古里

In those four hundred years, it's colored glasses of the ancient paradise eaves were wore out, the florid red of the walls and the doors faded, and the high walls and the jade fences ruined one after another; the old cypresses became stronger and stronger and the weeds and the bines grew freely in great prosperity.

四百多年里，它一面剥蚀了古殿檐头浮夸的琉璃，淡褪了门壁上炫耀的朱红，坍记了一段段高墙又散落了玉砌雕栏，祭坛四周的老柏树愈见苍幽，到处的野草荒藤也都茂盛得自在坦荡。

In four hundred years, it wore out its colored glasses of the ancient paradise eaves;it faded its florid red of the walls and the doors ,it ruined its high walls and the jade fences; the old cypresses became stronger and stronger and the weeds and the bines grew freely ,happlily,dominating this great prosperity.

四百多年里，它一面剥蚀了古殿檐头浮夸的琉璃，淡褪了门壁上炫耀的朱红，坍记了一段段高墙又散落了玉砌雕栏，祭坛四周的老柏树愈见苍幽，到处的野草荒藤也都茂盛得自在坦荡。

In four hundred years, it's colored glasses of the ancient paradise eaves were wore out, the florid red of the walls and the doors faded, and the high walls and the jade fences ruined one after another; the old cypresses became stronger and stronger and the weeds and the bines grew freely in great prosperity.

四百多年里，它一面剥蚀了古殿檐头浮夸的琉璃，淡褪了门壁上炫耀的朱红，坍记了一段段高墙又散落了玉砌雕栏，祭坛四周的老柏树愈见苍幽，到处的野草荒藤也都茂盛得自在坦荡。

A fraction of a second and the elements were made. The bipeds stood up straight, The dinosaurs all met their fate, They tried to leap but they were late And they all died The oceans and pangea See ya, wouldn't wanna be ya Set in motion by the same big bang!

在不到一秒的时间里各种元素产生了二足动物开始直立行走，恐龙们遇到了天灾它们尝试逃离但是太晚了它们都死了海洋和泛古大陆这都是由于大爆炸引起的！

The history of adornment can be traced back to the Minoan period in Greece (circa 2500 BC), where Amethyst has been found as polished cabochons set into gold rings.

紫水晶用着饰品的历史还可以追朔到古希腊克里特文明时期（约公元前2500年），那时人们把紫水晶打磨成凸形，再镶嵌在金戒指上。

As recorded in the official history by Lynn Montross and Nicholas A. Canzona, a tactical principle was emerging: To nullify Chinese night attacks, regardless of large-scale penetrations and infiltration, defending units had only to maintain position until daybreak.

正如在林恩·孟托斯和尼古拉斯·A·康左纳所著的官方军史里所写的那样，一条战术守则由此形成：击破中国人的夜间攻击，要无视其大规模的穿插和渗透，防御部队只需坚守阵地等待天空破晓。

Andrew Bogut's number, the name of the cheering section he created,"Squad Six" and his ranking in single-season block totals as his 175 put him behind Karem Abdul-Jabbar (238 and 212, 1973-74 and 1974-75 respectively), Elmore Smith (238, 1975-76), Harvey Catchings (184, 1980-81) and Alton Lister (177, 1982-83) in the franchise record books.

– 安德鲁·博古特的球衣号码，他的助威方阵&六之队&的名字以及雄鹿队史单赛季总盖帽数的排名—他本赛季的175次盖帽使他在特别的记录书上排名仅次于卡里姆·阿卜杜尔-贾巴尔（238次和212次，连续1973-74赛季和1974-1975赛季），埃尔莫·史密斯（238次，1975-76赛季），哈维·卡钦斯（184次，1980-81赛季）和阿尔顿·李斯特（177次，1982-83赛季）。

I believe the neighborhood remains the living core of society, the primeval cell come down from the ancient clearings in the forest where the first men lived in packs

我认为，四领和街坊至今仍旧是社会生活的核心，那是人原始人群居的古代林间空地里一脉相承下来的一个太古时期的细胞。

One sunny afternoon, as half the world enjoyed the beach and the other half imbibed the red-wine spritzer known as tinto de verano on various terraces across town, 42-year-old Pere Bell s discussed his own joint exhibit "Dels Fragments al Conjunt" at the Galeria Marges-U, a space run by the artists Gustavo Carb Berthold and his wife, Nobuko Kihira.

一个阳光明媚的下午，一部分人正在享受着海滩的恩惠，另一部分人正在市郊的田园里欢度这个品尝葡萄酒，称作tinto de verano的节日。四十二岁的贝尔谈论了他自己的展览。&Dels Fragments al Conjunt&在Galeria Marges-U，在一块由古斯塔沃和他的妻子经营的一块空地上。

Yes, Egyptian embalmers took the brain out through the nose, but not with a "red-hot" poker.

古埃及的制作木乃伊的人是会用钩子类的工具把死者的脑子从鼻子里取出，可是那个钩子不是&又红又烫的&==b

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。