叙述的

While critics exclaim at his astonishing technical innovation and his ingenious handling of different narrations, many of them also criticize him on his characterization of the heroine Caddy because Faulkner keeps her absent as a narrator.

当一些评论家惊叹于他那令人瞠目的技巧创新和天才的叙述能力时，也有很多人对女主人公凯蒂的形象塑造提出了批评，原因是福克纳始终没有让凯蒂以主体身份进行叙述。

Meanwhile, these characters are not only narrating the Sutpen saga, they are also telling their own stories and exposing the fictionalization of their narratives.

同时，这些人物不仅仅是在叙述萨德本的家族史，也是在讲述他们自己的故事并揭示他们叙述中的小说化。

Although at the beginning, Husserl described empathy always accompanied with his critiques to Lipps, the methods they used and the questions they thought are very similar. After all, on the one hand, Husserl accepted the main senses of empathy founded by Lipps.

虽然胡塞尔对移情的叙述总是伴随着他对利普斯移情论的批评，但他还是接过了利普斯移情概念的自我论起点，而且其移情叙述细节也和利普斯有诸多相似之处。

On the one hand, based on the central images of "mirror" and "water", this part discusses the internal spirit and complex cultural context in Bian's poems; on the other hand, according to the narrative person and structure, this part discourses on his new lyrical styles such as dramatization and novelization.

以"镜"与"水"两个意象为核心，探讨了卞诗中复杂的文化精神内涵；并从叙述人称和叙述结构上讨论了他戏剧化、小说化的新的抒情策略。

For example , the description to social environment that time, the something to Platoon Leader major character Li is the description shifting a visual angle's equally.

例如，对当时社会环境的叙述，对主要人物黎排长的一些情况均是变换视角的叙述。

In irony in narrative text, the author applies a setting to exceed narrate a layer, enable suspect relator, and implicit author and relator perform the expressional trick such as a two-man act, make story surface layer is narrated form intense irony with deep-seated connotation, effective ground is outspread the meaning of text accumulate, heightened the artistic tension of work.

在反讽叙事文本中，作者运用设置超叙述层、启用不可信叙述者、以及隐含作者和叙述者演双簧等表现手法，使故事表层叙述和深层内涵构成强烈的反讽，有效地扩张了文本的意蕴，增强了作品的艺术张力。

One of Chen Ran's novels employed the use of interweaving of Point Of Views, so it develop different status in different PoVs.

陈染在一篇小说中总是转换好多的叙述角度，从不同的叙述角度表现不同的生存状态。

Phaedo, an account of Socrates' final conversation and hemlock drinking, is narrated by Phaedo to Echecrates in a foreign city many years after the execution took place.

斐多篇》叙述了苏格拉底的最后谈话与饮鸠的情况，叙述是由斐多与艾克格拉底在死刑执行多年后于一个外国城市进行的。

This article firstly describes the survival situation, discussing the concept of "what is the documentary","what is the columnized survival" and the relation between documentary and columnized survival. It narrates the development of documentary with columnized survival from three stages, analyzing the characteristic of current-trend on selected topic, plebification of narrating angle and the diversification of performance.

这篇论文首先描述了中国纪录片栏目化生存的整体状况，对&什么是纪录片&、&什么是栏目化生存&、&纪录片与栏目化生存的关系&这三个问题进行概念界定与理论探讨，并以&节目化生存&、&栏目化生存&以及&走向频道化&三个发展阶段叙述了纪录片栏目化生存的发展历程，分析概括出创作选题主流化、叙述视角平民化、表现手法多元化等生存特征。

This paper will endeavor to conduct a comprehensive analysis of the novel from the perspective of both narratology and stylistics.

本文尝试运用叙述学与文体学的重合面对《远大前程》进行叙述学与文体学的综合分析。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。