可怜的人

He felt an abounding sense of relief and security, now, which revealed to him in a degree which he had not fully appreciated before how vast a weight of dread had been lying upon him since the day he lifted his voice against this bloody-minded outcast.

但不管怎么说他觉得现在十分地快慰和安全，这一点他以前从没有体会到。自打他做证，证明那个流浪汉的罪行之后，他心头一直有种沉重的恐惧感。以便有所寄托。这个可怜人是饿死的。

Spectators, not entering into this excessive tenderness, shouldregard it as effeminacy and weakness. The wretch whosewe are likely to enter into his sorrow, and therefore proposeshalf of it, and is ashamed, upon account of this hard-heartednessof mankind, to give vent to the fulness of his affliction.

以自身不幸来激发我们同情的可怜人，由于感觉到我们对其不幸所给予的同情可能十分勉强，因此在向我们展示其遭遇时总是畏首畏尾，首鼠两端；他甚至会对自己的悲伤半遮半掩，也正是因为人类这种冷漠无情，才使他在向人们倾诉自己悲情时颇感汗颜。

I've got to go Gotta leave you all behind and face the truth Mama, I don't want to die I sometimes wish I'd never been born at all I see a little silhouetto of a man Scaramouche, Scaramouche, will you do the Fandango Thunderbolt and lightning, very very frightening me Galileo Galileo Galileo figaro Magnifico I'm just a poor boy and nobody loves me He's just a poor boy from a poor family Spare him his life from this monstrosity Easy come, easy go, will you let me go Bismillah!

有时候，我希望自己没有出生到这个世上，我看到一个男人的侧影， Scaramouche ，你会跳西班牙舞吗？雷鸣与闪电把我吓坏了， Galileo Galileo Galileo figaro Magnifico 我只是个穷人的孩子，没有人喜欢我，他只是个来自穷苦人家的可怜孩子，饶了这个怪胎一命吧！

Let us imagine a coming generation with such intrepidity of vision, with such a heroic penchant for the tremendous; let us imagine the bold stride of these dragon-slayers, the proud audacity with which they turn their back on all the weaklings' doctrines of optimism in order to "live resolutely" in wholeness and fullness: would it not be necessary for the tragic man of such a culture, in view of his self-education for seriousness and terror, to desire a new art, the art of metaphysical comfort, to desire tragedy as his own proper Helen, and to exclaim with Faust

今日的艺术已显出这种普遍的困难：他们徒然依赖一切伟大创造时代和创造天才作为榜样；人们徒然搜集全部"世界文学"放在现代人周围以安慰他；人们徒然使人置身于历代艺术风格和艺术家中间，以便一一命名，象亚当给走兽命名那样；然而，读者始终是饥肠辘辘，"批评家"则愁眉苦脸，没精打彩，象亚历山德里亚的学者们那样，他们毕竟是图书馆员和校勘者，可怜让书上尘埃和误刊错字弄得失明。

This is not to say to re-announce the nefariousness of the subject with its original sin, but to think thoughts as "compound relation of forces" a

想必大家会觉得这实在是贫乏的可怜，但是他似乎道出了一些人的心声和当前文化上的模糊意识。

How many a poor immortal soul have I met well-nigh crushed and smothered under its load, creeping down the road of life, pushing before it a barn seventy-five feet by forty, its Augean stables ,never cleansed, and one hundred acres of land, tillage, mowing, pasture, and woodlot!

我曾见证多少苟延残喘的可怜人，他们经营着一个长宽七十五与四十英尺的大仓库和上百英亩的土地，成天忙于耕种、放牧、护林，甚至无暇顾及仓库，以致未得清理而肮脏之极。生活路上，他们就这样踽踽而行，重压之下，几乎窒息至死。

This photo of a sad man in a bread line is a symbol of this difficult period in United States history.

这张图片上排队等候面包救济的可怜人是美国这一困难时期的标志。

The poor man in poverty sleeps on the f loor at the doorway.

那个贫困的可怜人睡在门口的地板上。

Of their own bodies. The horror which they conceive at the misery of those wretches affects that particular

对那些可怜人的悲惨，在自己心中产生的恐惧对身体某部分有着比其它部分都要

Very few people were still out except a few sad-looking homeless people under blankets.

除了几个裹在毯子里的无家可归的可怜人，街道上几乎没有人了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。