可成像的

In Zhong Shan's artworks,"Double images" art has man's appearance and figure as the subject, and expresses in the form of "diptych". The two works are placed side by side, and can be compared and observed, expressing the meaning of two in one and the relationship between concepts such as the internal and the external, ego and alter ego, real image and virtual image, sense and sensibility, spirit and material, double image and corresponding and so on. His art shows that the artist is reflecting the contemporary society from a special view angle and that the symbols bearing the weight of human social and historical culture and contemporary ideology occur in various changing characters, showing the colorful world of today.

在艺术家钟山的艺术中，"双相艺术"是指以人物等容貌、外形为表现主体，以双联成对形式这种新的阐释方式呈现，它们相互并列对置，可进行比较、审视，共同表达一体两面、内在与外在、本我与异我、实象与虚象、理性与感性、精神与物质、双像与对应等理念的关系，传达出艺术家以另类视角审视当代社会，体现那承载着人类社会和历史文化脉络及当代流行意识形态的符码，形形色色交织演绎在万千变化的形象上，展现着今天这个缤纷万象的世界。

The gods can be divided into four kinds,the first kind includes Buddha and Bodhisattva,who are recorded by sutra and have the western image;the second kind is the lokapala who transformed by Indian gods;the third kind includes the gods recor- ded by sutra and created by Chinese,but their images do not exit in India;the fourth kind is the gods mixed.

印度诸神像来到中国，大致可分为四类：第一类是既有佛经的记述，又有西方的形象依据，如诸佛、诸菩萨等；第二类是由印度教诸神转化成的佛教护法神；第三类是佛经虽有记述而印度未有造像者，则由中国人大胆创作；第四类是中国人调和不同宗教的造像，把不同宗教的像造在一起。

But that weighs very little with the peasant, for he suddenly discovers values in Repin's picture that seem far superior to the values he has been accustomed to find in icon art; and the unfamiliaritself is one of the sources of those values: the values of the vividly recognizable, the miraculous and the sympathetic.

但是对这个农民来说，这并不打紧，因为他突然在列宾的画里发现了有价值的东西，远远胜过他从业已习惯了的圣像艺术中所发现的价值；而不熟悉本身却成了那些价值来源中的一种：栩栩如生的可辨认的价值、不可思议的神奇价值、移情的价值。

Third, on the base of Construction Grammar, this thesis not only uses metalanguage to interpret the vague event, but also retrieves the semantic components from the whole construction. In other words, this thesis postulates: although these three verbs are not full fledged pro-verbs in some cases, they behave like pro-verbs that they are 'super-lexical' morphemes and act differently from other predicates which just render a situation type for the event. For example, the frame-evoking verbs may change the situation type of an activity into a resultative state, or imply that the speaker takes business as an informal event in a rather pejorative tone.

再者，本文除了发现格式语法可以透过后设语言明确描述隐含的事件，并且可以透过对整个格式语意成分的提取，尽管在某些情况下尚不成熟，但可将这三个常项动词设定成整个语意框架内的「代动词」，换句话说，这三个动词的地位是在一般词汇之上，因为他们不像一般动词那样只给所带出的事件一个「动相类型」，而是可以提供整个语意框架较多的语意诠释：可能是一个事件状态的改变，例如：产生一个「结果状态」，或是使整个框架得到一个作说者对待事件的「角度」，例如：作说者用比较「贬义的角度」来看待该隐含的事件等等。

The contour map is the easiest to distinguish the height of the terrain. According to the study, it demonstrated that the contour map has to be understudied by learning.But there have not suitable teaching materials to supply learning. However, the conventional map is restricted on the paper; the real world must be displayed by usingthe two-dimension. From this research, using the olography in order to get observe the terrain of stereoscopic vision and analyze the geology.

中文摘要等高线地图是最易判别地形高低的地图，但相关研究中显示等高线图必须经由学习才能看的懂且并无适当的教学媒材及设备供学习，而早期传统的地图受限於纸上，必须将真实的世界以二维的方式来展示，现在如果透过全像立体影像的技术，便可将一般平面影像制作成三维立体影像，以便於做地形的立体观察及地质判释。

And see no end to the landscape,new objects presenting themselves as we advan ce;so,in the commencement of life,we set no bounds to our inclinations.nor to the unrestricted opportunities of grastifying them.we have as yet found no obs tacle,no disposition to flag;and it seems that we can go on so forever.we look round in a new world,full of life,and motion,and ceaseless progress;and feel in ourselves all the vigour and spirit to keep pace with it,and do not foresee from any present symptoms how we shall be left behind in the natural course o f things,decline into old age,and drop into the grave.it is the simplicity,and as it were abstractedness of our feelings in youth,thatidentifie s us with nature ,and(our experience being slight and our passions strong)delu des us into a belief of being immortal like it.our short-lives connexion with existence we fondly flatter ourselves,is an indissoluble and lasting union-a h oneymoon that knows neither coldness,jar,nor separation.as infants smile and s leep,we are rocked in the cradle of our wayward fancies,and lulled into securi ty by the roar of the universe around us0we quaff the cup of life with eager h aste without draining it,instead of which it only overflows the more-objects p ress around us,filling the mind with their magnitude and with the strong of de sires that wait upon them,so that we have no room for the thoughts of death.

此时，但觉好风光应接不暇，而且，前程更有美不胜收的新鲜景致。在这生活的开端，我们听任自己的志趣驰骋，放手给它们一切满足的机会。到此为止，我们还没有碰上过什么障碍，也没有感觉到什么疲惫，因此觉得还可以一直这样向前走去，直到永远。我们看到四周一派新天地——生机盎然，变动不居，日新月异；我们觉得自己活力充盈，精神饱满，可与宇宙并驾齐驱。而且，眼前也无任何迹象可以证明，在大自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因而将自己跟大自然划上等号；并且，由于经验少而感情盛，误以为自己也能和大自然一样永世长存。我们一厢情愿，痴心妄想，竟把自己在世上的暂时栖身，当作千古不变、万事长存的结合，好像没有冷淡、争执、离别的密月。像婴儿带着微笑入睡，我们躺在用自己编织成的摇篮里，让大千世界的万籁之声催哄我们安然入梦；我们急切切，兴冲冲地畅饮生命之杯，怎么也不会饮干，反而好像永远是满满欲溢；森罗万象纷至沓来，各种欲望随之而生，使我们腾不出工夫想死亡。

S don't want a second guess this is the bottom line it's true I gave my all for you now my heart's in two and I can't find the other half its like im walking on broken glass better believe I bled its a call I'll never get So this is where the story ends a conversation on I.M.

oooh ，这是一个求救信号不要再去猜想这是底线这是真的我将一切给你可现在，我的心脏碎成了两半而我无法找到另一半我就像走在碎玻璃上我相信在流血这将是一个我永远也不会接的电话这将是一个我永远也不会接的电话*以上这些全是我亲手翻译的，字字皆辛苦啊！

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了