古钢琴

From the two angles of improving instrument enginery and changing music style, the papers analyzed the different touching method for Cembalo, Vienna piano and Britain one. The writer also discussed several representative composers and pianists of the main schools in music history from the end of 18th century to the first half of the 20th as well as their individual touching techniques.

文章从乐器性能的改进及音乐风格的变迁这两个角度，分析了古钢琴、维也纳钢琴、英国钢琴对触键法的不同要求，以及18世纪末到20世纪上半叶，音乐史上几个主要流派中最具代表性的作曲家兼钢琴家在触键技术上的不同特点。

Thought Nikolay, and he went back to the hall, where the clavichord was.

尼古拉想了想，又到那摆放击弦古钢琴的大厅里去了。

This instrument was called a piano e forte, to indicate its dynamic versatility; its strings were struck by a recoiling hammer with a felt-padded head.

这种至高无上的地位一直为它们所保持，直到 18 世纪末期钢琴将它们取代。敲弦古钢琴的音调有金属的音质，缺乏雄劲。

From the teaching point of view,The third and the forth chapters discuss the use of the pedals in the works of the harpsichord and clavichord ,as well as the principal of the pedaling.

第三部分和第四部分从钢琴教学的角度，研究了在钢琴上演奏早期古钢琴作品时踏板的运用和踏板的使用原则。

Recent engagements included performing at the Vivace International Music Festival in Pennsylvania and judging and lecturing at the Fifth Maria Clara Cullell International Piano Competition in Costa Rica.

"一位真正的艺术家"、"一位完美的音乐家"、"萨兰奇的表演自然，典雅，流畅"，这些乐评只是当代美国最有影响的钢琴及古钢琴演奏家萨兰奇教授多年来演奏生涯中所获得的其中几句。

She teaches piano performance, harpsichord performance, keyboard interpretation, ear training (Kodaly-method solfege), musical structure and style and chamber music.

她除了钢琴及古钢琴演奏，还同时教授键盘演奏法，匈牙利柯达伊教学法的试唱练耳课程，音乐结构及风格，及室内乐。

Haydn, for clavichord and pianoforte, is framed as a piece of double-variation composition, full of balance, reason, and elegance in Classicism. The fourth piece, Preludes in B-flat Major, Op.

第三首，奥地利作曲家海顿为古钢琴及钢琴所作的《f小调变奏曲，作品17之6》，有著双重变奏的结构，是深具均衡、理性、优雅之美的古典乐派作品。

The thesis illustrates the characteristics of clavichord and DSFBA in details,introduces Bachs representative works respectively. The author also talks about the problems in performing these works with accordion and how to solve them.

本文具体论述了古钢琴及双系统自由低音手风琴的特性，详细介绍了巴赫为古钢琴而作的代表性作品，并从不同角度研究了用手风琴演奏这些作品时遇到的各种问题以及如何解决它们。

We should first know what is clavichord—the musical instrument in Bach"s time, before we begin the study of Bach"s Polyphony keyboard works. Then can we start the study of how to perform Bach"s clavichord works with modern accordion, how to keep Bach"s style in the performance, how to revive Bachs spirit, etc.

要研究巴赫的复调键盘作品，首先要了解巴赫时代的乐器——古钢琴，我们如何用现代的手风琴去演奏巴赫的古钢琴作品，如何在演奏中把握巴赫的风格，如何再现巴赫的精神，这就是摆在我们面前，急待我们去解决的课题。

Based on his four volumes of collection of his clavichord music works and CD reference materials, the author focuses the study on the structure, titles, ornaments of the music pieces, in an attempt to analyze the characteristics of Francois Couperin' s clavichord works and to shed light on the significance of the clavichord master' s style in enlightening the later music composers.

库普兰古钢琴作品之所以呈现与众不同音乐风格的根源，由其四卷古钢琴曲谱以及CD资料着手，着重对于标题、结构、装饰音进行探析，论析其古钢琴音乐特征，并且揭示出其古钢琴作品音乐风格对后世作曲家所具有的启示性意义。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。