发油

Not only the generals in their full parade uniform, wearing scarves and all their decorations, with waists, portly and slim alike, pinched in to the uttermost, and red necks squeezed into stiff collars, not only the pomaded, dandified officers, but every soldier, with his clean, washed, and shaven face, and weapons polished to the utmost possibility of glitter, every horse rubbed down till its coat shone like satin, and every hair in its moistened mane lay in place―all alike felt it no joking matter, felt that something grave and solemn was going forward.

不仅是将军都全身穿着检阅制服，他们那粗大的或是细小的腰身都束得很紧，衣领衬托着脖子，托得通红，腰间都系着武装带，胸前佩戴着各种勋章；不仅是军官抹了发油，穿戴得时髦，而且每个士兵都露出一副精神充沛的洗得干干净净的刮得光光的面孔，每个士兵都把装具擦得锃亮，每匹战马都受到精心饲养，毛色像绸缎般闪耀着光彩，湿润的马鬃给梳得一丝不紊。人人都觉得正在完成一项非同儿戏的意义重大而庄严的事业。

I also would like some hair oil , but not too greasy.

我也想买些发油，但不要太油的。

I do not need hair oil .

我不需要抹发油。

I; Bbbs.ttpx8.com I don't need hair oil.

我不需要抹发油。

In the case of curly hair, you also want to use a pomade.

如果是卷发，你也可以使用发油。

In this case, I'm using the Anti-Humectant Pomade by Aveda, and you don't put that at the base of your hair; you put that on your ends.

这里，我使用 Aveda 生产的保湿发油，而且你不应抹到发根；要抹到发梢上。

Use a combination of beach spray and wax pomade to rough-up your hair. Tease and backcomb the section you're going to braid before you start.

用发胶或发油把头发弄乱，选出你要编成辫子的那一缕头发，向后梳，然后再开始编。

Yes,sir....Now shall I put on some hair oil or tonic water?

好的，先生。。。。。。你要上些发油还是用点护发素呢？

I do not need any gels, sprays or mousses. I just need a regular cut.

我不要发胶、喷发水或泡沫状发油；我只要一般的理发。

I don't need any gels, sprays or mousses. I just need a regular cut.

我不要发胶、喷发水或泡沫状发油；我只要一般的理发。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。