result of the factor analysis

因子分析作为一种常用的多元统计分析方法，可从众多可观测变量中，概括和推论出少数不可观测的潜变量，用最少的因子去概括和解释大量的观测事实；本文将试验过程中90℃下油中溶解气体、绝缘聚合度、糠醛等参量进行因子分析，结果表明：绝缘聚合度、糠醛、CO_x被分为一类，代表绝缘老化因子：烃类、氢气、被分为一类，代表绝缘故障因子；因子分析结果与现场经验一致，相互印证，具有重要意义。

The anatomical study deepens the knowledge of G-type conducting cells: 1 It proves the theory of two depositional process for secondary wall (Bierhorst, 1960): the discontinuous cellulose layer is laid down before the continuous lignified layer; the former layer is prone to be broken down, while the latter is highly decay-resistant; 2 It suggests that the cellulose primary and secondary walls of tracheids are not perforated. Instead of longitudinal pits (Li, 1992), the lignified tracheid secondary wall of Hsüa possesses irregular simple perforations; 3 In Hsüa reflexa and Huia gracilis, the perforation casts may represent the thickness of lignified secondary wall; 4 The wall structure of G-type tracheid is diversified. At the genus level, the secondary wall structure differs in the distribution, internal shape and structure of the perforations; 5 Perforations of some G-type tracheids combine the characters of S-type tracheids in their distribution, density and diameter.

解剖学的研究加深了对G-型输水管胞的认识 1）验证了管胞次生壁分两个阶段形成的理论（Bierhorst，1960），即先后形成不连续的纤维质层和连续的木质化层，前者易被分解，后者抗侵蚀性强；2）证明管胞纤维质的初生壁和次生壁不具穿孔，Hsüa管胞的木质化次生壁具有不规则的简单穿孔，而不是纵列的纹孔（Li，1992）；3）Hsüa reflexa和Huia gracilis的穿孔铸体可代表木质化次生壁的厚度；4）G-型管胞壁层结构具多样性，植物属一级的分异主要表现在次生壁穿孔的分布、孔腔形状和结构的不同；5）某些G-型管胞的穿孔在其分布、密度和孔径方面可兼有S-型管胞的特征。

And when she buries a Man, that action concernes me: All mankinde is of one Author, and is one volume; when one Man dies, one Chapter is not torne out of the booke, but translated into a better language; and every Chapter must be so translated; God emploies several translators; some peeces are translated by age, some by sicknesse, some by warre, some by justice; but Gods hand is in every translation; and his hand shall binde up all our scattered leaves againe, for that Librarie where every booke shall lie open to one another: As therefore the Bell that rings to a Sermon, calls not upon the Preacher onely, but upon the Congregation to come; so this Bell calls us all: but how much more mee, who am brought so neere the doore by this sicknesse.

当教堂埋葬了一个人，这个行为亦涉及到我：芸芸众生，可看作一卷书籍，其作者只有一个；当一个人死去，代表他的那一章并没有从书中撕去，而是被翻译成一种更好的语言；书中的每一章都会被这样译成更好的语言；上帝雇佣了几个翻译家；有的章节由"年迈"翻译，有的由"疾病"翻译，有的由"战祸"翻译，还有的由"司法"来翻译；不过在所有的译作里都看得见上帝的手；他的手把我们全部散落的书页又重新装订在一起，送回图书馆，那儿，每本书相互敞开，一本挨着一本放好：所以，正如宣布讲道开始的钟声不仅呼唤讲道者开讲，也呼唤信众来听讲一样，这口丧钟呼唤的是我们大家：尤其是呼唤我，呼唤我这个被疾病带到离门口如此之近的人。

Where two or more policies are effected by or on behalf of the assured on the same adventure and interest or any part thereof, and the sums insured exceed the indemnity allowed by this Act, the assured is said to be over-insured by double insurance (2) Where the assured is over-insured by double insurance The assured, unless the policy otherwise provides, may claim payment from the insurers in such order as he may think fit, provided that he is not entitled to receive any sum in excess of the indemnity allowed by this Act; Where the policy under which the assured claims is a valued policy, the assured must give credit as against the valuation for any sum received by him under any other policy without regard to the actual value of the subject-matter insured; Where the policy under which the assured claims is an unvalued policy he must give credit, as against the full insurable value, for any sum received by him under any other policy; Where the assured receives any sum in excess of the indemnity allowed by this Act, he is deemed to hold such sum in trust for the insurers according to their right of contribution among themselves.

