变迁

This dissertation covers the study of Path dependency on whichChinese monetary system changes in the process of its gradually economicstructural reform, and the examination of the future changes and strategicchoices for Chinese monetary system in its new stage, the foregoingprovides an essential basis for furthering Chinese economic structuralreform and establishing a highly efficient and rational monetary system withan effective operation and also is a theoretical task not to be evaded ineconomic sociology and social theory.

本文考察了中国渐进式经济体制改革过程中的金融制度变迁的路径依赖，并对新时期中国金融制度未来变迁和战略选择进行探讨，这是推进中国经济体制改革深化发展，把中国金融体制构建得高效合理，运转有效的重要前提，也是经济社会学和社会理论不应回避的理论任务。金融制度是一个国家通过法律、规章制度和货币政策等形式所确定的金融体系结构，以及组成这一体系的各要素之间的职责分工、相互关系及其各自的行为规则。

Comparing withHayek's theory on society method, I believe constitution litigationmechanism must considering the following conclusion in modelingconstitutional method: first, the acquiring of constitutional method isusually effects system vicissitudes. Although constitutional arbitramentcan form definite constitutional method, it can't achieve perduringsubstantial results level of method; secondly, constitutional method isformed virtually by the mixture of two kind of potence, and one is socialpotence, the other is governmental potence. The constitutional method'srationality in logic structure rests directly with the wrestling process ofconstitutional logic and social process. Constitutional method is more akind of simulative conformation of natural logic and social logic, itforms by the wrestling of government, public, legislature andconstitution judging organ. Fourthly, the maintenance of constitutionalmethod depends on the inner power sustained by faith and exteriorpower coming from the background of compulsion. Fifthly,constitutional method itself is a dynamic structure, and it's realizingquomodo and vindicating means is being in vicissitude, however, it canonly provide condition and inspiritment.

对照哈耶克的社会秩序理论，笔者认为，宪法诉讼机制在型构宪政秩序时必然要照顾到以下结论：其一，宪政秩序的取得，往往是一个制度自然变迁的结果，宪法裁决虽然也可能在短期内形成一定的宪法秩序，不过却无法强行地达到一个较大范围内持久的秩序实效水准；其二，宪政秩序实际上是由两种力量交合而成的，一是社会力量，一是政府力量，宪政秩序的逻辑结构的合理性直接取决于宪法逻辑和社会逻辑之间的博弈过程；其三，宪政秩序更多的是一种对自然逻辑和社会逻辑的模拟形态，是经由政府、公众、立法机关与宪法裁判机构的合作博弈而形成的，宪法诉讼的功用至多在于提供博弈规则，以实现纳什均衡；其四，宪政秩序的维护主要依靠来自信念支持的内部力量与来自强制背景的外部力量；其五，宪政秩序本身是一个动态的、常新的结构，其实现方式与维护手段也处于不断变迁之中，但无论如何，宪法诉讼机制所能提供的只是制约与激励两种。

After fully and profoundly surveying the popular literature in recent 20 years, the author demonstrates the characteristics of popular literature, some factors influencing it and the impetus of its change to the existing views on literature; the author also observes that the shift in the model of popular literature criticism and popular literature in itself have some affinity and irreconcilement with the literary field in and the society in transition.

详细在社会转型的背景下，中国文学发生了并继续发生着变迁。作为表征，大众文学在新时期以来蓬勃兴盛，成为文学领域中令人注目的场域。本文对当代近20年的大众文学进行深入全面的考察，试图探讨大众文学的特征，分析影响大众文学的一些因素，大众文学变迁对既有的文学观念的冲击，大众文学批评的模式转换以及大众文学与文学场同整个转型时期的社会场的同构和冲突的关系。

The thesis takes a stance that the shift in pop literature has some affinity and irreconcilement with the current Chinese social structural transition, which constitutes two theoretical basis for the change of contemporary Chinese pop literature, namely transition of social modernization and contemporary cultural logic, Therefore, the pop literary criticism takes on a shift from"dispute over the high and low"to"dispute over the canon and pop".

大众文学的变迁和中国当代社会结构转型具有同构和冲突的关系，这种关系形成了中国当代大众文学变迁的两个理论基点。

The form and transmutation of inhabitation form can be simulated as a code coding/decoding process. In this way, the study on the symbolism and vicissitude of inhabitaticn form constructs microcosmical viewpoint, and the discussion in macrocosmic placing the form and transmutation of inhabitation form into the background of culture vicissitude is also carried out.

居住形态的形成和嬗变可以看作为一个符码的编码/译码过程，这样，对居住形态象征意义及其变迁的研究构成了一个微观维度的视角；同时，本文亦将居住形态的形成与嬗变置入文化变迁的大背景中，从宏观维度加以讨论。

Since 18th century,there has been three great shifts in Tujia Nationality′s dwelling,drinking and eating culture:the replacement of hereditary local chieftains with nonhereditary appointees from the central government;the establishment of the P.R.C;reform and opening to the outside world.

18世纪以来，土家族的居住饮食文化有三次大变迁：改土归流；新中国建立；改革开放。变迁中起作用的主要因素有 7个：( 1)输入新的文化因子。

Based on this idea, the author has chosen two typical loess sections of Luochuan, and Xifeng for this study, collected the successive loess columns; To probe the conditional experiments of BeO sample preparation and measurement, and improve the existing method; On the basis of the technology improvement, the author has finished 402 samples' BeO preparation and AMS measurement; Also at the same time, to separate quartz from samples at 1 cm interval for both Luochuan and Xifeng sections systematically, to carry out measurements of quartz grain-size, SUS, grey scale, carbonate content and bulk sample density; By using the grain size model, the author has set up the chronological framework for both Luochuan, and Xifeng sections and the time sequence of millennial scale abrupt climate events recorded in loess strata, and reconstructed the East Asian monsoon history over 130ka by using multi proxies; Finally, to discuss the possible mechanisms of palaeoclimatic changes tentatively.

详细地球科学的发展离不开高精度和高分辨率的研究。运用长寿命核素如〓Be作为环境过程的示踪，已成为不可替代的有效工具。本论文选择洛川、西峰两个典型的黄土剖面，连续采集柱状样；探索了BeO样品制备、测量的条件实验，改进了原有的方法，完成了402个BeO样品的制备和AMS测量；同时还系统地分离洛川、西峰剖面高分辨率（1cm）黄土、古土壤样品中的碎屑石英，测量了碎屑石英粒度，以及全样的磁化率、灰度、碳酸盐含量和容重等古气候代用指标；采用粒度年代模式建立了洛川剖面和西峰剖面的年代标尺，建立了黄土地层记录的千年尺度的气候突变事件的时间序列，多指标重建了最近130ka东亚季风变迁史；初步讨论了古气候变迁的可能机制。

Huntington、a partyless regime lacks a system way to improve society changing and to absorb the impact after changing、and as well、its capacity to realize political ideal、economic goal、and social modernization is even limited.

杭廷顿说：「一个有政党组织的政权，即缺乏推动社会变迁和吸收变迁产生冲击的制度方法，其实现政治、经济和社会现代化的能力也相当有限」。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Their call to move to meat substitutes accords with the views of the chairman of the UN's Intergovernmental Panel on Climate Change, Dr Rajendra Pachauri, who has described eating less meat as "the most attractive opportunity" for making immediate changes to climate change.

他们两位所呼吁的代替肉食行动，与联合国跨政府气候变迁小组主席拉彦德拉帕乔里博士的观点不谋而合。帕乔里博士曾经说过，少吃肉是立即改变气候变迁&最合意的机会&。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失