变成

In this case, the abstract painting was produced and the painting has been totally turned into an abstract symbol.

以至到了抽象绘画的产生，绘画则完全变成抽象的符号了。

He stood in the middle of the kitchen, the statue of Adonis again,staring abstractedly out the back windows.

他站在厨房的中间，又变成了一尊阿多尼斯的雕像，心不在焉地向后窗外看去。

China has been considered a confusing nation to the west since it opened itself to the world; its mysticism and abstruseness are beyond the wildest western imagination.

艺术家的目标是抓住真实的想象，然后把它变成绘画—通过现实赋予"不可视的"以"可视的"。

This kind of images has made the city become a forest of cement and mechanical moving objects.Those who have created and are living in this atmosphere are,at the same time,enjoying the curiosities,strangeness,dissepiment and insecuritie .All these feelings are hard to be described in one scenario.This is no doubt the feeling of Feng jie,therefore he has adopted a kind of mural painting,used some images that are not interrelated and organized these pieces of memories into a container.Feng jie has a good skill to paint realitically,so he is able to express this kind of absurdness as truly as photographs.He can organize the reality like pieces of cards into an ordered space of images.

环路、高速路、红灯、绿灯、黄灯，——从过街桥上看街道，街道是车的河床，流动着过来的白灯，过去的红灯——这种印象把城市变成了水泥的森林，机械物的运动场，——造成，并生活在其间的人，也同时"享受"这期间的"新奇感"、"陌生感"、"隔膜感"和"不安全感"——这种感受，很难在一个情节剧中叙述，——这就是作者的感觉，他采用一种壁画的篇幅，用一些互不相关的图像，把这些"记忆的碎片"组织在一个"集装箱"中——作者有很强的写实能力，因此能把这种潜在的荒诞感，做得如照片映像般的真实，能把这些碎片似的真实，潜在结构成一个有序的图示的空间中，——一种可沟通的"惶惑"，可感知的冷处理的客观性以及他的批判立场。

All her troops in Libya and in Abyssinia would be cut flowers in a vase.

所有它在利比亚和阿比西尼亚的军队，将变成拆下来插在瓶中的花朵一样。

Actually, if we want to seriously discuss about 'Modernity', we'll find out that this issue has an awkward situation in China. Let's forget about the sociological issues and let's simply start from visual arts. The old generation of artists who brought western arts to China, actually brought along western classic arts academism that is just small part of western classic art, and it's far of being exhaustive. Furthermore, what they brought along went through many changes due to the contact with revolutionary realism and local culture. The result of this process was what was called "Modern Art" in China. After having arrived in China, a part of the western artistic academicism became "Chinese Modern Arts" and this misplacement still exists. Perhaps it comes from a creative misreading, however whether it has the capability of becoming an independent system or not, still remains uncertain.

事实上，当我们想认真的讨论"现代性"时，就会发现这一问题在中国有着极其尴尬的处境，且不谈社会学角度，从视觉艺术这个很小的角度切入，将西方艺术带入中国本土的老一代艺术家们带来的其实是西方学院派的艺术，是西方古典艺术的尾巴或被革命现实主义化了的西方古典艺术，而被带入中国本土后却被称为"现代艺术"，直至今日当代艺术在西方的学理支撑到了中国本土变成了被断章取义的只言片语，这其间"错位"一直存在着，或许这是一种有创造性的误读，但误读的主体是否具有独立消化能力的系统值得商榷。

The southern edge of Junggar Basin, is the The only access to the North Road of Silk Road.

就变成了丝绸之路北道是准格尔盆地南缘的必经之地了。

Comprised of superior standards, a few group originals and three Ornette Coleman tunes (including the classic "The Blessing"), this set is quite accessible and finds all of the musicians in top form.

据说Serra为作这出配乐，还被吕克贝松每天拉着去潜水，硬是被逼得从旱鸭子变成了潜水好手，也许正因为如此Serra才会写出如大海般湛蓝忧郁的音乐。

An Access Code becomes an Account Code when it is used for identifying the caller and doing the billing.

但接入代码用于识别呼叫者并开始计费时，接入代码就变成了账户代码。

He no longer knew himself, he no longer rendered himself an account of himself. Marius was the master of the house, there was abdication in his joy, he was the grandson of his grandson.

他已不认识自己，他自己已不算数了，马吕斯才是家中的主人，欢畅的心情使他让了位，他变成自己外孙的孙子了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。