古里

Once,when he lost a battle and was taken prisoner and sent to a Carthage prison for time.

有一次霍古拉斯在一场战争中输了，被送到迦太基的一个监狱里。

Thus we have had the widespread use of Homer, Claud, Virgil, Lucius, Marcus, Julius, Augustus, Horace, Ulysses, Cassius, Alexander, and Hector, among many others.

因此我们已经普遍使用的支全垒打，克劳德，维吉尔，卢修斯，马可斯，朱利斯，《尤里西斯》，奥古斯都，修，亚历山大，赫克托，在许多其他，。

Our clavichord is kept in the living room.

我们的古钢琴是放在起居室里的。

In 1681. Our clavichord is kept in the living room.

我们的这架古钢琴存放在起居室里。

Our clavichord is kept in the living room .

我们的这架古钢琴存放在起居室里。

It was made in German in 1681. Our clavichord is kept in the living room.

我们的这架古钢琴存放在起居室里。

It was made my Germany in 1681. The clavichord is kept in the living room.

我们的这架古钢琴存放在起居室里。

Our clavichord is kept in the living-room.

我们的古钢琴安放在起居室里。

It was made in Ger-many in 1681. Our clavichord is kept inthe living-room.

我们的这架古钢琴存放在起居室里。

3It was made in Germany in 1981.(4)Our clavichord was kept in the living-room.

2我们的这架古钢琴存放在起居室里。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。