当被保险人或其代表，(1)就同一冒险和利益或其中的一部分订立了两份以上的保险单，且保险金额超过本法所允许的赔偿限额时，被保险人即被视为因重复保险而超额保险。(2)在被保险人因重复保险而超额保险之场合：除非保险单另有规定，被保险人可根据自已认为合适的顺序，依次向其保险人索赔，但他所得金额不得超过本法允许的赔偿限额；如果被保险人凭以索赔的保险单是一份定值保险单，被保险人必须将其他保险单项下他已收取的任何数额从约定保险价值中扣除，无需考虑保险标的的实际价值；如果被保险人据以索赔的保险单是一份不定值保险单，被保险人必须将其他保险单项下他已收取的数额从全部保险价值中扣除；若被保险人得到的金额超过本法所允许的赔偿额，则此种超出金额即被视为由被保险人代各保险人托管，由保险人按他们之间的分摊权利摊回。

Where two or more policies are effected by or on behalf o f the assured on the same adventure and interest or any part thereof, and the sums insured exceed the indemnity allowed by this Act, the assured is said to be over-ins ured by double insurance (2)Where the assured is over-insured by double insurance The assured, unless the policy otherwise provides, may claim payment from the insurers in such order as he may think fit, provided that he is n ot entitled to receive any sum in excess of the indemnity allowed by this Act;Where the policy under which the assured claims is a valued policy, the assured must give credit as against the valuation for any sum rec eived by him under any other policy without regard to the actual value of the subject-ma tter insured;Where the policy under which the assured claims is an unvalu ed policy he must give credit, as against the full insurable value, for any sum rec eived by him under any other policy; Where the assured receives any sum in excess of the indemnit y allowed by this Act, he is deemed to hold such sum in trust for the insurers acco rding to their right of contribution among themselves.

1当被保险人或其代表，就同一冒险和利益或其中的一部分订立了两 32。份以上的保险单，且保险金额超过本法所允许的赔偿限额时，被保险人即被视为因重复保险而超额保险。(2)在被保险人因重复保险而超额保险之场合：除非保险单另有规定，被保险人可根据自己认为合适的顺序，依次向其保险人索赔，但他所得金额不得超过本法允许的赔偿限额；如果被保险人凭以索赔的保险单是一份定值保险单，被保险人必须将其他保险单项下他已收取的任何数额从约定保险价值中扣除，无需考虑保险标的的实际价值；如果被保险人据以索赔的保险单是一份不定值保险单，被保险人必须将其他保险单项下他已收取的数额从全部保险价值中扣除；若被保险人得到的金额超过本法所允许的赔偿额，则此种超出金额即被视为由被保险人代各保险人托管，由保险人按他们之间的分摊权利摊回。

Once any such stock certificate is issued and during the period that the Plan holds the Restricted Shares, Officer shall be entitled to all rights associated with the ownership of shares of Common Stock not so held, except as follows: if additional shares of Common Stock become issuable to Officer with respect to Restricted Shares due to an event described in Section 6 below, any stock certificate representing such shares shall be issued in the name of the Plan and delivered to the Committee or its representative and those shares of Common Stock shall be treated as additional Restricted Shares and shall be subject to forfeiture to the same extent as the shares of Restricted Shares to which they relate; if cash dividends are paid on any shares of Common Stock subject to the terms of this Agreement, those dividends shall be reinvested in shares of Common Stock and any stock certificate representing such shares shall be issued in the name of the Plan and delivered to the Committee or its representative and those shares of Common Stock shall be treated as additional Restricted Shares and shall be subject to forfeiture to the same extent as any other Restricted Shares; and Officer shall have no rights inconsistent with the terms of this Agreement, such as the restrictions on transfer described in Section 4 below.

一旦任何此类股票证书已颁发，在计划持有受限股的期间，管理人员有权享有与持有相应普通股股份有关的一切权利，但以下情况除外：如果由于以下第6条中所述的事件，导致可向管理人员发行额外的普通股股份，则任何代表该等额外股份的股票证书应以计划的名义发行并交付给委员会或其代表，且该等普通股股份应被视作额外的受限股，并和与其相关的受限股遵守同样的没收规定；如果对服从于本协议之条款的任何普通股股份支付现金股息，该等股息应重新投资到普通股股份中，任何代表该等股份的股票证书应以计划的名义发行并交付给委员会或其代表；以及管理人员不得拥有任何与本协议之条款（比如下述第4条中所述的转让限制）不一致的权利。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Within the last few years these Gnostic vowels, so long a mystery, have been the object of careful study by Ruelle, Poirée, and Leclercq, and it may be considered proven that each vowel represents one of the seven planets, or archons; that the seven together represent the Universe, but without consonants they represent the Ideal and Infinite not yet imprisoned and limited by matter; that they represent a musical scale, probably like the Gregorian 1 tone re-re, or d, e, f, g, a, b, c, and many a Gnostic sheet of vowels is in fact a sheet of music.

在过去几年中这些gnostic元音，只要是一个谜，已对象仔细研究ruelle ， poirée ，勒克莱尔，它可被视为证明，每个元音代表之一的七个行星，或执政官；表示，七一起代表宇宙，但没有辅音他们所代表的理想和无限尚未被监禁的和有限的问题；他们所代表的一出音乐剧的规模，大概想阳历一月的语气再转口，或D ，电子商务，男，克，， B ， C和许多gnostic资产负债表元音，其实是一张音乐。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。