另一个我

One of my other clients, Cara, spoke to me a few months ago.

我的另一个客户卡拉，几个月前对我讲述了她的痛苦。

I could then hear her darting frantically21 from room to room, wondering where I could be.

接着，我能听到她从这个房间冲到另一个房间寻找我的声音。

I'll walk when my own nature would be leading: It vexes me to choose another guide: where the grey flocks in ferny glens are feeding, where the wild wind blows on the mountain side.

我爱随心所欲，悠游漫步，我讨厌选择另一个向导：在放着羊群长满羊齿草的幽谷，听那狂野的风在山岗上呼啸。

Plain and regularity of life so I started fidgeting, and I will be looking forward to another new life, in between the reality of reincarnation and a place in the discussion.

平原和规律的生活，所以我开始坐立不安，我将期待着另一个新的生活，在现实之间的转世和地点讨论。

I went to another court to watch Gilles Simon.

但我看到Nieminen至少训练了1小时(中途我去另一个场地看Simon的训练了)。

His words is very normal, and make me reknow our national flag from another aspect and make me tear.

丁大卫的普普通通的话，让我从另一个角度认识了我们的国旗，也让我的眼泪不听话地掉下来。

Strange as it is, i had actually seen this picture somewhere before spotting it on this book.

另一个理由是因为照片吸引了我的注意力而我认得这张照片。

The other reason to visit the island beside the geography was that my friends from Ibiza, Torsten and Angela, are now living here! This creative couple is making music for many artists, both locals and international.

另一个使我来这座岛旅游的原因除了美丽的地理环境外，还因为我那些来自IbizaTorsten和Angela的朋友们现在都住在这里！

The other positive change we made was to unclutter my day, providing two hours in the middle of most days for me to read, think, rest, and make phone calls.

我们做的另一个积极改革是把我的时间安排调整了一下，在大部分日子里，每天留出两个小时，供我读书、思考、休息以及打电话。

After much deep root and branch change, which is another story, it did not die but I am sure you get my point.

经过深入彻底的改变，这是另一个故事它没有死，但我肯定你我的意思。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。