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叙述者

与 叙述者 相关的网络例句 [注:此内容来源于网络,仅供参考]

While Godard encourages the audience to keep certain aestheticdistance from films so as to ponder independently.

根据叙述者可被感知的程度,可以将特吕弗与戈达尔电影中的叙述者分为外显的叙述者和内隐的叙述者

On the basis of the relationship between the narrator and the hidden author,we sort the narrators of Truffaut and Godard into reliable and unreliable ones.

根据叙述者与隐含作者的关系,可以将特吕弗与戈达尔电影中的叙述者分为可靠的叙述者和不可靠的叙述者

The conclusion of the dissertation points out that between different cultural systems,city heterotopia only has two basic faces:first,the culture of this city is very different from the writer\'s culture;second,the culture of this city culture mingles with the writer\'s culture,sharing many similarities.

论文结语指出,在不同的文化体系之间,城市异托邦的具体形象可能千变万化,但最基本的面孔却只有两副:其一,该城市的文化与叙述者所属城市的文化以相异性为主;其二,该城市的文化杂糅了叙述者所属城市的文化,体现出较多的相似性。

This makes the vision of the Underworld varies with its narrator's position, educational background, life experiences and religion, and represents even inconsequent views about Spirits and Gods. The varied viewpoints about Gods and Spirits also revealed that the religious attitude in Chinese culture was mixed Confucianism,Taoism and Buddhism.

从这些鬼故事中发现,《阅微草堂笔记》因属笔记性质,故事的叙述者不一,因此其所呈现的阴间界域因叙述者的身分、学识、经历、信仰不同,而有不同的想像,因此出现差异,并呈现出似乎互相矛盾的多元鬼神观;此多元的鬼神观,又正好反映了中国文化中儒释道互相渗透的宗教观。

And then the author advances the question of the incredibility of Nelly both as a narrator and a character mainly from four points: her name, the arrangement of the story-order, the duel identity of Nelly as Narrator and narratee and the shifts of her status in the story.

在引言中,作者首先简短地介绍了评论界对耐莉的研究,然后主要从四个方面对耐莉作为叙述者以及人物的可靠性提出了质疑:她的名字,故事时间的安排,耐莉作为叙述者及受述者的双重身份以及她在故事中身份地位的变化。

In irony in narrative text, the author applies a setting to exceed narrate a layer, enable suspect relator, and implicit author and relator perform the expressional trick such as a two-man act, make story surface layer is narrated form intense irony with deep-seated connotation, effective ground is outspread the meaning of text accumulate, heightened the artistic tension of work.

在反讽叙事文本中,作者运用设置超叙述层、启用不可信叙述者、以及隐含作者和叙述者演双簧等表现手法,使故事表层叙述和深层内涵构成强烈的反讽,有效地扩张了文本的意蕴,增强了作品的艺术张力。

As a particular poetic form in English and American literature, the dramatic monologue consists entirely of a speech made by a first-person speaker, and features a speaker other than the poet, presence of a silent audience and self-revelation of the speaker.

作为英美文学中一种特殊的诗歌形式,戏剧独白诗由第一人称叙述者的独白构成,它隐含三大要素:第一人称叙述者、沉默的听众和叙述者的自我暴露。

At the same time, as a kind of autobiographical novels, parodic autobiographical novel can not only unrestrainedly fabricate some stories to mold an odd hero or heroine but also freely work out some purely fictitious psychology to serve their own aims.

在自我形象方面,虽然戏谑型自传体小说叙述人将自己塑造成与世隔绝的"我"、分裂变幻的"我"、玩世不恭的"我"、自暴自弃的"我"几种反传统的自我形象,但是这些形象或许只是叙述者用来掩饰真实自我的一种姿态而已,在叙述者玩世不恭的面具下读者也可以窥见一个始终与虚无作战的执着的灵魂。

At the same time, as a kind of autobiographical novels, parodic autobiographical novel can not only unrestrainedly fabricate some stories to mold an odd hero or heroine but also freely work out some purely fictitious psychology to serve their own aims.

在自我形象方面,虽然戏谑型自传体小说叙述人将自己塑造成与世隔绝的&我&、分裂变幻的&我&、玩世不恭的&我&、自暴自弃的&我&几种反传统的自我形象,但是这些形象或许只是叙述者用来掩饰真实自我的一种姿态而已,在叙述者玩世不恭的面具下读者也可以窥见一个始终与虚无作战的执着的灵魂。

The narrator impatiently endures the time passing, until at 9 pm the uncle finally returns, unbothered that he has forgotten about the narrator's plans.

叙述者不耐烦忍受的时间的推移,直到晚上九时的叔叔最后返回, unbothered ,他已忘记了叙述者的计划。

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