古里

Salute Urbane, our helper in Christ, and Stachys my beloved.

罗16：9 又问在基督里与我们同工的耳巴奴、并我所亲爱的士大古安。

Rom. 16:9 Greet Urbanus, our fellow worker in Christ, and Stachys, my beloved.

罗十六9 问我们在基督里的同工耳巴奴，并我所亲爱的士大古安。

Salute Urbane, our helper in Christ, and Stachys my beloved.

16：9 又问在基督里与我们同工的耳巴奴，并我所亲爱的士大古安。

The Paleoproterozoic Beidahe Group-complex remains as continental shivers in the interior of the North Qilian orogen. In its early stage of development, there occurred abundant amphibolite. The protolith of the amphibolite is basalts. The Alk-∑FeO-MgO plot, REE features and Rittmann index show that the protolith belongs to the calc-alkaline suite and exceptionally shows the subalkaline character. The rock is characterized by higher Al2O3 and ∑FeO and lower Mg#, indicating that it has a higher degree of compositional evolution and that the formation of volcanic rocks is related to activation of older crust. Highly fractionated REE patterns and amphibolite on the Ti-Zr-Y plot, Ni-FeO/MgO plot and Ta/Yb-Th/Yb plot all indicate the characteristics of volcanic arcs and active continental margins. On the geochemical diagram of basalt, the overall REE features are in the main analogous to those of calc-alkaline island-arc basalt, with Sr87/Sr86=0.71617–0.72033,Nd143/Nd144=0.512414–0.512495 and εNd=–2.79 to –4.37,εSr=245.78–305.3, showing that the magma was derived from the crust or subjected to contamination with the lower crust below the continent.

提要：以大陆碎块形式残存于北祁连造山带内部的古元古代北大河岩群早期发育有大量的斜长角闪岩，其原岩为玄武岩，Alk—∑FeO—MgO图解，REE特征，里特曼组合指数等均显示斜长角闪岩属钙碱性系列范围，个别显示弱碱性，斜长角闪岩具有较高的Al2O3，∑FeO和低的Mg#，这些特点反映其成分演化程度较高，表明火山岩的形成与古老地壳的活化有关，有较强分异的稀土元素分配模式，在Ti—Zr—Y图，Ni—FeO/MgO图解和Ta/Yb—Th/Yb图解上斜长角闪岩均显示火山弧或活动大陆边缘的特点，在玄武岩的地球化学形式图，稀土元素整体特征与钙碱性岛弧玄武岩基本相同；87Sr/86Sr=0.716 17～0.720 33， 143Nd/144Nd=0.512 414～0.512 495，εNd=-2.79～-4.37。

Evidently that silent Theophile Venot, who contented himself by smiling and showing his ugly teeth, must have been a legacy from the late countess. So, too, must have been such ladies of mature age as Mme Chantereau and Mme du Joncquoy, besides four or five old gentlemen who sat motionless in corners.

泰奥菲尔·韦诺呆在那儿只笑不吭声，露出满口坏牙齿，显然他是已故老伯爵夫人遗留下来的客人，客人中还有几位上了年纪的太太，如尚特罗太太，杜·荣古瓦太太，四五个呆在几个角落里一动不动的老头子。

Your thoughts and my words are waves from a sealed memory that keeps records of our yesterdays, And of the ancient days when the earth knew not us nor herself, And of nights when earth was upwrought with confusion, Wise men have come to you to give you of their wisdom.

你们的意念和我的言语，都是从封缄的记忆里来的波浪，这记忆是保存我们昨日的，大地还不认识我们也不认识他自己，正在混沌中受造的太古的白日和黑夜的记录。

Hisbrothers still demanded money,and his r'efusal tolend Frederick￡30 in l 857 brought an angrYaccusation that he was'cold and unfeelin9';lFrederick woundingly contrasted Dickens's publicreputation for tolerance with the inflexibility of his

他的兄弟们仍在向他索取钱财。1857年，他弟弟弗雷德里克向他借30英镑，遭到拒绝。于是弗雷德里兔溃怒地指责他&冷血无情&，还恶意地将狄更斯在公开场合宽容待人的态度和他私下里刚愎自用的行为进行对比。弗雷德里克和奥古斯塔斯都离了婚。

In contrast to the passive ultimates of Greek philosophies the God of the Bible actively creates, sustains, covenants with his people, preserves Israel and the Messiah's line of descent, calls prophet after prophet, send his Son into the world, provides the atoning sacrifice to satisfy his own righteousness, raises Christ from the dead, builds the church, and judges all justly.

相反，被动ultimates古希腊哲学的神，圣经，积极创造，维系着，盟约与他的人，保留了以色列和弥赛亚的路线的后裔，来电后，先知预言家，送他的儿子到世界各地，提供atoning牺牲满足自己的正义感，引起基督从死里复活，建造教堂，和法官都公正。

We boarded a ship from Adramyttium about to sail for ports along the coast of the province of Asia, and we put out to sea. Aristarchus, a Macedonian from Thessalonica, was with us.

有一支亚大米田的船，要沿着亚西亚一带地方的海边走，我们就上了那船开行；有马其顿的帖撒罗尼迦人亚里达古和我们同去。

We boarded a ship from Adramyttium about to sail for ports along the coast of the province of Asia, and we put out to sea. Aristarchus, a Macedonian from Thessalonica, was with us.

有一只亚大米田的船、要沿著亚西亚一带地方的海边走、我们就上了那船开行、有马其顿的帖撒罗尼迦人、亚里达古、和我们同去。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。