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Goodbye Alice in Wonderland Jewel It's four in the afternoon I'm on a flight leaving L.A. Trying to think about my life My youth scattered along the highway Hotel rooms and headlines I've made a living with a song Just a guitar as my companion Wanting desperately to belong Fame is filled with spoiled children They grow fat on fantasy I guess that's why I'm leaving I crave reality So goodbye Alice in Wonderland Goodbye yellow brick road There is a difference between dreaming and pretending I did not find paradise It was only a reflection of my lonely mind searching For what was missing in my life I'm embarassed to say the rest is a rock and roll cliche I hit the bottom when I reached the top I never knew it was you who was breaking my heart I thought you had to love me You did not Yes a heart can hallucinate If it's completely starved for love Can even make monsters seem like Angels from above You forged my love like a weapon And turned it against me like a knife You broke my last heartstring But you opened up my eyes So goodbye Alice in Wonderland Goodbye yellow brick road There is a difference between dreaming and pretending That was not love in your eyes It was only a reflection of my lonely mind wanting what was missing in my life And growing up is not the absence of dreaming It's being able to understand the difference between the ones you can hold And the ones that you've been sold Dreaming is a good thing cause it brings new things to life Pretending is an ending that perpetuates a lie Forgetting what you are Seeing for what you've been told Well, truth is stranger than fiction And this is my chance to get it right Life is much better without all of your pretty lies So Goodbye Alice in Wonderland You can keep your yellow brick road there is a difference between dreaming and pretending There's not tears in my eyes It was only a reflection of my lonely mind searching It was only a reflection of my lonely mind finding I find what's missing in my life

再见,梦游仙境的爱丽丝下午四点我在飞离洛杉矶的班机上试着去理顺生活我的青春散落在公路上就宿于各地旅馆,无数次登上头条我以一首歌成功立足吉他为伴我强烈渴望被接受和认可有名的人大多是被宠坏的孩子幻想使我们贪求无餍我猜想这就是我离开的原因我渴望活在现实里因此再见吧,梦游仙境的爱丽丝再见吧,黄砖路梦想和矫饰不同我没有找到天堂那不过是我孤独心灵的一种反映,我渴望找到生命中缺失的东西尽管尴尬,我不得不说一句摇滚乐界的陈词滥调当我的事业达到顶峰时,我的心情跌落到了谷底我从未想过,会是你让我心碎我以为你一定会爱我但你没有是的,如果心对爱饥渴它会产生幻觉,认假为真它甚至可以把妖魔认作下凡的天使你把我的爱练成一种武器然后把它像刀子一样捅向我你断了我最后一根心弦但你让我看清了现实因此再见吧,梦游仙境的爱丽丝再见吧,黄砖路梦想和矫饰不同你眼里的不是爱不过是我孤独心灵的一种反映,我努力寻找生命中缺失的东西成长不是梦想的消失而是一种能分辨你坚守的东西与导致你被骗的东西的能力并且梦想是个好东西因为它给生命带来新鲜事物但矫饰是一个终结它使谎言无限期地延续忘了你是谁只着眼于人们告诉你的那些东西真实比虚构更奇怪而这是我求取真实的机会没有那些漂亮的谎言,生活会变得更美好因此再见吧,梦游仙境的爱丽丝你可以留住你的黄砖路梦想和矫饰不同我眼里的不是泪水不过是我孤独心灵的一种反映,我意识到不过是我孤独心灵的一种反映,我意识到我已经找到了生命中缺失的东西

The language of uncertainty has three main categories:(1) words such as probably, possibly, surely, which denote a single subjective probability and are potentially quantifiable;(2) words like many, often, soon, which are also quantifiable but denote not so much a condition of uncertainty as a quantity imprecisely known:(3) words like fat, rich, drunk, which can not be reduced to any accepted number because they are given different values by different people.

不确定的语言主要可分三类:(1)像probably,possibly,surely一类的记号,它们表达某一主观的、可以量化的可能性;(2)像many,often,soon一类的词,它们也是可以量化的,但它们表示的与其说是不能肯定的状态,不如说是一个知之不确的数量;(3)像fat,rich,drunk一类的词,它们不能将其转化为任何可接受的数字,因为不同的人赋予它们的量值不同。

Loving a person: It's to know and to resolve; it's to apologize and to appreciate; It's to acknowledge and to correct; It's to considerate and to understand; It's acceptance but not tolerance; It's allowance but not indulgence; It's support but not control; It's care but not inquiry; It's release but not complain ; It's indelibility but not oblivion; It's to communicate but not order; It's to pray but not require; You can be romantic but not lavish; You can be easy to fall in love but never make it easy to let go.

爱一个人:要了解,也要开解;要道歉,也要道谢;要认错,也要改错;要体贴,也要体谅;是接受,而不是忍受;是宽容,而不是纵容;是支持,而不是支配;是慰问,而不是质问;是倾诉,而不是控诉;是难忘,而不是遗忘;是彼此交流,而不是凡事交待;是为对方默默祈求,而不是向对方诸多要求;可以浪漫,但不要浪费;可以随时牵手,但不要随便分手。

Although 25 eyes presented with acute angle closure glaucoma, 6 eyes were insidious onset and asymptomatic. While 27 eyes relieved pupillary block after laser iridotomy or surgical peripheral iridectomy, 4 eyes required vitrectomy or laser photomydriasis to relieve pupillary block. Five eyes (16%) developed chronic angle closure glaucoma due to peripheral anterior synechia. one could be controlled by chronic medical therapy, three required trabeculectomy, the another one even required cyclocryotherapy because poor IOP control after trabeculectomy.

