古怪地

Most humans instinctively shy away from us, are repelled by our alienness… I wasn't expecting you to come so close. And the smell of your throat.

多数人都本能地希望离得我们远远的，不喜欢我们古怪的样子……我没有料到你会靠近我们，还有你脖子上的气味。

It was just how close you were. Most humans instinctively shy away from us, are repelled by our alienness… I wasn't expecting you to come so close. And the smell of your throat.

多数人都本能地希望离得我们远远的，不喜欢我们古怪的样子……我没有料到你会靠近我们，还有你脖子上的气味。

Most humans instinctively shy away from us, are repelled by our alienness… I wasn't expecting you to come so close. And the smell of your throat. Edward

多数人都本能地希望离得我们远远的，不喜欢我们古怪的样子……我没有料到你会靠近我们，还有你脖子上的气味。

Most humansinstinctively shy away from us, are repelled by our alienness… I wasn't expecting you to come so close. And the smell of your throat. Edward

多数人都本能地希望离得我们远远的，不喜欢我们古怪的样子……我没有料到你会靠近我们，还有你脖子上的气味。

Most humans nough for forever. instinctively shy away from us, are repelled by our alienness… I wasn'texpecting you to come so close. And the smell of your throat.

多数人都本能地希望离得我们远远的，不喜欢我们古怪的样子……我没有料到你会靠近我们，还有你脖子上的气味。

A country squire and his fat wife occupied the tapestried chamber; merry girls scampered up and down the long passages, and young men stared out of the latticed windows watching for southerly winds and cloudy skies; there was not an empty stall in the roomy old stables; an extempore forge had been set up in the yard for the shoeing of hunters; yelping dogs made the place noisy with their perpetual clamour; strange servants horded together on the garret story; and every little casement hidden away under some pointed gable, and every dormer window in the quaint old roof, glimmered upon the winter's night with its separate taper, till, coming suddenly upon Audley Court, the benighted stranger, misled by the light and noise, and bustle of the place, might have easily fallen into young Marlowe's error, and have mistaken the hospitable mansion for a good, old-fashioned inn, such as have faded from this earth since the last mail coach and prancing tits took their last melancholy journey to the knacker's yard.

一个乡绅及其肥胖的妻子住进了挂毯室；兴高采烈的小姑娘在长长的走廊里跳跳蹦蹦，来来去去；年轻的男子从花格窗里向外张望，守候着南风和多云的天空；宽敞的老马厩里没有一间分隔栏是空的了；院子里建起了临时的锻炉，准备给打猎的马儿钉蹄铁；猜猜而吠的狗儿用它们的永远不断的吠声把这个地方弄得喧闹嘈杂；奇里古怪的仆役们成群地聚集在顶楼上；隐藏在尖尖的三角屋顶下面的每一个小窗扉里，离奇古老的屋顶下的每一个老虎窗里，各自在冬夜里闪烁着烛光；夜间行走的陌生人，突然之间遇到奥德利庄院府邸，被这个地方的灯光、声音和熙熙攘攘所迷惑，很可能轻易地重蹈年轻的马洛的覆辙，把好客的府邸当作一个优秀的老式旅馆。自从最后一辆邮车及其腾跃的驽马作了最后一次郁郁不乐的旅行，进入收购废旧车船和无用牲口的商人的院子以来，这样的老式旅馆早已在这大地上消失无遗了。

Mrs. weston, who seemed to have walked there on purpose to be tired, and sit all the time with him, remained, when all the others were invited or persuaded out, his patient listener and sympathiser.

并且自然俭朴。它堪称是一个血脉和精神都洁白纯净的真正的绅士故宅，爱玛的尊敬之情越来越浓烈了，约翰，奈特利的性格有些古怪，但是伊莎贝拉同他们家结亲是无可非议的，他们并没有指责她家的亲戚，名誉和地位，她满怀喜悦地到处闲逛，沉浸在这种意识之中，一直持续到她只好跟其他人一块去草莓地里摘草莓，只有弗兰克，邱吉尔没来，其他客人都来了，大家都期待着弗兰克，邱吉尔能在任何时候从里士满飞奔而来，只见埃尔顿太太将一切适用的物体都准备好了，顶了一个大帽子，拎着篮子，就等着去抢先摘草莓。

At the end, I was of course arrested and your father became the hero of the hour: more indeed than the hero of the hour merely: your family now ranks, strangely enough, with the Immortals: for with that grotesqueness of effect that is as it were a Gothic element in history, and makes Clio the least serious of all the Muses, your father will always live among the kind pure-minded parents of Sunday school literature[13b], your place is with the Infant Samuel, and in the lowest mire of Malebolge[13.1] I sit between Gilles de Retz[13.2] and the Marquis de Sade

最 终当然是我被捕入狱，而你父亲则成了一时英雄。何止是一时英雄，你们家莫名其妙地跻身于神仙圣人之列。好像历史也带上了一点哥特式的离奇古怪，从而使历史和史诗之神克里奥成了众缪斯中最不正经的一位。靠着这份离奇古怪，结果是你父亲在主日学校的文学里将永远活在那些个心地和善纯良的父母之中[13b]，你将与少年塞缪尔并列，而在地狱最底层的污渎中，我将与崇拜撒旦的雷斯和性变态的萨德侯爵为伍

Now he scrambled from his seat and scurried from the room, leaving nothing behind him but a curious gleam of silver.

他从椅子上吃力地爬下，急匆匆地穿过房间，在身后留下一条古怪的闪烁着银色的微光。

Oh, he laughed, and in that singular manner so peculiar to himself--half-malicious, half-ferocious; he almost immediately got up and took his leave; then, for the first time, I observed the agitation of my grandfather, and I must tell you, Maximilian, that I am the only person capable of discerning emotion in his paralyzed frame.

噢，我常常听人悄悄地谈论这种事，我觉得这真是奇怪极了。父亲是一个拿破仑党，而儿子却是一个保皇党，究竟有什么理由要在党派和政治上发生这样古怪的差别呢？还是回过头来讲我的故事吧！我转过身去望着我的祖父，想问他为什么这么激动，他若有所思地望着我读的那份报纸。'什么事呀，亲爱的祖父？'我问道。'你高兴吗？'他给了我一个肯定的表示。'是高兴我父亲刚才所说的话吗？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。