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Centralized by discussing the sonic showing manner of music work, the article uses the experience from ethnomusicology applying it to face the real sound directly, and taking Mozart抯 Piano Sonata K330 as an example to do a thorough comparison between the sonic showing manners of Vladimir Horowits, Glenn Gould, Claudio Arrau, Ingrid Haebler and Andras Schiff according to their performance recordings.

本文以音乐作品的音响呈现方式为论述中心,借鉴民族音乐学直接面对具体音乐事象的研究方法,直接面对实际发声的音响,以莫扎特第十首钢琴奏鸣曲(K330)为个案,通过霍洛维兹、古尔德、阿劳、黑布勒、希夫的演奏录音对他们的音响呈现方式进行全方位的比较。

Director of Yale's Piano Dept., Boris Berman is an active chamber concert performer who has collaborated with Mischa Maisky, Heinz Holliger, Shaham Mintz, Natalia Gutman, Tokyo Quartet, Vermeer Quartet, among others.

耶鲁大学音乐学院钢琴系主任贝尔曼经常活跃在室内乐演奏的舞台上,与之合作的著名音乐家包括米沙·麦斯基、海因茨·霍里格、奥雷勒·尼古拉、沙汉姆·明茨、娜塔莉娅·古特曼等,并与东京四重奏、维米尔四重奏、荷兰管乐室内乐团有过成功的合作。

Well-known works include the opera "Onegin,""The Queen of Spades", ballet "Swan Lake "," The Nutcracker,"" Sleeping Beauty "and" Fourth Symphony "," Fifth Symphony "," Pathetique (6th) Symphony,"" drop b flat minor Piano Concerto No. 1 ","D Major Violin Concerto on a" symphonic poem "Romeo and Juliet" and other .18-189's visit to Germany, the Czech Republic, France and Britain, and Brahms, Grieg, Dvorak, Gounod, Masi Nie and other famous musicians have formed friendship .1893 year awarded an honorary doctorate in June. In the same year in October in St.

著名的作品有歌剧《奥涅金》、《黑桃皇后》、舞剧《天鹅湖》、《胡桃夹子》、《睡美人》和《第四交响曲》、《第五交响曲》、《悲怆交响曲》、《降b小调第一钢琴协奏曲》、《D大调上提琴协奏曲》、交响诗《罗密欧与朱丽叶》等。18—189年访问德国、捷克、法国和英国,与勃拉姆斯、格里格、德沃夏克、古诺、马斯涅等著名音乐家结下友谊。1893年六月授予名誉博士学位。

He was already a third of adults have a more thorough grasp of life, and then writing the music, In addition to this ancient melt Symphony No. 9 "Choral" and "Missa Solemnis", Piano Sonata String Quartet is music, this is an intrinsic and deep spiritual moods.

那时他已届壮年对人生有更透彻的领悟,此后写作的音乐,除了震古铄今的第九号交响曲「合唱」和「庄严弥撒曲」外,全是钢琴奏鸣曲和弦乐四重奏曲,这全是有内在的与深邃的精神意境。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括:《三种气质,无伴奏合唱》(1986)、《时间的对位,木管七重奏》(1989)、《野娃子,混合室内乐队与童声》(1993)、《对话,男声独唱,女高音,童声合唱团,混声合唱团与混合乐队》(1993-94)、《序鼓,独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》(1994)、《吟,室内交响乐》(1990-1994)、《蜀韵,两支小提琴、钢琴与打击乐》(1995)、《极,独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》(1996)、《巴蜀随想,交响序曲》(1996)、《无词歌,打击乐独奏》(1997)(日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约)、《梦的交响舞台,唐代乐队,打击乐,人声与合唱团》(1999)(日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约)、《舞蹈组曲,大型管弦乐队》(1999)、《漠墨图,小提琴、大提琴、笙、琵琶与打击乐》(2000)(马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约)、《秋三阕,9位中国乐器演奏家》(2000)、《响趣,5位中国打击乐器演奏家》(2000)(法国巴黎音乐城"2000中国古典音乐系列音乐会"委约)、《融I ,混合室内乐团》(2002)(荷兰 New Ensemble, Atlas Ensemble联合委约)、《融II ,打击乐协奏曲》(2002)(日本日中友好音乐公演委员会委约)、《融III ,爱尔兰笛子、手风琴、巴朗鼓,中国笙、筝,打击乐,13件弦乐器以及室内合唱团》(2003-04)(爱尔兰国家文化委员会、爱中2004文化交流年组委会委约)、《水墨画意三则,为17位演奏家的室内乐团》(2005)(美国朱丽亚音乐学院新室内乐团委约,美国亚洲文化基金会和美国古根海姆基金支助)及《梦蝶,七场新昆剧》(2007)等。

