叙述的

It is noticeable that the canonizing critical narrative on Ba Jin's Capriccio on My Past consists of three levels: 1.the author's self-narrative; 2.the narrative of the public; 3.the narrative of the academia.

对《随想录》的经典化叙述包含三个层次：一是巴金的自我叙述；二是公众的期待性叙述；三是学院派的知识分子叙述。

This article asserts that classicalization narrative on Ba Jin's Capriccio on My Past includes three aspects: 1.the author's self-narrative; 2.the public's narrative in expectancy; 3.scholastic intellectuals'narrative.

对《随想录》的经典化叙述包含三个层次：一是巴金的自我叙述；二是公众的期待性叙述；三是学院派的知识分子叙述。

In the narration strategy, through the choice of the narrators, the esta...

在叙述策略上，作者通过叙述者的选择、叙述层次的设置、叙述声音的安排和叙述可信度的质疑，使阅读者陷入了叙事的迷宫之中；同时，作品在叙述层面和批评层面展开，成为一部"小说的小说"。

Seen from the perspective of narration theory the transformation of the narration distance and perspective adjusts the narration information.

从叙述学角度来看，叙述距离的远近和叙述视角的转换起着调节叙述信息的作用。

The narration idiosyncrasies of Chinese classical poesy differing from the West poesies are mostly behave in pay ing attention to express in indicate based on Fu,Bi,X ing ;giv ing prominence to sensibilities and life thoughts by emphasiz ing speech ideal and affection as narration motivation;form ing the narration style of blend ing the affection,opinion and affair by unionizing the space-time,the actual condition and the words-intention.

中国古典诗歌具有不同于西方诗歌的叙述特质，主要表现在：以赋、比、兴作为叙述基础，注重主观表达与客观效应统一；强调言志和缘情的叙述动机，突出作者情感体验和人生思考在叙述中的地位；追求时空、虚实、言意的统一，形成了情、理、事交融的叙述风格。

Our acquisitions usually develop in the same way. At other companies, executives may devote themselves to pursuing acquisition possibilities with investment bankers, utilizing an auction process that has become standardized. In this exercise the bankers prepare a "book" that makes me think of the Superman comics of my youth. In the Wall Street version, a formerly mild-mannered company emerges from the investment banker's phone booth able to leap over competitors in a single bound and with earnings moving faster than a speeding bullet. Titillated by the book's description of the acquiree's powers, acquisition-hungry CEOs -- Lois Lanes all, beneath their cool exteriors -- promptly swoon.

我们的购并行动发生的形态一向很类似，在别的公司，高阶主管通常亲自与投资银行家一起寻求可能的购并机会，所运用的拍卖程序相当制式化，在过程中银行业者准备的帐册让我想到童年时代读到的&超人&漫画，只不过在华尔街版，换成一家本来平淡无奇的公司进到了银行业者特地准备的电话亭后，摇身一变成了一跃升天，盈余成长飞快的超人，而抵挡不住卖方帐册所叙述的神力，购并案饥渴成痴的买方，就像是具有冷艳外表的露易丝，立刻融化在其膝下。

In the narration strategy, through the choice of the narrators, the esta...

在叙述策略上，作者通过叙述者的选择、叙述层次的设置、叙述声音的安排和叙述可信度的质疑，使阅读者陷入了叙事的迷宫之中；同时，作品在叙述层面和批评层面展开，成为一部&小说的小说&。

Unit fraction concepts: The description problems of language of halves are easier than the problem of symbol of 1/2. Students have the habit to deal with unit of things of all contents. When they face the problem of remaining to divide again, they would by oneself increase or reduce the thing of contents. And students were inclined toward each fraction appearing in the same contexts of assumption of ego to have the same deal of unit. When facing comparing problems could be influenced by intuition rules of Same A — Same B and solving problems incorrectly.

单位量概念的表现：一半语言叙述的问题的表现优於具二分之一符号的问题，较习惯用全部内容物当单位量，面对余量再分问题时会自行增减内容物改变单位量，会倾向於自我假设在同一情境中出现的各个分数具有相同的单位量，面对比较问题时受直观规律Same A─Same B的影响而错误解题。

However,from the aesthetic perspective,the artistic originality of "Lorita" presents the unique feature both form and theoretical value.

然而，当人们站在艺术审美的角度来探讨《洛丽塔》的艺术独创性时，却惊喜地发现，《洛丽塔》在融合艺术的形式和伦理价值上独树一帜，体现出虚构的&真实性&、叙述的含混性、阅读的迷惑性和内容的消融性等特征。

Irony: A contrast or an incongruity between what is stated and what is really meant, or between what is expected to happen and what actually happens. Three kinds of irony are (1) verbal irony, in which a writer or speaker says one thing and means something entirely different;(2) dramatic irony, in which a reader or an audience perceives something that a character in the story or play does not know;(3) irony of situation, in which the writer shows a discrepancy between the expected results of some action or situation and its actual results.

反讽：反讽指所叙述的事情和真正的所指之间或期待发生的事情和实际发生的事情之间的对比或不一致，反讽有3种：（1）词语反讽，作者或说话人说的是一件事但指的却是截然不同的另一件事；（2）戏剧反讽，指读者或观众在故事或戏剧中意识到故事或剧中人物所没有意识到的事；（3）情境反讽，指作家所创造的人们对的行动或情境所期待的结果和实际发生的结果产生的差距。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。