古典风格

Our access to the materials selected for Zhangmu, Black Walnut, Teak, Sapele, red elm, basswood and other valuable timber, combine the traditional techniques and modern national style, carved by the teacher's skilful the next, showing a very modern and yet classical charm, dissolved in one of Eastern and Western Antique Collection, Haojia Archaixed Wooden Craft from the sculpture by Jane to complex, from coarse-to-fine, this is the biggest characteristic of the work, formed their own artistic style and decoration of the way, when we look at the existing physical, Dongyang wood carvings can be seen all the glory.

本厂所选取用的材料为樟木、黑胡桃、柚木、沙比利、红榉、椴木等各种名贵木材，结合传统的民族工艺和现代风格，经名师巧手的精雕细刻之下，呈现出极具现代气息，又不失古典韵味，溶中西文化于一体的仿古精品系列，豪佳仿古木艺从雕刻已经由简到繁，由粗到细，这是作品的最大特点，形成了自已的艺术风格和装饰手法，纵观现存实物，无不可见东阳木雕之辉煌。

Hudec's Beaux-Arts training at the Royal Joseph Technical University in Budapest equipped him with the fundamentals of Classical architecture that were to be the foundation of his lifelong work.

邬达克在布达佩斯皇家约瑟夫理工学院所受的学院派风格的训练，为他打下了坚实的古典建筑的基础，而这也成为他终生设计风格的基石。

The union tradition national craft and the modernistic, after under famous teacher clever artisan''''s working with great care, present extremely has the modern breath, also does not lose the classical flavor, has formed the unique artistic style and the decoration technique.

结合传统的民族工艺和现代风格，经名师巧手的精雕细刻之下，呈现出极具现代气息，又不失古典韵味，形成了独特的艺术风格和装饰手法。

Then the composer created the tragic emotional mood that was unified to "have one's bosom filled with disconsolateness , infinite plaint ";With the realization of's style, which having classical national music style characteristic and understood by the modern people.

摘 要：电视剧《红楼梦》音乐是作曲家通过对其原著本身的文学意蕴、文化背景、作者所处的历史时代等因素进行分析、研究后；再创造出统一于"满腔惆怅、无限感慨"的悲剧感情基调；和既有古典民族音乐风格特征又能为现代人所理解的《红楼梦》风格的实现。

In the 19th century ending French composers, the Saint-Saens 's piano music inherited the classical style, melts into French's skillful wisdom and humorous, the disposition and the clear form which teases, has formed his unique piano music style. His music influenced afterwards French composer Gabriel Faure and Maurice Ravel.

作为十九世纪末的一位法国作曲家，圣桑的钢琴音乐在继承了古典乐派的创作风格之后，融入了法国人的巧智与幽默，戏谑的性格与清晰的形式，形成了他独特的的钢琴音乐风格，并极大的影响了后来的福雷与拉威尔的音乐创作。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

Shakespeare's early classical and Italianate comedies, containing tight double plots and precise comic sequences, give way in the mid-1590s to the romantic atmosphere of his greatest comedies.

莎士比亚早期的古典和意大利风格的喜剧，包含了紧凑复杂的情节和精确的喜剧顺序，于1590年代中期转型为他最成功的充满浪漫气息的喜剧风格。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

She has thousands of pattern, the kinds of together the Persian carpets Tibetan carpets blanket chemical fibber carpet Turkey stall the essence of innovative design but in euramerican with avant-garde with keen on the Chinese culture in modern design of the original avant-garde with rich based on the classical beauty encompassed each pattern with her story plot culture color is intriguing. After all, is one of the traditional culture of five thousand five thousand years of wisdom and sweat in.

她有上千种图案，万种风格聚波斯毯藏毯毛毯化纤毯土耳其摊子之精髓设计新颖但不失前卫在具有欧美的风格上带着浓厚的中国文化底蕴在原有的前卫现代图案的基础上透着丰富含蕴的古典美每块图案具有她的文化色彩故事之情节会是你耐人寻味…毕竟是五千年的传统文化之一五千年的智慧和血汗凝聚而成的。

The art development of Giorgio de Chirico is divided into seven periods : art cultivation、exploration、space consciousness、geometric architecture、return classicism、dualism and classical consciousness , which described the style transformation of Metaphysical painting .

本研究将基里诃一生艺术发展归纳为：艺术孕育期、创作探索期、空间意识期、几何建筑期、回归古典期、二元对立期和古典意识期等七个分期，来阐述「形而上绘画」的形式风格转变。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