发声的

Daddy sits on a' front porch swinging Looking out on a vacant field Used to be filled with burley tobacca Now he knows it never will My Brothers found work in Indiana My Sisters a nurse at the old folks home Mama still cooking too much for supper And me I've been a long time gone Been a long time gone No, I ain't hoed a row since I don't know when Long time gone And it ain't coming back again Deliah plays that old church piano Sitting out on her daddy's farm She always thought that we'd be together Lord I never meant to do her harm Said she could hear me singin' in the choir Me, I heard another song I caught wind and hit the road runnin' And Lord, I've been a long time gone Been a long time gone Lord, I ain't had a prayer since I don't know when Long time gone And it ain't comin' back again Now me, I went to Nashville, Tryin' to beat the big deal Playin' down on Broadway Gettin' there the hard way Living from a tip jar Sleeping in my car Hocking my guitar Yeah I'm gonna be a star Now, me and Deliah singing every Sunday Watching the children and the garden grow We listen to the radio to hear what's cookin' But the music ain't got no soul Now they sound tired but they don't sound Haggard They've got money but they don't have Cash They got Junior but they don't have Hank I think, I think, I think The rest is a long time gone No, I ain't hit the roof since I don't know when Long time gone And it ain't coming back I said a long time gone No, I ain't honked the horn since I don't know when Long time gone And it ain't coming back again I said a long time, long time, long time gone Well it's been a long time Long time, long time, long time gone Oh, it's been a long time gone Long time, long time, long time gone Yeah yeah

爸爸坐在一个'前沿阳台摆动寻找出一个空置场用来填补与白肋烟tobacca 现在他知道这种情况永远不会改变我的兄弟们找到了工作，在印第安纳州我的姐妹的一名护士，老人们在家中妈妈还是烹调太多晚饭我和我已经很长时间了已经很久了不，我不是牺牲品一排，因为我不知道什么时候很长时间了这是不会回来再 deliah发挥老教堂钢琴坐月子，她爸爸的农场她一直以为我们会被一起主我从来没有意思做她的伤害说，她能听到我的声乐发声'，在合唱团我，我听到另一首歌 i被风撞上路跑'和主，我已经很长时间了已经很久了上帝，我是不是有一个祈祷，因为我不知道什么时候很长时间了这不是comin '一拖现在我，我去纳什维尔 tryin '拍打大不了？ playin '了百老汇发财'有硬办法生活，从群众举报瓦罐睡在我的车 hocking我的吉他嗯，我在哪里也成为明星现在，我和deliah歌唱每星期日看着孩子们和花园成长我们听收音机听到什么的乱打'但音乐是没有，没有灵魂现在，他们健全累，但他们并没有健全的憔悴他们已经获得的金钱，但他们并没有现金他们获得初级，但他们并没有汉克我觉得，我觉得，我觉得其余的是一个长的时间去不，我是打不到屋顶，因为我不知道什么时候很长时间了这是不会回来我说很长时间了不，我不是兄弟非洲之角以来，我不知道什么时候很长时间了这是不会回来再我说了很久，很久，很久了以及它的已经很久了长的时间很长的时间，很长的时间，经历了哦，这是一个漫长的时间去长的时间很长的时间，很长的时间，经历了嗯嗯

Not only but Wang Xinling astonishing the explosive force which makes one hope for soon detonates the sound production in February 24, including while receives training when Japan training period Wang Xinling the leisure window-shops, not only walks on the road many people for Wang Xinling's this attractive female student stops the footsteps, the Japanese male students who says something to smooth things over to Wang Xinling are countless along the way, such situation also lets Wang Xinling regards as year secret weapon Taiwan returns the phonograph record confidence to increase, in not the booming phonograph record market in the business planning, the propaganda, the manufacture investment great writer, elected in 2003 beginning of the spring for the first time to launch an attack from the very beginning at present, then 'Cinderella's tear' took the beginning by Wang Xinling, had little princessThe outlook, Cinderella's will, the host of the same name hits the song 'Cinderella's tear' is defers to the sound energy which and the individuality the heart insults measures body making, believed that focuses attention on the human in the early spring first wave new human tide must be able to capture according to the Wang Xinling strong strength and the appearance which the dazzling good result.

而王心凌惊人的令人期盼的爆发力不但在 2月24日即将引爆发声，连在日本受训期间王心凌趁受训闲暇去逛街时，不但走在路上许多人为王心凌的这位漂亮的女生所停下脚步，沿途对王心凌搭讪的日本男生更是不计其数，这样的情形也让将王心凌视为年度秘密武器台湾艾回唱片信心大增，更在目前不景气的唱片市场一开始在企划、宣传、制作投入大手笔，选在2003年开春首次出击，便以王心凌『灰姑娘的眼泪』作为开场，拥有小公主的外型，灰姑娘的毅力，同名主打歌『灰姑娘的眼泪』便是依照心凌的声音能量与个性所量身打造，相信依照王心凌坚强的实力和受人瞩目的外貌在新春的第一波新人潮中必能夺得耀眼的好成绩。您觉得最佳答案好不好？目前有0人评价

On the third day, the themes began to emerge out of each group: the wind distortion on the unobstructed river embankment and sounds of stones striking objects, led into the man-made mechanical systems of the MRT at the Taipei Main Station, followed by the Madams speaking with a local twang in a alleyway off Huaxi Street, a young foreign woman whispering and teasing, passersby flipping through pirated DVDs that are encased in plastic cases, and karaoke, the modulated looping of non-melodic electronic effects. These environmental sounds become timeless ambiance and a cross-section of memory. We observe the world through sound, using point of sound as a capturing angel for imagery and through digital wave imaging to illustrate the soundscape.

第三天各组的主题渐渐地浮上来；河堤旁空旷的风阻声与小石击物的动作声，带进台北车站内火车捷运的人造机械系统，尔后，华西街小巷内的老鸨多操著本籍口音，暗暗私语的是外籍年轻小姐的笑骂，旁人翻动盗版DVD的塑胶壳与卡拉 OK，无音律的电子效果经过回路改造再制，转成大空永恒的环境音，切著记忆的片断，以声音去看世界，以发声点为摄像的角度，更透过电子波型图示音景自载的起承转合。

The action of a piano is totally different from an electric keyboard (in fact I do see any action there in the latter but an electric one) and it thus requires a special kind of technique and touch to play it and produce the diverse and beautiful nuances from it. The sound of a piano produced is also unique of its own that that of an electric keyboard cannot compare (the "grand piano" sound from a keyboard is so fake!).

钢琴和电子琴的发声结构是完全不同的，因此需要一种特殊的触技方法去发挥钢琴所产生的多样化和美丽的细腻音色，这是一个电子琴不能比较的（从电子琴发出「三角琴」的声音是如斯的假！）。

In addition, the narrative viewpoint in the text is author's story telling sound and object observing method. With the transformation of characters' viewpoints to reach the effect of extending view-domain and observing from diverse perspectives, and achieve the practice of female subject from the voice of a female narrator. As for aspect of author's travel writing, she is good at applying letter/diary formation to express internal and private soliloquy, which is a discourse of self-contemplated and an interpretation for the process of self-generation.

此外，文本的叙述视角是作者说故事的叙述声音与转换观看对象的手法，通过人物视角不断的转换，在於达到扩展视域与观照多元角度的效果，从女性叙述者的发声完成了女性主体性的实践；而作者在女性旅行书写方面，擅於运用书信/日记体的体裁，表达内心幽微的私密独白，而这种剖白的对话实则自我的凝视，诠释的是一段自我生成的过程。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。