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Cast ::, Nigel Terry as Aristocrat Arthur, Helen Mirren as Morgana, Nicholas Clay as Lancelot, Cherie Lunghi as Guenevere, Paul Geoffrey as Perceval, Nicol Williamson as Merlin, Robert Addie as Mordred, Gabriel Byrne ..

演员::,奈杰尔特里为贵族亚瑟,海伦米伦为摩根尼古拉粘土为兰斯洛特,切里朗西作为Guenevere,保罗杰弗里为珀西瓦尔,尼科尔威廉森如梅林,罗伯特阿迪的莫德雷德,加布里埃尔拜恩。。。

Since Aquinas was primarily an Aristotelian and Augustine primarily a Platonist, the primal influence of Plato and Aristotle has thus remained central in western thought.

因为阿奎那所接纳的是亚里斯多德的思想传承,而奥古斯丁是柏拉图的信徒,这样一来,柏拉图和亚里斯多德体系对西方人的思想影响就一直处于中心地位。

At present the order has a cardinal, Sebastiano Martinelli (formerly Apostolic delegate for the United States), several bishops--Guglielmo Pifferi; Stephen Reville, Bishop of Sandhurst in Australia; Arsenio Campo y Monasterio, Bishop of Nueva Cáceres in the Philippine Islands; Giovanni Camilleri, Bishop of Gozzo; José López de Mendoza y Garcia, Bishop of Pampeluna, Spain; Giuseppe Capecci, Bishop of Alessandria in Italy; Francisco Xavier Valdés y Noriega, Bishop of Salamanca; William A. Jones, Bishop of Porto Rico; the Vicars Luis Perez of Northern Hu-nan and Dominic Murray, Cooktown, Australia; the Prefect Apostolic (Paulino Díaz Alonso) of San León de Amazonas--and, finally, two mitred abbots.

目前,为了有一个基数,塞巴斯马蒂内利,一些主教-古列尔莫P ifferi ;斯蒂芬雷维尔,桑赫斯特主教在澳大利亚;阿塞尼奥坎普y修道院,主教在新卡塞雷斯菲律宾群岛;乔瓦尼卡米莱主教Gozzo ;何塞洛佩斯德门多萨y加西亚,主教Pampeluna ,西班牙;朱塞佩Capecci ,主教在意大利亚历山德里亚;弗朗西斯泽维尔巴尔德斯y诺列加,萨拉曼卡主教;威廉A琼斯,主教波尔图队的路易斯佩雷斯Vicars北胡楠和多米尼克墨累,库克敦,澳大利亚;使徒的省长的圣莱昂的亚马孙-最后,两个m itreda bbots。

If Richard Prince, who is having a retrospective at the Guggenheim museum in New York, can "rephotograph" a photograph and present it as original work, if Gus Van Sant can do a frame-by-frame remake of Alfred Hitchcock's Psycho, why not "reproduce" a handbag and present it as an homage?

如果理查德普林斯——正在纽约古根海姆博物馆举行回顾展——能够"复照"一张照片,然后把它当作原作展示,如果格斯范桑能够一帧一帧地复制阿尔弗莱德希区柯克的《精神病患者》,为什么不"复制"一只手袋,以此表达敬意呢?

If Richard Prince, who is having a retrospective at the Guggenheim museum in New York, can "rephotograph" a photograph and present it as original work, if Gus Van Sant can do a frame-by-frame remake of Alfred Hitchcocks Psycho, why not "reproduce" a handbag and present it as an homage?

如果理查德·普林斯——正在纽约古根海姆博物馆举行回顾展——能够"复照"一张照片,然后把它当作原作展示,如果格斯·范·桑能够一帧一帧地复制阿尔弗莱德·希区柯克的《精神病患者》,为什么不"复制"一只手袋,以此表达敬意呢?

Térèse de Saint Augustin (Mme Louis de France, 1737-87) daughter of Louis XV, notwithstanding her exalted birth, chose for herself one of the poorest convents, Saint-Denis near Paris, where she distinguished herself by the exercise of heroic virtue.

térèse德圣奥古斯丁(夫人路易德法国, 1737年至1787年)的女儿,路易十五,尽管她的崇高出生时,选择了自己的最差的国家之一修道院,圣但尼在巴黎附近,在那里她尊敬自己所行使的英雄美德。

Thus, the Roman abbey, the philosophers' church, the Gothic art, Saxon art, the heavy,round pillar, which recalls Gregory VII., the hermetic symbolism,with which Nicolas Flamel played the prelude to Luther,papal unity, schism, Saint-Germain des Près, Saint-Jacques de la Boucherie,--all are mingled, combined, amalgamated in Notre-Dame.

这样,罗曼教堂,炼金术教堂,峨特艺术,萨克逊艺术,使人回想起格列高利七世时代的那种笨重柱子,尼古拉·弗拉梅尔创先于路德的那种炼金术象征,教皇帝国的统一,教派分裂,圣日耳曼—德—普瑞教堂,屠宰场圣雅各教堂,所有这一切巴黎圣母院兼收并蓄,统统将其熔铸、组合、揉和在它的建筑中。

When the two peoples clashed, the Sumerians gradually lost control over the city-states they had so brilliantly created and fell under the hegemony of the Akkadian kingdom which was based in Akkad, the city that was later to become Babylon.

当着两个民族冲突时,苏美尔人逐渐的失去了他们辉煌的创造的城邦的控制权而归属与阿卡德王国基于古巴比伦阿卡德地区的霸权之下。这个城邦后来便成为了巴比伦。

When the two peoples clashed, the Sumerians gradually lost control over the city-states they had so brilliantly created and fell under the hegemony of the Akkadian kingdom which was based in Akkad, the city that was later to become Babylon.

当著两个民族冲突时,苏美人逐渐的失去了他们辉煌的创造的城邦的控制权而归属与阿卡德王国基於古巴比伦阿卡德地区的霸权之下。这个城邦后来便成为了巴比伦。

It was evident that Madame Albertine belonged to the very highest society, since she knew M. de Rohan, and that her own rank there was of the highest, since she spoke thus familiarly of so great a lord, and that there existed between them some connection, of relationship, perhaps, but a very close one in any case, since she knew his "pet name."

德·罗安先生的小名确是奥古斯特,这说明阿尔贝尔丁夫人出身于上层社会,因为她认得德·罗安先生,也说明她自己在那社会里的地位也高,因为她用那样亲昵的口吻称呼一个那样崇高的贵人,也说明她和他有一种关系,也许是亲戚关系,但是必然是相当密切的,因为她知道他的&小名&。

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