Sensation yields to scandal: Gould's feisty and headstrong treatment of the final triptych in Beethoven's pianistic "New Testament" outrage the critics no less than his sleeve notes, in which he claimed of op.

轰动终究屈服于毁谤:古尔德对贝多芬的钢琴&新约全书&的最后三首作品生猛而反叛的演绎,同他为之撰写的唱片说明一样,让乐评家怒不可遏。

Kevin Bazzana, the author of an excellent, perceptive biography of another eccentric pianist, Glenn Gould, in this latest book fleshes out the details of Nyiregyhazi's rise and fall, and rise and fall again.

凯文。巴札纳(他还写了另一个钢琴怪杰格伦。古尔德的传记,写得很好,极具洞察力)在他最新的书里披露了尼莱吉哈奇的几度浮沉。

Gould was proder of this recording than almost any other: It's the sexiest interpretation of Brahms's Intermezzi you 've ever heard - and I really think it is perhaps the best piano playing I have done.

古尔德本人对这个录音比其他任何录音都拥有更多的自豪感:它是您所听过的最性感的勃拉姆斯作品的演绎——我真心的认为这是我最好的钢琴录音。

CD 11 - Brahms, 10 IntermezziGould was proder of this recording than almost any other: It's the sexiest interpretation of Brahms's Intermezzi you 've ever heard - and I really think it is perhaps the best piano playing I have done.

古尔德本人对这个录音比其他任何录音都拥有更多的自豪感:它是你所听过的最性感的勃拉姆斯作品的演绎——我真心的认为这是我最好的钢琴录音。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括:《三种气质,无伴奏合唱》(1986)、《时间的对位,木管七重奏》(1989)、《野娃子,混合室内乐队与童声》(1993)、《对话,男声独唱,女高音,童声合唱团,混声合唱团与混合乐队》(1993-94)、《序鼓,独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》(1994)、《吟,室内交响乐》(1990-1994)、《蜀韵,两支小提琴、钢琴与打击乐》(1995)、《极,独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》(1996)、《巴蜀随想,交响序曲》(1996)、《无词歌,打击乐独奏》(1997)(日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约)、《梦的交响舞台,唐代乐队,打击乐,人声与合唱团》(1999)(日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约)、《舞蹈组曲,大型管弦乐队》(1999)、《漠墨图,小提琴、大提琴、笙、琵琶与打击乐》(2000)(马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约)、《秋三阕,9位中国乐器演奏家》(2000)、《响趣,5位中国打击乐器演奏家》(2000)(法国巴黎音乐城&2000中国古典音乐系列音乐会&委约)、《融I ,混合室内乐团》(2002)(荷兰 New Ensemble, Atlas Ensemble联合委约)、《融II ,打击乐协奏曲》(2002)(日本日中友好音乐公演委员会委约)、《融III ,爱尔兰笛子、手风琴、巴朗鼓,中国笙、筝,打击乐,13件弦乐器以及室内合唱团》(2003-04)(爱尔兰国家文化委员会、爱中2004文化交流年组委会委约)、《水墨画意三则,为17位演奏家的室内乐团》(2005)(美国朱丽亚音乐学院新室内乐团委约,美国亚洲文化基金会和美国古根海姆基金支助)及《梦蝶,七场新昆剧》(2007)等。

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