可描写的

While in quantum mechanics the state of a system is described by a wave function, which is a non-zero square modulus integrable complex value function defined on the configuration space of the system.

整个世界的运动是决定论的。而在量子力学中每个体系的状态由一个非零的定义在位形空间上模平方可积的复值函数所描写。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

LI Bihua who owns many years of the empirical background to dramatize has the very strong silver consciousness of "write for the silver screen", because of this its novel have the special and strong photoplay feature: First, a painting montage of environment describing; Second, the person depiction of manuscript turns; Thrid, the details structure is enantiomorphous; Fourth, the descriptive language can be seen and felt, which is also concise and comprehensive.

拥有多年编剧经验背景的李碧华有着极强的"为银幕写作"的银屏意识，其小说因之而具有浓厚的电影剧作之特色：一、声画蒙太奇环境描写；二、剧本化人物描写；三、情节结构镜头化；四、叙述语言的可视可感和言简意赅。

LI Bihua who owns many years of the empirical background to dramatize has the very strong silver consciousness of "write for the silver screen", because of this its novel have the special and strong photoplay feature: First, a painting montage of environment describing; Second, the person depiction of manuscript turns; Thrid, the details structure is enantiomorphous; Fourth, the descriptive language can be seen and felt, which is also concise and comprehensive.

拥有多年编剧经验背景的李碧华有着极强的&为银幕写作&的银屏意识，其小说因之而具有浓厚的电影剧作之特色：一、声画蒙太奇环境描写；二、剧本化人物描写；三、情节结构镜头化；四、叙述语言的可视可感和言简意赅。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

The fifth incantation is a musical summation of all that has come before: the higher register represents the loud crying and screaming while the pivot note G-sharp expands quickly; the lower register sounds like weeping. The music describes the funeral of the chief, but Jolivet also expresses his painful mood at his mother's death.

第五段咒文是一个总结，高音域的动机加上快速的中心音升G扩张，可视为大声哭喊，另一个中音域动机则可视为低声啜泣；乐段当中描写族长的葬礼，藉此表达若利维因丧母的痛苦情绪。

Based on demonstrative analyses of the characteristics of a translator's creative treasons in his Chinese-English translating of a short text, the paper aims to study the interaction of the textual features and their internal constraints with the translator's subjectivity in his translating. It also endeavors to show the relationships between the subjectivity and objective constraints of both internal and external factors, so as to achieve referential, verifiable and descriptive theoretic representations.

内容提要：本文从实证分析出发，通过对一篇中译英所体现出的译者主体艺术&创造性叛逆&特征的个案研究，探讨中文文本特征及其内在规约性与主体性之间的互动关系，并对二者之间的内在与外在联系作出阐释和论证，以其形成可参照性、可印证性、可描写性的理论表征。

The vast landscape of Colorado is the backdrop to Obama's final fictional choice,"Plain Song" by Kent Haruf, which delves into small town life in the heartland.

奥巴马可读的最后一本小说、肯特哈罗夫所著的《无伴奏圣歌》以科罗拉多州壮丽的风光为背景，深入描写了其中心地区的小镇生活。

In work of Taiwanese Cainozoic writer, there is one fraction to depict teenagers'growth, these work can dissertate together, because they have the common content. the main body of this is a preliminary research about these work .

台湾的新生代作家的作品中，有一小部分是描写青少年成长的，这些作品的内容，有可论述的共同之处，本文就对这些作品，做一下初步的研究。

"Even a cursory examination of the evidence in representational arts shows that angels and cherubs cannot take off and cannot use powered flight," said Prof Wotton.

&经过粗略测试代表作品中的描写及描画，我们就可获知：天使以及童天使基本没有动力系统，无法下降，&沃顿教授说。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。