取向

Basing on the above, in the light of the developing history of Dai National jewelry and Dai national living consuetude, analyze the taste trend and value conception, seek the root character of Dai national jewelry.

在此基础之上，透过傣族首饰的发展历史和傣族的生活习俗，分析其审美取向和价值观念，探索傣族首饰的文化内涵。

Furthermore, our legal institution for acquisition of listing company also has many shortcomings: its specific rules are not detailed enough, its logic is not strict, its inclination of value often self-contradict, its content is not integrated, the corporation law and securities law havent supported it sufficiently, and the particularity of state-owned capital makes it unsuitable to the international consuetude.

同时，上市公司收购的法律制度也很不成熟：微观层面上具体规则不够详尽、可行性差，中观层面上内在逻辑不严密、价值取向不清晰、内容不完整，宏观层面上公司法与证券法体系未能提供足够制度背景、特殊国有资产关系的介入又不符合国际惯常做法。

Developers think this is absolutely not a coincidence, after repeated market research, consumer-oriented buying crowd.

开发商认为这绝不是巧合，是经过反复市场调研，购买人群消费取向。

With the further industrialization of domestic sports TV broadcasters in China,their TV contents are carrying more and more consumeristic values,which largely accord with the features of Chinese adolescents'consume psychology and behaviors in recent years.

随着我国体育电视产业化的加深，体育节目制作中越来越多地出现消费主义的价值取向，这与近年来我国青少年在消费心理和消费行为上所呈现出的特征有着很大程度上的吻合。

In this paper, we adopt Csikszentmihalyi's Systematic view of creativity model, which takes cultural and societal contexture into creativity behavioral consideration.

本研究采取Csikszentmihalyi的社会及文化脉络取向的创造力理论－Systematic view of creativity为主要的研究架构，以社会互动的角度进行创造力行为的讨论。

Paper theoretical starting point and the basic assumption that sustains are: Since modern social transition middle class has broken up, made up and developed that makes itself filling with contradictoriness, different quality and complexity, it is not one for class.

本论文主要理论取向则不同于西方中产阶级理论研究中的"稳定器"、"平衡轮"、"缓冲器"等理论观点，论文理论起点和支撑的基本假设是：自近代社会转型以来，中产阶级的分化、组合和发展变化，使其自身充满着矛盾性、异质性和复杂性，其并非是一个自为的阶级。

With the flexible and varied narrative angle of view,the author a- dopted contraposition and open narrative structure and metaphorical symbol method in the novel,and a concert form of ex- pressing the spirit of life has been found,the works modern aesthetic character with uniquely feature and the narrative strategy has been embodied.

作品以人对自我的解放和自由人生的执着探索为价值取向，以男女主人公的无意识的生命冲动、血性和追求生命完美的欲望为艺术焦点，通过丰富多彩的叙事艺术，形成了独具特色的现代小说审美品格与叙事形态，给广大读者留下了深刻的印象。

In addition, some modifications on several computational methods are also presented. Using LMTO method the electronic structure of several systems are studied, and some results are obtained. They are: The ideal Nb (100) surface has three surface states, the multi-layer relaxed surface has two surface states. The surface energy of the ideal surface is higher than that of the relaxed surface, that means that the multi-layer relaxed surface is more stable than the former one, which supports the LEED results. The mono-layer relaxed Ag (111) surface is the most stable one among several" stable surface models"presented by several researchers. The surface energy of Ag (111) surface is higher than that of surface Ag (001), which supports some experimental results such as different reaction rate at different surface orientations for the same material. The surafce states of Si (111) surface not only locate near the Fermi level, but also in the valence band, which agrees well with Cohen's conclusion. Si (111)-H is an effective model for analysing the surface states and H adsorbed on the back surface is a good method for improving the convincingness of the results obtained on thinner slab models. The surface stability depends on three different kinds of MoSi〓(001) surfaces, the surface with mono-layer Si is the most stable one, and the surface with Mo at the first layer is the most unstable one among them. These are consistant with the Kemoda's experimental results. The valence bands of clean or K adsorbed CdTe (111) surface agrees well with the synchrotron radiation studies. The surface of CdTe (111) consists of four kinds of surface models which show different surface electronic structures and different surface structure stabilities. The conclusion agrees well with Wu's experimental work. The different absorbed alkali metals on the CdTe (111) surface give different adsorption characteristics which have relations not only with the valence electrons, but also with the core ones of the alkali metals. The electonic structures of Si-C alloys are different from that of Si-Ge alloys, and the energy band gaps of Si-C alloys do not increase linearly with Carbon concentration, our conclusion supports Alexander's results, but conflicts with Soref's one.

现分述如下： LMTO方法及其应用方面：1）通过对Nb（100）表面电子态分析发现清洁理想表面有三个表面态，多层弛豫表面有两个表面态；表面能大小说明多层弛豫表面更稳定，支持了LEED结果。2）通过对采用不同方法获得的几种不同Ag（111）表面稳定结构的表面能计算分析，给出了单层弛豫表面为Ag（111）表面的最稳定结构；从Ag（111）单层弛豫表面和Ag（001）表面的表面能比较，发现了Ag（001）表面表面能要比Ag（111）小的，表明了同种物质不同表面取向将表现出不同物理、化学性质，这是与实验中得出的结论是吻合的，3）通过对Si（111）表面态分析，不仅发现了Si（111）表面不仅具有居于费米能级附近的悬挂键所对应的表面态，而且还有很多表面态位于价带能量范围内，与Cohen等结果一致，H饱和slab模型背表面相当于增加了slab层的厚度，是一有效的变相增加slab层厚的方法，弛豫表面较清洁理想表面价带谱们低能端的少许移动，预示着总能降低，说明弛豫表面较清洁理想表面稳定。4）MoSi〓具有三种表面，从费米能级上态密度值大小得到单层Si表面最稳定，Mo原子为表层原子的表面最不稳定，双层Si原子表面居中的结论，这与Kemoda等人实验结果是一致的。5）通过对CdTe（111）表面表面电子态、表面结构稳定性及表面H、碱金属吸附的电子结构系列研究，不仅得出了CdTe（111）清洁及碱金属K吸附价带谱与同步辐射光电子谱相吻合的结果，而且发现了CdTe（111）表面具有四类不同原子近邻特征，表现出四类不同的表面结构及电子结构特征：不同表面态分布、不同的表面结构稳定性（表层原子与次层原子成三键有一悬挂键的表面要比表层原子与次层原子成一键有三悬挂键稳定（与Wu等人实验结果一致））、不同的H吸附特性。

According to the above proving, conclusion is that moral conviviality idea shouldnt be refused by moral education system.

第三部分阐述了"道德共生"取向支撑下的品德课程开发的基本原理。

Compared with moral control, moral conviviality again recognizes the basic ideas of morality curriculum in the new thinking way.

共生取向的品德课程中，道德共生的关系主体主要包括自我、他人和文本，他们借助各自的经验，在共生的过程中宽容异己，达成共识，反思各自的价值，最终实现自我、他人与文本在原有道德水平上的共同提升与超越。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。