可怜的人

One of her favorites is putting Kirkland into a ring with two men and having him fight both at the same time.

她最喜欢的一种训练手段是：让科克兰在拳台上同时与两名陪练手过招，可怜的他刚躲过一人的来拳，就会挨上另一人的来拳。

But they hadn't gone far when they passed two women, one of whom said to the other: 'Shame on that lazy lout to let his poor little son trudge along.

但是他们没去，当他们通过了二名妇女，对其他说的其中一人：在那个懒惰笨人的'羞辱让他可怜的矮小的儿子费劲地走。

Yet I experienced sometimes that the most sweet and tender, the most innocent and encouraging society may be found in any natural object, even for the poor misanthrope and most melancholy man.

然而我有时经历到，在任何大自然的事物中，都能找出最甜蜜温柔，最天真和鼓舞人的伴侣，即使是对于愤世嫉俗的可怜人和最最忧慢的人也一样。

M – Oh, he is a gorgeous gentleman! I felt very sorry for him on set to begin with, because nobody talked to him. Only a few people could speak English and everyone was so busy. But he's a very generous guy, very gentle. We had one scene at the end of the movie where we say goodbye and the script said that we should hug. When we did it, he kissed me on my cheek – unrehearsed with the cameras rolling. I was a little bit shocked, being such an innocent Chinese girl.

h3 h'{； W。 i r$ q聆听璇律叶璇影迷会璇-他是个十足的绅士，刚开始我觉得他十分可怜，因为没人跟他说话，只有少数几个人会说英语而且每个人都很忙，但是他是个很不错的人，非常和善，有一场戏的最后我们说再见，剧本里要求我们拥抱，当我们拥抱的时候，他亲了亲我的脸颊，我有一点震惊，因为我是一个内敛的传统中国女孩。

J; g0 B# q1 b k' M$ w7 V聆听璇律叶璇影迷会 M – Oh, he is a gorgeous gentleman! I felt very sorry for him on set to begin with, because nobody talked to him. Only a few people could speak English and everyone was so busy. But he's a very generous guy, very gentle. We had one scene at the end of the movie where we say goodbye and the script said that we should hug. When we did it, he kissed me on my cheek – unrehearsed with the cameras rolling. I was a little bit shocked, being such an innocent Chinese girl.

Z4 d* X！ t4 H+ u$ u/ R 璇-他是个十足的绅士，刚开始我觉得他十分可怜，因为没人跟他说话，只有少数几个人会说英语而且每个人都很忙，但是他是个很不错的人，非常和善，有一场戏的最后我们说再见，剧本里要求我们拥抱，当我们拥抱的时候，他亲了亲我的脸颊，我有一点震惊，因为我是一个内敛的传统中国女孩。

Even Sedley's valet, the most solemn and correct of gentlemen, with the muteness and gravity of an undertaker could hardly keep his countenance in order, as he looked at his unfortunate master

赛特笠的贴身佣人是个一丝不苟的规矩人，像包办丧事的人一般，向来板着脸不言语，现在看着他主人的可怜样儿，也撑不住要笑。

Her eyes were large and patient, and in them dwelt such a shadow of distress as only those who have looked sympathetically into the countenances of the distraught and helpless poor know anything about.

她的眼睛大而忍耐，在里面藏着悲哀的阴影，似乎只有那些对发狂和可怜无助的人深怀同情的人才能了解。

This young man is a senior in a great school here in orange county , california , in this century . many young people today are not taught about jesus . they might pick up a book that fictionalizes something about jesus that they believe is true , but its not true at all

在这世纪，在加州，他们就在外面，没有人跟他们讲耶稣他们或会看到一本书，一本讲及耶稣的小说，他们就会信以为真其实那不是真的，虚假的印象，这对于无知的人带来何等大的伤害，可怜

He arranged dinners and suppers in honour of it, and obviously tried to be cheerful; but his cheerfulness was not infectious as in old days, but, on the contrary, aroused the commiseration of those who knew and liked him.

他预订午宴和晚宴的酒席，显然是想装出快乐的样子；但是他的快乐已不像以前那样感染人，反而使熟悉他和喜爱他的人觉得他可怜。

When I consider the narrow limits within which our active and inquiring faculties are confined; when I see how all our energies are wasted in providing for mere necessities, which again have no further end than to prolong a wretched existence; and then that all our satisfaction concerning certain subjects of investigation ends in nothing better than a passive resignation, whilst we amuse ourselves painting our prison-walls with bright figures and brilliant landscapes,-- when I consider all this, Wilhelm, I am silent.

我常常看见的创造力和洞察力都受到局限；我常常看见人的一切活动，都是为了满足某些需要，而这些需要出去延长我们可怜的生存，本身又毫无目的的；临了儿，我还发现，人从某些探索结果中得到自慰，其实只是一梦幻者的怠惰，正如一个囚居斗室的人，把四周墙壁统统画上五彩缤纷的形象与光辉灿烂的景物一般--这一切，威廉呦，都令为哑口无言我只好回到自己的内心，去发现一个世界！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。