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2Nd, thorough analysis: The Earth may say is an extremely marvelous thermonuclear reactor, when the earth interior pressure achieved certain critical, in the Earth material may decay the nuclear matter is called as the thermonuclear material, can have the thermonuclear reaction, thus has the huge energy, then the melted partial materials, form the rock magma are the liquid state materials, this response stratification plane is possibly many stratification planes, first possibly is located between the earth's crust and the mantle, upward next two transfers, displays for the light density material diastrophism as well as density upper mantle material phenomena and so on solidification; Under second possibly is located between the mantle and the core, the pressure is more formidable, causes not not easily to have the thermonuclear reaction thermonuclear material to have the response, forms the relative quite stable liquefied material level, simultaneously is upward next two transfers, forms the counter-flow phenomenon which the high density under mantle as well as the high density core material contact liquefies and is far away cools; These material periodicity regular movements and so on convection as well as Earth polar axis rotation are possibly the basic source powers which the terrestrial magnetic field produces.

深入剖析:地球可以说是一个非常奇妙的热核反应堆,当地球内部的压力达到一定的临界,地球物质中可衰变的核物质统称为热核物质,就会发生热核反应,从而产生巨大的能量,进而融化部分物质,形成岩浆即液态物质,这个反应层面可能是多个层面,第一层可能位于地壳与地幔之间,向上下两边对流,表现为轻密度物质的地壳运动以及中密度上地幔物质的固化等现象;第二层可能位于下地幔与地核之间,压力更为强大,引起不易发生热核反应的热核物质发生反应,形成相对比较稳定的液化物质层,同时向上下两边对流,形成中高密度的下地幔以及高密度地核物质的接触液化和远离冷却的对流现象;这些对流以及地球极轴自转等物质周期性规律性运动可能是地球磁场产生的根本源动力。

Morphological and cytological observations showed that the pol CMS plants in DGCMS-Yi-3A were complete male sterile, had no pollen sac differentiation and had smaller petals and stamens at higher temperature situation. They were partial sterile, had 1~3 pollen sacs in each anther and had relative bigger petals and stamens at lower temperature situation.

花器形态和花药发育的解剖学观察结果表明,DGCMS-宜3A中表现波里马细胞质雄性不育的植株,其花器形态和花药发育的解剖学特点与pol CMS相同,即在高温条件下,花瓣较小,表现彻底不育,无花粉囊的分化,在低温条件下,花瓣变大,表现部分雄性不育,可分化出1~4个花粉囊,并产生一定数量可育花粉。

Morphological and anatomical observationsshowed that the pol CMS plants in DGCMS-Yi-3A were complete sterile and hadno pollen sac differention at higher temperature condition,and were partialsterile and had 1-3 pollen sacs in each anther at lower temperature condition.

花器形态和花药发育的解剖观察表明,DGCMS-宜3A中表现波里马细胞质雄性不育的植株在高温条件下表现为彻底雄性不育,无花粉囊的分化;在低温条件下,表现部分雄性不育,可分化出1-3个花粉囊,产生少量可育花粉。

I have been there for many times to do sketches. The cracked old roots and fissures of the truck touched the bottom of my heart again and again. In the painting "Cypresses in the Forbidden City", I used a so-called method of scattered dots to depict the fissures which is extremely rare in similar paintings, while for the walls I used the crimpling skills to reveal its weathering nature. It is because I believe that all techniques and effects should be centered on the main themes, to make paintings more profound in humanism.

我曾无数次地到那一带去写生,那苍茫的老树根,那干裂的树纹肌理,曾一次次地触动我的心扉,《皇城古柏》这幅画我用散笔法来表现柏树的纹理效果,由上至下,气韵贯通,这种方法在画柏树里并不多见,用打点的方法来点树叶,层层打点积厚,但又注意疏密的关系对比,形成密不透风,疏可走马的效果,而皇城的城墙我则采取皱纸法来做出墙面的沧桑肌理效果,以此来传达出皇城这一历经风雨的历史厚重感,我的创作理念是:一切技法和效果为主题服务,让画面丰富起来,让画面融入人文内涵。

The influence environment on design of cover designs, the most influential for what has been designed to the creator, the influence of managing in fine arts , design , literature environment and magazine's management and attribute and publisher second place, the influence of politics , economy , fashion and amusement culture takes second place again. Among them close connecting with most in subject matter and era environment of ' the illustration ', it is the important key of facilitating the style form to display , its factor influencing cover design is mostly indirect but not direct , the involvement not painstaking or single either; Cover designs to it influences to be but what short time can be found out to some extent to environment, the environment and interdynamic relation of one of design of cover designs are complicated to symbolize era.

