古诗

Chapter III, in the four periods of the Eastern Han Dynasty, by reviewing the relation of the power balance between the regality and monarchical mother"s family along with eunuch, disappearing here and lasting there, we reveal that the chaos of the regality have the suppression and distortion on the scholars′identity, the extreme shortage of political chaos not only leads to the partisans′resistance at the same time, but also makes Scholars′poetic pursuit to be fully embodied in the field of the aesthetic theory and the literature creation . The former is that Huan-tan and Wang-chong attache great importance to the aesthetic thinking of the real, the emotional ,the freedom and the creation, the later is that the Yue-Fu ,the Wen-Ren-Shi,"19 Ancient Poems have gentle lyric and Jian-An poets chant in a heroic but mournful tone.

第三章，则对东汉四个时期君权与外戚、宦官此消彼长权力制衡关系的考察，揭示出君权的乱为对士人认同的压制与扭曲，在极度的政荒朝乱最终导致党人奋起抗争的同时，也使士人的诗性追求在审美理论与文学创作领域得到充分体现：前者表现为桓谭、王充非常重视真实、感性、自由与创造的美学思想，后者表现为乐府文人诗、《古诗十九首》的温婉抒情和建安诗人的慷慨悲歌。

Of the ancient poems about children, it is most outstanding as if it were a resplendent jewel.

在关于儿童题材的古诗中也是卓然独异，如一颗璀璨的明珠。

Then it explores the further distorting on female consciousness of the Confucian ritualism in Han dynasty, and also expounds women images reflected in the important literary works of Han dynasty, such as Nineteen Ancient Poems, folk songs of Music Bureau of Han dynasty.

接着分析了汉代礼教对女性的进一步束缚，分析了体现汉代女性意识的主要文学作品，如古诗十九首、汉乐府、汉赋中的女性形象等。

The third chapter analyses the sort standard of the poems modeled, through the simulacrum, means of expression and verse.

第三章从模拟对象、写作手法和诗体上分析拟古诗的立类标准。

"The Peacock flies southeasterly"(the original topic is "Ancient poetry Minister Wife Does on behalf of the Chinese musical conservatory folk song highest art achievement's lengthy narrative poem for Jiao Zhong"), is in the Chinese history of literature in a realism poetry development peak, Liu, the burnt two people commits suicide together in the name of love the family tragedy which dies to have the altitude extremely the typical significance, their death, always receives people's sympathy and the praise.

代表汉乐府民歌最高艺术成就的长篇叙事诗《孔雀东南飞》（原题为《古诗为焦仲卿妻作》），是中国文学史上现实主义诗歌发展中的一座高峰，刘、焦两人殉情而死的家庭悲剧极具高度的典型意义，他们的死，历来受到人们的同情和赞颂。

There were beautiful poems whose writers were unknown, such as the "Nineteen Ancient Poems" and "Southeastward Flies the Peacock".

有美丽的诗的作者不明，如"古诗十九首"和"东南飞的孔雀"。

I can't say I'm versed in ancient poetry

大牛：那是，我对古诗不敢说有研究

These two currents, rooted in ancient Chinese poetry as solidness 实 and abstractness 虚, hypostatize into one body of language on different levels of perception, in the sensory dimension and the psychological.

这两种流似乎可说是深得中国古诗审美的技法，一虚一实，但是却能够具体化为诗歌这个语言身体，在感官和心理感觉这两个层面上同时运作。

Based on the "blank" theory in reception aesthetics,the paper attempts to deal with the blanks in the translation of Chinese classic poems from the angle of semantics,syntax,structure and the mood of the work,holding that the blanks are to be concretized only when the reader is not able to understand them,in avoidance of the impairment of poetic function and aesthetic effects.

以接受美学中的文本&空白&理论为依据，从语义、句法、结构和意境等角度探讨了古诗英译中空白艺术的处理，认为原文的意义空白不应随意填补，以便更好地进行诗学功能和审美效果的传递。

Historical Ode refers to the poesies in which the poets express their emotions and remarks on their contemporary matters through directly paying attribute to historical themes. Being a unique school, Historical Ode differs itself from Allusion in its history-orientation.

在题材的选择和表现手法上，咏史诗和咏怀诗、怀古诗有某些相似之处，但也存在明显的区别：咏史诗以吟咏对象和主观情感的寄寓方式区别于咏怀诗，以触发吟咏的依托点区别于怀古诗。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。