虽然大多数的病例(25只眼)以急性发作为临床表徵,但有6只眼为隐袭性,无任何临床症状。27只眼经雷射虹彩瞳孔术或外科周边虹彩切除术后可以解除瞳孔阻塞,另4只眼无法解除而需作玻璃体切除术或雷射光瞳孔放大术。5只眼(16%)因周边前黏连发生慢性隅角闭锁性青光眼,其中1只眼可以药物控制,3只眼需做小梁切除术,另1只眼做小梁切除术后眼压仍无法控制而接受睫状体冷冻治疗。

We can see that interacting is more exceptable to us.Not only visualized and rystallized the nonfigurative objects,but also gave us passion,it improve our tech level in comfortable atmosphere.So we should carry on doing this in the coming activities.

通过本次活动可以看出,现场互动开发的方式非常容易让人接受,它把一些原本很抽象的东西形象化和具体化,可以调动大家的热情,从而在一种很轻松的氛围中使大家的技术水平得到提高,因此,这种方式将在以后的活动中一直坚持下去

Family members have the right to beat as long as the designated victim of the Third condemned the pro-family right at any time within the designated death row in any one or more receiving whip lashes, but the number killed by the state to avoid, but every day is also possible that the specified design ...

家属有鞭打指定权只要是死刑犯受害者之三等亲以内之家属有权随时指定死刑犯中之任何一人或多人接受鞭打不过鞭数由国家统一以免打死但天天指定也是可以的这种设计可以。。。

You will understand what I mean by COMPLEXITYby noting these three aspects. Firstly, it refers tothe complexity in form. When CAD becameinvolved in the design process Architect's wereenabled with a higher level of control over evermore complex geometry. Consequently it canand will generate infinite possibilities in the futurefor form finding, which has shifted in emphasis asa more logical design process based onsystematic theories away from intuitive designtechniques. Secondly, it illustrates our growingsocial complexity. As technologies allow peopleto send and receive more information than before,in ever shorter time frames, the function ofarchitecture and urban space will increasinglybecoming ambiguous. Emergent, adaptive andtransformable spaces are replacing limitedfunction spaces gradually. Even a single spacewould afford more potential functions. Lastly, Iam referring to the complexity of collective design team organizations working on different projects.The fact is that our social work division is moreintricate and variegated today; Architects mustby necessity negotiate with governmentalauthorities, material suppliers, engineeringconsultants, quantity surveyor, contractors,planning authorities, landscape architects, interiordesigners, acoustical engineers, et cetera besidesjust our clients. Meanwhile, projects and designteams tend now to be a globally dispersednetwork. All of these things are challenging theconventional architectural practice, it'sorganization, and administration significantly.

Complex可以从3个层面上理解:首先是指设计形式上的复杂性,即引入计算机数字化技术后,建筑师可以设计和控制更高级、更复杂的几何形体,而不是简单地发挥计算机复制、粘贴的画图优势,让计算机真正参与到设计过程中,带来更多设计形式上的可能性(需要指出的是,这种形式上的演进已经从开始的直觉行为转成由系统理论指导的理性应用);第二,是指与社会学相关的复杂性,科技让人们更多更快地接受和传递信息,建筑和城市空间的功能性变得越来越模糊,无法预知,随时间调整自身、不断变化的空间正在不自觉地逐步取代原有功能确定的传统空间,或者说一个空间要承受比以前晰释复杂性ARTICULATING COMPLEXITY多得多的功能要求;最后,是指在一个建筑方案内团队组织的复杂性,社会分工越来越详尽,建筑师要面对的除了甲方和使用者,还有政府权力部门、材料供应商、工程技术部门、合同签约顾问、城市规划部门、景观设计师、室内设计师、音响设计师等等相关的合作单位,同时,在项目和设计职员的地域分布上更趋向全球化,这些都带给建筑事务所内部管理和组织上前所未有的复杂性。

In his book,"The Age of Turbulence"(2007), he welcomed the growth of CDSs, arguing: Being able to profit from the loan transaction but transfer credit risk is a boon to banks and other financial intermediaries which, in order to make an adequate rate of return on equity, have to heavily leverage their balance sheets by accepting deposit obligations and/or incurring debt.

在他2007年出版的"混乱时代"一书中,他这样写道一方面可以从贷款交易中获利,一方面有可以转移风险,这对银行和很多的金融中介来说都是一笔财富,而这些金融中介为了能够得到足够的资产回报,都不得不通过接受保证金义务和借款来平衡其帐户。

Matteo Ricci, however, accepted Romanist can worship their ancestries as a matter of real situation in China because Matteo Ricci thought this form did not disobey the doctrines of Catholicism.

但利玛窦结合中国的实际情况,接受教徒可以参拜祖先,可以祭天祭祖。因为利玛窦认为这种形式本质并没有违反天主教的教义。

He is at home in any society, he has common ground with every class; he knows when to speak and when to be silent; he is able to converse, he is able to listen; he can ask a question pertinently, and gain a lesson seasonably, when he has nothing to impart himself; he is ever ready, yet never in the way; he is a pleasant companion, and a comrade you can depend upon; he knows when to be serious and when to trifle, and he has a sure tact which enables him to trifle with gracefulness and to be serious with effect.

与任何群体的人相处,他都融洽自然;与任何人相交,他都有共同之处。他明白何时该说话,何时该闭嘴;他善于交谈,也善于倾听;当自己没有什么可陈述的时候,他能够中肯地提出问题,并适时地接受教诲;他总是跃跃欲试,但从不妨碍别人;他是一个让人感到愉快的伙伴,让人可以依赖的朋友;他懂得何时应当严肃,何时可以玩笑;他敏捷而机智,嬉闹时不失优雅,严肃时不怒自威。

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