时代环境对封面设计的影响,以设计创作者的影响最大,美术、设计、文学环境与杂志经营、属性与发行人的影响次之,政治、经济、流行及娱乐文化的影响又次之;其中「插图」的题材与时代环境最具关连,是促成风格形式表现的重要关键,其影响封面的因素多是间接而非直接的,也并非刻意或单一的介入;而封面对环境是有所影响但并不是短时间就可看出的,象徵时代环境和封面设计间之互动关系是复杂的。

A ''Transparent'' copy of the Document means a machine-readable copy, represented in a format whose specification is available to the general public, that is suitable for revising the document straightforwardly with generic text editors or generic paint programs or some widely available drawing editor, and that is suitable for input to text formatters or for automatic translation to a variety of formats suitable for input to text formatters.

文件的&透明&拷贝指的是一份机器可读的拷贝,它以一种一般公众可以取得其规格说明的格式来表现,适合于直接用一般文字编辑器、一般点阵图像程序用于由图元像素构成的影像或一些可以广泛取得的绘图程序用于由向量绘制的图形直接地进行修订;并且适合于输入到文字格式化程式,或是可以自动地转换到适合于输入到文字格式化程序的各种格式。

A ''Transparent'' copy of the Document means a machine-readable copy, represented in a format whose specification is available to the general public, that is suitable for revising the document straightforwardly with generic text editors or generic paint programs or some widely available drawing editor, and that is suitable for input to text formatters or for automatic translation to a variety of formats suitable for input to text formatters.

文件』的「透明」拷贝指的是一份机器可读的拷贝--它以一种一般公众可以取得其规格说明的格式来表现,适合于直接用一般文字编辑器、一般〔点阵〕图像程序(用于由图元像素〔pixel〕构成的影像)或一些可以广泛取得的绘图程序(用于由〔向量〕绘制的图形)直接地进行修订;并且适合于输入到文字格式化程序,或是可以自动地转换到「适合于输入到文字格式化程序」的各种格式。

A ''Transparent'' copy of the Document means a machine-readable copy, represented in a format whose specification is available to the general public, that is suitable for revising the document straightforwardly with generic text editors or generic paint programs or some widely available drawing editor, and that is suitable for input to text formatters or for automatic translation to a variety of formats suitable for input to text formatters.

文件』的「透明」拷贝指的是一份机器可读的拷贝--它以一种一般公众可以取得其规格说明的格式来表现,适合於直接用一般文字编辑器、一般〔点阵〕图像程式(用於由图元像素〔pixel〕构成的影像)或一些可以广泛取得的绘图程式(用於由〔向量〕绘制的图形)直接地进行修订;并且适合於输入到文字格式化程式,或是可以自动地转换到「适合於输入到文字格式化程式」的各种格式。

Half. We face a half-opened flowers, the dark half of the wing-dropping, we are gay, but we are human beings, or in such manner of a normal social life, looking at normal people, we must demonstrate our sun, we have to pretend love the sun, pretending to hate the dark, may our hearts are so yearning for darkness, hate the sun.

一半。 我们的脸上一半开出花朵,一半永坠黑暗,我们是gay,但我们也是人,还是在这样正常的社会苟且的活着,看着正常的人们,我们要表现出我们的阳光,我们要假装热爱太阳,假装讨厌黑暗,可我们的内心是那么的向往黑暗,讨厌阳光。

It should be performed by an expert interventional cardiologist, and when the patient shows well-defined, high-risk clinical characteristics or absolute contraindications to FT.1 2 In daily practice, however, pPCI cannot be offered to all patients presenting with acute STEMI, primarily because of logistical constraints or long distances from the first available catheterisation laboratory.

当患者诊断明确、具有高风险的临床表现、或为溶栓的绝对禁忌症时,应由一位专业的心脏病介入医生操作执行。然而,在日常的工作中,不是所有急性STEMI的患者都使用PPCI治疗的,主要是因为后勤限制或患者距离其可使用的导管室路途远所致。

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