古怪地

Marylise Frecheville bashes the living shit out of drums and vocalizes across a wild range of styles from death screams to French chanson to German punk to Arabic chanting.

Curiosities Of Popular Customs是他们的音乐最清楚的一张录音专辑—--就像一套采样，岂有此理地把嬉戏的无政府主义朋克和中国现代民歌混和在一起，古怪的衣领笔挺的歌舞表演和春上村树的超现实主义诗歌则籍着伊斯兰教的托钵僧的精神和Lignting Bolt(一支癫狂的美国实验朋克乐队)的巨浪翻滚似的狂乱传达出来。

My encounter with Cuban bagpipers wasn t memorable for its mere quirkiness it was memorable because it illustrates how travelling on the cheap can offer you windows into a culture that go beyond the 5 caricatured stereotype of what a place is supposed to be like .

我和古巴风笛手相遇的经历之所以如此难忘，不只是因为过程的离奇古怪，而是因为它能让我们看到--&穷&游是如何打开一扇扇窗，让你真实了解一个地方的文化，而非歪曲死板地看待，人云亦云。

The oddball species, Packard was coming to realize, were the main show of the clearings.

帕克德渐渐明白了，这古怪的物种是这块地的主要物种，其它与稀树大草原相关的许多物种，他还没有认出来。

It's an unlikely alliance: the striking, slightly ditzy Sheba in her flowing, diaphanous clothes; the no-nonsense Barbara, a chain-smoking spinster in sensible shoes.

这是一种不大可能的结盟：一个是穿着飘逸的半透明衣服的、引人注目而又有一点古怪的示巴；另一个是穿着大号鞋子、连续不断地抽烟的严肃老处女芭芭拉。

English, French, Spanish, Portugese, Georges, and Louises, doubloons and double guineas and moindores and sequins, the pictures of all the kings of Europe for the last hundred years, strange Oriental pieces stamped with what looked like wisps of string or bits of spiders web, round pieces and square pieces, and pieces bored through the middle, as if to wear them round your neck - nearly every variety of money in the world must, I thin, have found a place in that collection; and for number, I am sure they were like autumn leaves, so that my back ached with stooping and my fingers with sorting them out.

其中有英国的金基尼、双基尼，法国的金路易，西班牙的杜布龙，葡萄牙的姆瓦多，威尼斯的塞肯，有最近一百年欧洲各国君主的头像，有古怪的东方货币，上面像是缕缕细绳、张张蛛网；有圆的有方的，有中间带孔的，好像可以串起来挂在脖子上。我估计差不多世界上每一种货币都被搜罗全了。至于数量，我相信大概跟秋天的落叶一样多，我总是弯着腰，手不断地整理着，一天下来弄得疲惫不堪。

English, French, Spanish, Portugese, Georges, and Louises, doubloons and double guineas and moindores and sequins, the pictures of all the kings of Europe for the last hundred years, strange Oriental pieces stamped with what looked like wisps of string or bits of spider's web, round pieces and square pieces, and pieces bored through the middle, as if to wear them round your neck - nearly every variety of money in the world must, I thin, have found a place in that collection; and for number, I am sure they were like autumn leaves, so that my back ached with stooping and my fingers with sorting them out.

其中有英国的金基尼、双基尼，法国的金路易，西班牙的杜布龙，葡萄牙的姆瓦多，威尼斯的塞肯，有最近一百年欧洲各国君主的头像，有古怪的东方货币，上面像是缕缕细绳、张张蛛网；有圆的有方的，有中间带孔的，好像可以串起来挂在脖子上。我估计差不多世界上每一种货币都被搜罗全了。至于数量，我相信大概跟秋天的落叶一样多，我总是弯着腰，手不断地整理着，一天下来弄得疲惫不堪。

True eccentrics never deliberatly set out to draw attention to themselves.

真正的古怪人从来不会故意地做些事情来引起别人的注意。

There comes a group of neighbors: sweet Mrs. rat, gentleman bear Pang pang, affectionate fish, eccentric bear nana, pure little bear, pretty fairy tree and broken-hearted kite. They bring numerous romantic, sweet and sad stories.

一群邻居悄悄地来了：甜蜜的鼠太太、绅士熊旁旁先生、深情的鱼子、古怪的熊奶奶、纯情的小熊女，还有美丽的小树仙，伤心的花风筝……它们给大狗带来好多浪漫的、甜蜜的、伤心的故事。

The earth itself was the finest sand, but blue as the flame of burning sulphur.

她是一个古怪的孩子，不大爱讲话，总是静静地在想什么东西。

That sentence, spoken reluctantly by a curious, home-loving small creature with furry feet and a preposterous name, is slightly enigmatic. But some 10 million passionate readers round the world will instantly recognize it as the real beginning of one of the great fairy tale quests in modern literature

这句话，由一个名字古怪、长着毛毛脚、恋家而好奇心重的小人儿不情不愿地说出来，颇有些令人费解，但立刻就得到全球成千上万热情读者的认可，视为现代文学史上一个伟大的奇幻冒险故事的开端

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。