发呆

I'm treating the computer to be in a daze now...

我现在在对到电脑发呆。。。

Is an hour ......"You have a daze for a long time."

又是一个时辰……"你已经发呆很久了。"

This is an often appeared in my dream, a daze, when, in a beautiful fantasy.

这是一个常出现在我梦里，发呆时，的一篇美丽的幻想。

Do not know who said that people who prefer a quiet daze, are there inside the story people.

不知道是谁说过，喜欢安静的发呆的人，都是内心有故事的人。

I do not want to do anything.Everyday I try to finish my work,then be in a daze

每天我努力完成手上的工作，然后就开始发呆。

Sometimes found on the road looked like a Your people, I will be in a daze for a long time ...

有时会在路上发现一个长得很想你的人的时候，我会发呆很久。。。

I really have nothing to say at the moment,so I being in a daze more than 30minutes.

我真的不知道要说些什么，所以我半个多小时了一直在发呆。

In the bar, a man was in a daze, looking at his drink for half an hour.

一个男人坐在酒吧里，看着自己的酒发呆。他这个样子已经有半个小时了。

Im treating the computer to be in a daze now...

我现在在对到电脑发呆。。。

I watched you leave the photos and text and chat in a daze.

我看着你留下的照片和文字和聊天记录发呆。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。