另一

They had an argument. and one friend slapped the other one in the face.

其中一位一巴掌扇在另一位的脸上。

Or to paste on to clumsy prose some old spangles of rhetoric, and it is quite another thing to be an accomplished musician or artist or writer.

或者在一篇粗制滥造的散文里贴上几句闪闪烁烁的陈词滥调是一回事；而要成为一个有成就的音乐家、画家或作家，却是另一回事。

It is one thing to strum on the piano, as you and I do, faking the left hand passages as we go along, or to daub a few patchy water colours, or to paste on to clumsy prose some old spangles of rhetoric, and it is quite a nother thing to be an accomplished musician or artist or writer.

而像你我这样，胡乱弹奏钢琴曲，同时还用左手插入即兴的过门，或者不管色彩是否协调，乱涂几笔蘸上水彩，或者在一篇粗制滥造的散文里贴上几句闪闪烁烁的陈词滥调是一回事；而要成为一个有成就的音乐家、画家或作家，却是另一回事。

Leave night , not a sound from the pavement has the moon lost her memory she is smiling alone in the lamplight the withered leaves collect at my feet and the wind begins to moan memory, all alone in the moonlight i can smile at the old days life was beautiful then i remember the time i knew what happiness was let the memory live again every street lamp seems to beat a fatalistic warning someone mutters and the street lamp sputters and soon it will be morning daylight i must wait for the sunrise i must think of a new life and i mustn't give in when the dawn comes tonight will be a memory too and a new day will begin burnt out ends of smoky days the stale court smell of morning a street lamp dies another night is over another day is dawning touch me, it is so easy to leave me all alone with the memory of my days in the sun if you'll touch me, you'll understand what happiness is look, a new day has begun...

离开晚上，没有一个健全的路面已经失去了在月球记忆她面带微笑独自在灯光收集的枯萎叶片在我的脚下和风力开始呻吟记忆，独自在月光下我可以微笑古早生活是那么美好我记得当时我知道什么是幸福让生活再次记忆每个路灯似乎击败宿命预警有人悄悄地和路灯sputters 不久，这将是今天上午白天我必须等待日出我必须想出一个新的生命，我绝不能放弃的当黎明来今晚将是一个记忆太和新的一天开始烧坏两端黑烟天法院的陈腐气味上午街道灯模具一个晚上结束另一天的曙光碰我，是很容易离开我所有单独的内存我的天在太阳底下如果您要碰我，你就会明白什么是幸福你看，新的一天已经开始。。。

One sold tailors' dummies, another had developed software that tells you what your house is worth.

其中一位出售裁缝用的人体模型，另一位开发了一种能计算你的房子值多少钱的软件。

The larger implication of this compositional method becomes clear when we consider a resemblance at another level: both Pound's and the New Historicist's works are global in scale-they tend to use Luminous Details to reveal large pictures of a society or culture. In Pound's words, it is to use "a sufficient phalanx of particulars" to capture recurring paideumatic structures of civilization; in New Historicist terms, it is to put tiny tissues of textual traces under a microscopic lens in order to reveal a picture of a "sublime confrontation between a total artist and a totalizing society."

当我们关注另一层次上的相似性时，这一结构模式所具有的更为深广的涵义更加明显：庞德和新历史主义的著作都相应地具有全球性，两者都倾向于使用透明细节来展示社会或文化的宏大图景－按照庞德的说法，即要用&密集的细节&来捕捉不断复现的根本性的文明结构；按照新历史主义的说法，即要将文本线索的微小结构置于显微镜下以展示&整个艺术家与整一化的社会之间壮观的对峙&图景。

Transposing words or names from one language or alphabet into another is evidently an inexact science.

显然，将一个词语或名字从一种语言或字符转化为另一种是一门不严谨的科学。

Their brother, who is older than they are, stands up in the swing; he twines his arms round the cords to hold himself fast, for in one hand he has a little cup, and in the other a clay-pipe.

她们的哥哥站在秋千上，用手臂挽着绳子来稳住自己，因为他一只手托着一个小碟子，另一只手拿着一根泥烟嘴。

Then she dashed from table to table,blowing a whistle that unfurled like a paper tongue.

然后她从一张桌子冲到另一张桌子，吹着一种能像纸舌头一样展开的口哨。

Two astronauts spent six and a half hours unhooking a girder from the International Space Station. That started the delicate process of moving a giant solar power tower to another part of the orbiting outpost.

两名宇航员用6小时30分钟的时间成功地从国际空间站上卸下一钢架，并随后细致地将一巨大的太阳能塔转移至轨道另一区域的前哨部位。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。