发票

I will change WPA to ALL RISKS for 110% of CIF invoice value.

我会改变WPA的各种风险的到岸价格为110％发票金额 5。

Saying, he draws out ticket setting out from the pocket this, want nominative amerce.

说着，他从口袋里掏出发票本，要记名罚款。

All Risks at 110 percent of the invoice value.

按发票面值的110%投保一切风险。

The insurance covers All Risks at 110 percent of the invoice value.

另外，我希望按这批货发票金额的130%来投保。

The insurance covers ALL Risks at 110% of the invoice value.

投保一切险，按发票金额的110%投保。

The i urance covers All Risks at 110 percent of the invoice value.

按发票面值的110%投保一切风险。

We have covered insurance on your purchases against, all risks at invoice value plus 10%.

我们已按发票金额加10%，对你购买的商品投保一切险。

The iurance covers All Risks at 110 percent of the invoice value.

按发票面值的110%投保一切风险。

He insurance covers All Risks at 110 percent of the invoice value.

按发票面值的110%投保一切风险。由此所产生的额外保险费应由你方支付。

You are requested to insure the goods agaginst All Risks at invoice value plus 20%.

根据3456号合同，你方须对货物投保一切险，保额为发票金额的20%。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。