古人的

Gently shake youth Campanula ring, a pleasant voice on the heart attack, looked up rays in the halo of colorful dreams, a few heart will indulge in the glory of touching: the stream of history, the splendid ancient Chinese poem so elegant that the idea of flying the look, clean up one's soul and beautify their own temperament; breathing poetry of the text in the mellow air, let poets of sentiment or feeling melancholy; then Qingli poetic, sincere love, dream The gorgeous cast of human soul, the soul of the strokes used to write their own lines, to the life of paper left on a clean page.

轻轻摇响青春的风铃，一阵悦耳声袭上心头，抬头仰望霞光中五彩梦的光环，心几就会沉醉在那动人的光环之中：从历史的小溪里，掬起古人灿烂的诗句，让那飘逸的思想、飞动的神采，荡涤自己的灵魂，美化自己的气质；呼吸诗文中醇厚的文气，感悟诗人们放达抑或忧郁的情怀；再把诗的清丽、情的真挚、梦的绚烂投人心灵之中，用灵魂的笔触写出自己的诗行，给生命的纸页上留下一笔清澈。

Allowed the date that" year" indulge in atrocities on the whole, the common people treat this terrible night as to close to come then very, call" year end", and figured out a the whole set to celebrate New Year's Eve the way of the pass:Each time to this evening, each per families work well the supper in advance, turn off the clean cooking stove, then chase a fastening with all stockade of chicken, the house hospital in front and back the doors all seal, hiding to eat" New Year's Eve dinner" in the house, because of this dinner have fierce 吉 don't 卜 of meaning, so buy very flourishing, in addition to wanting that the whole family the old and the young rounds together to have a meal to mean in peace and harmony and reunitedly, return the beard at have a meal to provide the worship of ancestors before and first first, the spirit of the imprecation ancestry protect, spending this night safe and sound, after eating the supper, who all dare not the sleeping, pushing to sit together to talk away to encourage.

到了宋代，人们便开始在桃木板上写对联，一则不失桃木镇邪的意义，二则表达自己美好心愿，三则装饰门户，以求美观。又在象征喜气吉祥的红纸上写对联，新春之际贴在门窗两边，用以表达人们祈求来年福运的美好心愿。为了祈求一家的福寿康宁，一些地方的人们还保留着贴门神的习惯。据说，大门上贴上两位门神，一切妖魔鬼怪都会望而生畏。在民间，门神是正气和武力的象征，古人认为，相貌出奇的人往往具有神奇的禀性和不凡的本领。他们心地正直善良，捉鬼擒魔是他们的天性和责任，人们所仰慕的捉鬼天师钟馗，即是此种奇形怪相。所以民间的门神永远都怒目圆睁，相貌狰狞，手里拿着各种传统的武器，随时准备同敢于上门来的鬼魅战斗。由于我国民居的大门，通常都是两扇对开，所以门神总是成双成对。唐朝以后，除了以往的神荼、郁垒二将以外，人们又把秦叔宝和尉迟恭两位唐代武将当作门神。相传，唐太宗生病，听见门外鬼魅呼号，彻夜不得安宁。于是他让这两位将军手持武器立于门旁镇守，第二天夜里就再也没有鬼魅搔扰了。

The man he sacrificed to his ambition, that innocent victim immolated on the altar of his father's faults, appeared to him pale and threatening, leading his affianced bride by the hand, and bringing with him remorse, not such as the ancients figured, furious and terrible, but that slow and consuming agony whose pangs are intensified from hour to hour up to the very moment of death.

那个由于他的野心而被他牺牲的人，那个代他父亲受过的无辜的牺牲者，又在他的眼前出现了，他脸色苍白，带着威胁的神气，一只手牵着未婚妻，她的脸色也是一样的苍白，这种形象使他深感内疚――不是古人所说的那种猛烈可怕的内疚，而是一种缓慢的，折磨人的，与日俱增直到死亡的痛苦。

The nationalist era female literary wunderkind Eileen Chang thought that if one wanted to reach an understanding of the culture of costume in ancient China not even the most leisured person in the most laid-back nation would be able to find the rules that governed it from a hundred similar patterns that never once repeat themselves, but through the ancient styles and taste that these clothes possess, appreciative Chinese persons of culture could, like her, imagine the ancients wandering in groves of bamboo, could touch their foreheads to embroidered brocades and be amidst walls hung with fine silks and satins. Compared to the straight cuts of Western dress, the cut and style of Han costume better suits the softer, willowier and plump forms of an Asian race. its lines have rhythm and vitality and a floating beauty.

在民国奇女子张爱玲的眼里，要领略古中国的衣服的文化，世界上最清闲国家里最闲的人也不一定能从一百种相仿而不犯重的图案找到规则，但通过那些服装的古意，有知性的中国文人可以和她一样，想到古人在竹竿与竹竿之间走过，把额角贴在织金的花绣上，两边是拦着绫罗绸缎的墙……与西式立体裁减制作的西装相比，汉服剪裁和造型手段适合黄种人相对线条柔和圆润的体型，呈现出总体线条气韵生动、流畅飘逸的造型美感。

Using the image of comparative literature on the theory and methodology, this paper cards Western image of the ancient Chinese before the Qing Dynasty and analyzes the characteristics of the traditional mode of thinking and collective imagination at the beginning. Then, connecting the above features, it focuses on the image of the United Kingdom in travel notes of the Qing Dynasty and analyzes the role and significance of the travel notes and the officials in the formation of "the image of the United Kingdom" in the Qing Dynasty. That is, travels text is a kind of cultural narrative, Travels with intertexuality completed the social collective imagination. As the Qing Dynasty Construction of the image, officials try to deviate from the traditional Chinese collective imagination. By virtue of British image of self-desire, they state their self-desire and reflect on their own culture.

本文借助了比较文学形象学的理论和方法论，首先梳理了清代前中国人眼中的&西方形象&，分析出中国古人看世界的文化心理和传统思维模式特点，接着结合上述特点解读清代游记中的&英国形象&，并分析出清代游记和清代使官在英国形象生成中的作用和意义：游记文本是一种文化叙事，游记的互文性写作完成清代人对英国的集体想象；清代使官作为形象的建构者，试图背离中国传统的集体想象，他们借助英国形象言说自我的欲望、反思自身的文化。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。