发呆

I looked into the mirror in a daze...slowly and mistily i saw myself after 20 years...

家里别无他人，我静静地对着镜子发呆，朦胧中我仿佛看见了20年后的我

You've been mooning over it the last hour.

你望着它发呆都一小时了

They sat palsied before that dreadful "Why?"

他们大家坐着相对唏嘘，向着那可怕的"为什么"发呆。

Petrification may be a good idea....

发呆也许是个好主意。。。

When I was nine years old the thought of death petrified me.

我9岁的时候，一想到死我就吓得发呆。

Scene: Monica and Rachel's, Phoebe is looking at her beeper still in the pot.

Phoebe瞪着桌上的锅发呆，她之前扔进锅里的呼机还在锅里。

Looking at the rain out of window, I'm lost in reverie.

我望着窗外的细雨在发呆。

If you want to sit around doing nothing, feel free.

如果你想坐下来发呆，那也没有任何关系。

In this cold home only have a photo is the most warm, he always slobber now take photos, for the trance.

在这个冰冷的家中唯独有一张相片是最温暖的，他总是时不时拿来看，痴痴地对著照片发呆。

I spaced out while you were talking.

你说话的时候我发呆了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。