可推论的

Statistical quality control is the method used to measure variability in product for evaluation and corrective actions.

根据统计的推论，当产品超出了可接受范围时，就有合理的理由确认产品不符合要求而拒绝它。

It is concluded that SPARC gene play a role as an oncosuppressor-like gene in NPC and HCC tumorigenesis.

由此可下个推论，SPARC基因在鼻咽癌和肝癌的肿瘤形成机制中扮演一个类似抑制制癌基因的角色。

A combination of citric acid addition, dephytinization and iron supplementation significantly increased the iron absorption in an oat-based beerage.

推论 添加柠檬酸，去植酸化以及铁剂补充的联合使用可明显增加燕麦饮料的铁吸收率。

Besides, Three different theoretical viewpoints (Chinese authority orientation, social power, and emotional transaction and dramaturgical theory) lead us to contend that when supervisors are authoritarian, subordinates have strong tendency to suppress their anger.

再者，从中国人权威倾向、社会权力的基础、及情绪互动与戏剧理论等三个不同的角度分析，可进一步推论：威权领导行为对部属的愤怒情绪克制倾向具有预测效果。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

The results obtained for Cp and Cpm with multiple samples in our investigation, are generalizations of those obtained in Cheng and Spiring (1989) and Shiau et al.

对於Cp和Cpm所得到的结果可分别视为Cheng 与 Spiring (1989)和Shiau等人(1999a)之推论在多重样本下的推广。

The latter statement may be dismissed as among those inferences which theological controversialists are too fond of imputing to their opponents.

后者的声明可被视为这些推论这神学controversialists是太喜欢的估算，以他们的对手。

In addition, we'll discuss these four ballades from theme, motive, ways of creation and harmony, compare four different editions, then try to realize the intention of Chopin's creation and melody. Finally, we hope that we can find out whether revolution and unity in Chopin's writing from these four ballades.

另外，藉由主题、动机、创作手法、和声等四个向度来探讨这四首叙事曲，并比较四种不同的乐谱版本，推论出萧邦当时创作上的意图与如何适合於乐曲的个人诠释之浅见，最后，期望可从这四首叙事曲发现萧邦在乐曲创作上有无创新性与统一性。

There might be a market for inferential power like that, especially if it could be yoked to some of the autonomous semi-intelligent agents that are already buzzing around on the Internet.

如果像那样的话，推论力也可能有市场，尤其是如果它能跟一些在互联网上已经流传开的、自发的半智能力量结合在一起时更可

Rationalists believe all knowledge can be deduced from known laws or basic truths of nature.

理性论学者相信所有知识必可由已知的法则与事实推论而得。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。