古里

Many ancient architecture and relics have long become the significant symbol of Chinese culture.

在曲阜和邹城围拢起来的300平方公里的精神文化空间里，按照国家发改委《通知》的说法，"遍布珍贵的历史文化遗产，是儒家文化底蕴最为密集的区域，许多古建筑、古遗址早已是中华文化的重要标志"。

Place 1 teaspoon of sugar, 1 drop of Angostura bitters, a large pinch of mint, and a splash of soda water in an old-fashioned glass.

在混合杯里混合1茶匙糖，1滴奥古斯图拉苦酒，一片薄荷合少量苏打水。

A battle between the successors of Alexander the Great (301 BC); Lysimachus and Seleucus defeated Antigonus and Demetrius.

伟大的亚历山大继承者之间的战役（公元前301年）；莱西马克斯和塞琉古一世打败了安提柯一世和德米特里厄斯。

And that he had occupied the country, after doing away with Antiochus and his guardian Lysias.

占领了那地，杀了安提约古及他的监护人里息雅。

And had made himself master of the countries against Antiochus, and his general Lysias.

占领那地，杀了安提约古及他的监护人里息雅。

As he was preparing to enter the royal palace of his ancestors, the soldiers seized Antiochus and Lysias to bring them to him.

当他要进入祖先的王宫时，他的军队将安提约古和里息雅逮捕了，要给他解来。

And it came to pass, as he entered into the house of the kingdom of his fathers, that the army seized upon Antiochus, and Lysias, to bring them unto him.

当他要进入祖先王宫时，他的军队将安提约古和里息雅逮捕了，要给他解来。

Several early 14th-century theorists referred to the idea of an Ars Antiqua, represented primarily by Franco, and an Ars Nova instituted by Philippe de Vitry(see, for instance, CoussemakerS, iii, 371,408),but in historical terms the usefulness of the idea is supported more by the treatise Ars novae musicae(c1320)of Johannes de Muris, the 1324-5bull lf Pope John XXII decrying the musicians who were 'novellae scholae discipuli' and the reference in Jacobus of Liege's Speculum musice to 'moderni cantores' and to'aliquinunc novi'.

一些十四世纪早期的理论家已经谈到以弗朗科为首要代表的古艺术的观念，新艺术是由维特利建立起来的，但从历史角度来看，这一观念的实用价值更多是由穆里斯的论文《新音乐艺术》、1324-1325年教皇若望二十二世贬斥那些"信奉新学派"的音乐家们的训令，以及列日的雅各布的《音乐明鉴》中所提到的"当代歌手"和"一些现在的认识"支撑着。

In this version, the spike columns were given heavily textured surfaces, employing a style reminiscent of Antonio Gaudi, architect of Barcelona's Cathedral of the Holy Family in Spain.

在这个设计里，尖顶圆柱被赋予一种沉重粗糙的表面，使用了一种安东尼奥·古地——西班牙巴塞罗纳圣家族大教堂的建筑师——的怀旧式样。

They show statues of Anubis with his head tilted down. As a general principle of Egyptian art, statues face straight ahead.

他们给我们看的是一个低着头的 Anubis，而在古埃及艺术里雕像的脸普遍是向前看的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。