古怪地

Sporting a powerful but eccentric downstroke, Guldahl won three major championships in as many years.

动作古怪地挥出了有力一杆后，Guldahl赢取了三大重要赛事，而且好几年都赢得了大满贯。

Fauchery looked at her as she sat quaintly perched, in her voluminous ball dress of pale blue satin, on the corner of her armchair. She looked as slight and impudent as a boy, and he ended by feeling astonished at seeing her there.

福什利瞧瞧她，她穿一件宽松的浅蓝缎料连衣裙，古怪地坐在扶手椅的一个边角上，她很瘦削，性格放肆，像个男孩，最后福什利竟然觉得很奇怪，为什么在这里看到她呢。

I looked at her quizzically, wondering what she could mean.

我古怪地看着她，猜想她

He recalled that, in the intoxication of his love, in the Rue Plumet, during those six or seven ecstatic weeks, he had not even spoke to Cosette of that drama in the Gorbeau hovel, where the victim had taken up such a singular line of silence during the struggle and the ensuing flight.

他回想起在卜吕梅街当他陶醉在恋爱中时，在那心醉神迷的六七个星期里，他竟没有向珂赛特提起过戈尔博破屋中那谜一样的悲剧，其中的受害人在斗争里古怪地坚持缄默，后来又潜逃了。

Mother looked at me oddly, pursed her lips and offered me more rice.

妈妈古怪地看着我，撅了撅嘴，给我添饭。

Myself effusing and fluid, a phantom curiously floating, now here

我自己也喷射着，流动者，像个幽灵古怪地飘着，此刻在这里

He turns away from the mirror with brush in hand and gives me a strange smile.

他从镜子前扭过身来，手里拿着刷子，朝我古怪地笑笑。

Breaking the frame of the ancient drama, in a script element in the tragedy and comedy combined to enhance the vivid nature of the plot so that the "lofty and lowly, terror and funny, bold, and humorous bizarre blend together."

打破了古代戏剧的框框，在一个剧本中把悲剧因素和喜剧结合在一起，加强了情节的生动性，使&崇高和卑贱、恐怖和滑稽、豪迈和诙谐离奇古怪地混合在一起&。

Everyday practice Wu3 Dun Ma3 step of result, let she detection oneself had a turnip leg, just a detection of time, she control don't live of a burst of scream, ask for the magpie think the day fell down and used light achievement formerly hospital Lue come in, come in of time, on the contrary it quick get a fright, peculiarly stare at her to say:"Originally you of light achievement so good."

每天练武蹲马步的结果，让她发现自己有了萝卜腿，甫一发现的时候，她控制不住的一阵尖叫，惹得喜鹊以为天塌了下来，用了轻功从前院掠了进来，进来的时候，反而把之敏吓了一跳，古怪地盯着她说：&原来你的轻功这么好啊。&

In this portrait, Chagall is more interested in depicting the Poet's destiny than his individual personality.

不过，他仍保留了诗人的特征─圆头、深陷的双眼─一个古怪地简化了的头部，藏在半人半兽的面具背后，充份表达了诗人内心世界的一面。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。