古今

Further study indicates that the ancient and present snowlines have risen from the margins of the Qinghai-Tibet Plateau to the interior and the Tanggula Mountains area is ~1500 m higher than the the margins, which vividly reflects the role of the Dry Pole of Asia, as suggested by some scientists earlier, The wide distribution of lake swarms shows that the Qiangtang area is an interior drainage area into which big rivers have not yet stretched, implying that the Qinghai-Tibetan Plateau is younger.

进一步研究表明，古今雪线由高原边缘向腹地升高，唐古拉山地区高出边缘1500m左右，生动表现了&亚洲干极&的作用；广泛分布的湖群说明羌塘地区是一个大江大河尚未伸入的内流地区，意味著青藏高原是个年青的高原。

He compared kings and emperors to raccoons living on the same mountain.

他最后总结说，古今的帝王都不过是一个山丘上的貉而已。

After this book, two things I want to say most: Fristly, The history is like a wheel that never stop,something between it is repeatively happened. Such as the State-owned economics.Secondly, I know too little about the passed 100 years of China, which full of fight, misery, lessons and unity.

看完这本书，我有两个主要的感慨，一是历史就像一个滚滚向前的车轮，其中某些东西却是轮回往复古今一样的，比如国营企业的问题，轮船招商局的命运就是个缩影。

In particular, black white flower, the five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting, traditional Chinese painting, calligraphy, ceramics and art combine to create a new integrated arts, opened up the aesthetics of ancient ceramics a new realm, and for the future and colorful blue and white porcelain million development opened the way.ci zhou yao decorative themes are rich and varied, unique, very cool artist who adopted the tactics and superb skill of the art technology, willyu chong people loved flowers and birds, rare birds andrui shou , landscape character, drama, stories, myths and legends, poetry Qu Fu, epigram proverbs, such as painting children at play acrobatics on top of the porcelain to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang artistic style, rich color and a distinctive non-governmental national characteristics , on the domestic and the world of ceramic and have had an enormous impact on a far-reaching, becoming old and sonic booms, renowned Chinese and foreignming yao generation.

尤其是白地黑花，突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果，把中国的传统绘画、书法技艺与陶瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界，并为以后元青花及五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们采用极其潇洒的手法和高超精湛的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏剧故事、神话传说、诗词曲赋、警句谚语、婴戏杂技等绘于瓷器之上，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格、浓郁的民间色彩和鲜明的民族特色，对国内及世界陶瓷产生了深远而巨大的影响，成为声震古今、享誉中外的一代名窑。

Even more peculiar is that sometimes the sea mine No. upwind roar, and turbid waves of emptying, the wind blowing on shore, wood shake grass volts, while the view of the sea floor board Chenghai who are quiet aware of it, this is the famous ancient and modern times " Hai Ting wind "attraction.

更为奇特的是，有时海面上风号雷吼，浊浪排空，岸上风声阵阵，木摇草伏，而登上澄海楼观海的人却静寂不觉，这便是名闻古今的&海亭风静&胜景。

Hu Ming thinks that some inner information can be uncovered by way of ancient and present evolvement and historical run-through.

胡明认为，通过古今演变与历史贯通的研究方法，可使研究对象吐露其隐蔽的、内在的和深层的信息，提供其生命史各个发展阶段生理、心理衍化成熟的关键秘密。

The old Hong Kong and Macau Street" is reflected in the twentieth century, with two to three decades on behalf of the Lingnan architectural features of the Hong Kong streets and reflect the old style of Portuguese architecture in Macau landscape composition, their elegant style, building sophisticated, ancient and modern co-exist, Chinese and Western, it including cinemas, casinos, photo studio, brothels, police stations, a banking house, firm, etc., inns, etc.,"the old Macau, including Xu's Grand Courtyard, dragon and tiger Hall, Haojiang hotel.

旧香港澳门一条街&是由反映二十世纪二三十年代具有岭南建筑特色的香港街区和体现旧时葡式建筑风格的澳门景观组成，它们造型考究，建筑精良，古今并存，中西合璧，它包括戏院、赌场、影楼、妓寨、警署、钱庄、商行等、客栈等，&旧澳门街包括许家大院、龙虎堂、濠江酒店等。

Thisdevelopment is advanced altogether by the amalgamations between ancient andmodern times, between occident and China, and between traditional and moderntimes.

古今融合、中西融合、传统与现代的融合，共同推动着现代山水画笔墨形式向前发展。

Under the circumstance that the traditional aesthetic value system has already been smashed, a great many creators of contemporary ink painting are more prone to a more unconfined attitude to break down the barriers of art and to understand and use traditions in a broader sense, rather than the roads taken by the traditionalists who maintain the ink-centered aesthetic standard and by the experimentalists who stick to the road of concept-supreme.

水墨的传统审美价值体系已然被打破，当代不少创作者更倾向于以一种出入古今中西的姿态打通艺术的界限，在更宽泛的意义上理解和利用传统。

Xia Shangzhou in three generations, there is the powder rouge records, Zhang Bo contains "Zhou Tin Lead to burn powder", the Chinese ancient and modern note also mentioned the "rouge, 1998 at the Zhou", the long cloud,"since three generations to lead to powder, Qin Mugong a woman Guo Rong, Germany flu immortal, Xiao history as a powder burn mercury and Tu, Yiming Feiyun Dan, a 2007 song-and end up ", a visible powder products have been used as early as three generations.

在夏商周三代，对香粉胭脂就有记载，张华博载&纣烧铅锡作粉&，中华古今注也提及&胭脂起于纣&，久云，&自三代以铅为粉，秦穆公女美玉有容，德感仙人，肖史为烧水银作粉与涂，亦名飞云丹，传以笛曲终而上升&，可见脂粉一类产品早在三代已使用。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。