古里

Vast lawns that extend like sheets of vivid green, with here and there clumps of gigantic trees heaping up rich piles of foliage; the solemn pomp of groves and woodland glades with the deer trooping in silent herds across them, the hare bounding a way to the covert, or the pheasant suddenly bursting upon the wing; the brook, taught to wind in natural meanderings or expand into a glassy lake; the sequestered pool, reflecting the quivering trees, with the yellow leaf sleeping on its bosom, and the trout roaming fearlessly about its limpid waters; while some rustic temple or sylvan statue, grown green and dark with age, gives an air of classic sanctity to the seclusion.

巨大的草地伸展出片片新绿，参天大树层翠叠障，树林和林间空地静谧雅致、曲径通幽，鹿儿成群结队低声走过，野兔四处蹿跃跳入林间深处，野鸡猛然展亮双翅，小溪时而天工造物般蜿蜒流淌、时而化为一汪碧水--清清粼粼、闪闪寒寒，幽静的池塘反射着微风中嗖嗖抖动的小树，金灿灿的树叶飘落在池塘里兀自摇曳酣睡，成群的鲑鱼悠闲自得地畅游于池塘晶莹澄澈的水中，而那些乡村的古寺和森林中的雕像，年代久远，色泽黯然，藓苔累累，所有这些均彰显出一种古隽、圣洁、孤寂、致远之感。

From the ancient pharaohs of Egypt to the glamour of Hollywood divas, gemstones are a mesmerising symbol of nature, power and desire.

从古埃及法老到荷里活艳光四射的萤幕女神，宝石一直都代表着自然、权力和欲望。

But of course there is art where we admire the touch--as in Guston or de Kooning.

但是，当我们欣赏那种触觉的时候——像在古斯顿或者德·库宁的作品里那样，当然是存在艺术的。

Although,in philosopher of ancient Greece,the theory achievement of there explicit information mentality is not very much,we still may analysis there deep aroma the information sense,from that theory expositions,such as Anaxagoras's it on"every one thing all inclusions a part of it's"and Demokritos and so on "aporroai theory"of cognition be happened,and Gorgias's it on relation of phenomenon of thinking,language and its exist of surface,and Plato's it on relation of thing with image、differing opinion and kn...

虽然，在古希腊哲学家那里，明确具有信息意识的理论成果并不很多，但是，我们还是可以从阿那克萨戈关于&每一事物都包涵着每一事物的部分&的论述中，从德谟克利特等人的认识发生的&流射说&中，从高尔吉亚关于思想、语言与其所表征的存在、现象的关系的论述中，从柏拉图关于事物与影像、意见与知识的关系的相关论述中，以及从亚里士多德关于潜能与现实的辩证关系的论述中解析出具有深刻韵味的信息观念。

Now how can we express the ancient of days in us with only the sounds of our yesterdays?

如今我我们怎么用昨日之经历来解释流淌在我们血液里的古之文明？

Credit: Artwork and composite byJohn Gurche, photograph by Brian Richmond

名表：美工制作，约翰·古尔契，摄影，布赖恩·里士满

Apelles: Greek painter whose works, none of which survives, are described in ancient writings.

阿佩利斯古代文献里描写的一位古希腊画家，其作品全部失传

10 Salute Apelles approved in Christ.

又问在基督里与我们同工的耳巴奴、并我所亲爱的士大古安。

Articles of War by Maurice and Gustav Adolf laid the foundations for the disciplinary military law in the two major legal Systems.

莫里斯与古斯塔夫斯的《战争法典》对两大法系惩戒性军事法的形成起到了奠基作用。

The birth of the ancient sun-god Attis in Phrygia was celebrated on December 25th, as was the birth of the Persian sun-god, Mithras.

佛里吉亚在12月25日那天会庆祝古代太阳神——阿提斯神诞生，这一天也是波斯的太阳神——密特拉斯的诞辰。12月的17日到24日是古罗马的农神节。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。