叙事曲

Until between Ming and Qing,many literati authors adopted the limitable narrative and created the precise dramatic structure.

明清之际的许多文人曲家一改前辙，以内敛叙事为主、开放叙事为辅，创构了严谨的情节结构和精巧的排场结构。

In the Ming and Qing Dynasties,the Chuan-qi Drama of the literati authors hovered between the open narrative and the limitable narrative.

明清时期文人曲家的传奇戏曲创作，一直在长篇体裁的开放叙事与戏剧艺术的内敛叙事之间彷徨抉择，传奇戏曲叙事结构因此呈现出种种不同的状貌。

Talk of tone throughout the whole song, and the characteristics of both narrative and lyrical, real touching.

倾诉性的音调贯穿全曲，并兼有叙事和抒情的特点，真切感人。

The fourth chapter Fiction Techniques analyzes the narrative structure and angles of Lu's fiction, his narrative characteristics; the author and the fiction construction; and the series of heroes in his fiction, the riddles, inscription, poems, lyrics, rhapsodies and qu; the conceptions and explanation of dreams, and the characteristics of historical novels; and "narration and creation " and allusions.

第四章&小说策略沦&，探讨了陆士谔小说的叙事结构与视角，分析了陆士谔小说的叙事特征：作者参与小说构建以及小说中的主人公系列；小说中的谜语、诗赋曲与题词；梦幻的意境与读解，及其历史小说之特色：&表而演之&与博采史鉴掌故。

You see that especially the pro-" and a "two-Taiwan" for the music tone, and in the narrative part of Hebei and learned the folk music of the material;"a new look to the motherland," the use of the Xinjiang Uygur music, and in the cavity source Also cleverly Roujin the Yi people in Yunnan folk song tone;"a good example to learn from Lei Feng", while China is old and the new Song of the Song of the inheritance and development;"Tibetan children miss Premier Zhou is the Tibetan 〔〕 Langma Fujian Key Nanqu〕 things both clever combination of music .......

如《看见你们格外亲》，是以&二人台&的音乐为基调，而在叙事部分又汲取了河北民间说唱音乐的素材；《祖国一片新面貌》运用了新疆地区维吾尔音乐节奏，而在腔出处又巧妙地揉进了云南彝族民歌音调；《学习雷锋好榜样》，则是中国旧军歌与新军歌的继承和发展；《藏族儿女怀念周总理》是藏族〔朗玛〕与福建〔南曲〕东西两地音乐的巧妙结合……。

Fourth, the word is divided into two general Que, the longest sequence莺啼〔〕 only 240 characters and the capacity of music to enrich the performance of much more, it can be a combination of a number of songs, a palace belonging to the same tune song, may be a rhyme in the end, this result is not only more in harmony in music, but also in写景, flakes, lyric, narrative are less restrictive.

第四，词一般分为两阙，最长的〔莺啼序〕也只是二百四十字而曲的表现能力要丰富得多，它可以把若干曲组合为一套，一套曲属于同一宫调，可一韵到底，这样做的结果是，不单在音律上更为和谐，而且在写景、状物、抒情、叙事上都较少限制。

Although English composers did imbue their madrigals and their vernacular sacred pieces with"madrigalisms"and other musical gestures and events expressive of their texts,they did not allow the quest for expressivity and affective depth to threaten their traditional values of structural clarity,integrity,and balance.

尽管英国作曲家用抒情和其他音乐手法以及叙事来渲染他们的圣歌，他们也不允许对表现力以及情感深度的探索威胁到他们传统的明净正直以及平衡的结构价值。有的地方比较专业的东西在下不太明白哈，只有曲译一些，毕竟我不是学音乐专业的，翻译难免偏差哈

This paper attempts to study those typical texts in detail,on the basis of the in-depth analysis of the narrative art and techniques of the 1940's narrative poems,mainly from four aspects:the lyric narration,imagery narration, dramatic narration,"moledicized" narration,so as to explore and appraise their historical contribution,values,functions and limitations in the modem poem history.In the narrative poems in the 1940s,the technique of"lyric narration" is embodied mainly in the high degree of artistic integration of "felling" and "polt".The lyricism is fully embodied in both structure and language,and generally through two ways:the lyricism of the dramatis personae and the lyricism of relaters or poet himselfThe narrative poets in 1940s have further developed the "mood" type of narrative poems(a kind of structure model of the modem narrative poem)which was created by predecessors.

本文试图在对有代表性的文本进行细致研读的基础上，对40年代叙事长诗的叙事艺术与策略进行深入剖析，主要从抒情化叙事、意象化叙事、戏剧化叙事、谣曲化叙事四个层面展开，以发掘、评判其在现代诗歌史上的历史贡献、价值、功能及局限等。40年代叙事长诗中的&抒情化叙事&策略主要体现于&情&与&事&的高度艺术融合，抒情形态表现在抒情结构与抒情语言方面；其抒情策略大体有两种方式：一是诗中人物的自我抒情，一是诗人自己或叙述人的抒情。40年代叙事诗人进一步发展了前人创造的&情绪型&叙事诗这种现代叙事诗的结构模式。

In those senses the Nocturnes, for all their intimacy, are built up of essentially the same type of material as Chopin's Balades or other large works, and often contain just as dramatic contrasts and conflicts.

这些夜曲构筑了作为肖邦叙事曲和其他大型作品的最基本素材，这其中常常包含着显著的对比与冲突。

This essay attempts to make an analysis of Kate Chopin's famous short story The Story of an Hour by means of combining the narrative criticism and feminist criticism theories.

文章从叙事学理论和女权主义批评结合的角度入手，通过对美国女作家凯特·肖班的短篇力作《一小时的故事》的多视角叙述手法的分析，来表明小说叙述视点的不断转换，体现出的不仅仅是叙事技巧，还整合出不同的内容，而这不同的侧面展开组合在一起，向人们展示了一曲女性寻求自由的悲歌。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。