反抗者

First of all , it is seen in Zhang Wei"s long writing that continuous changes occurs with the following era contexts which is shown. First, the gradual desalinization of " earth image " on the space," earth " is not only a creation in Zhang Wei"s novel, but the main source of the poesy of its works. It declines after " September fable ", not only indicating Zhang Wei "s decay of poesy of the novel, but also reflecting the disobeyed pross of light appear contemporary China social urbanization and common customs to . Second, the change of " writing subject projection " in the spiritual meaning, Its characteristic displayed by the reduction of image of spokesman as write thought representation .and on the other side represent" person who want more that resist actively " which also shows contemporary intellectual predicament and adjustment of value. Third, in " changeable and separate characteristics in the stylistics ",It changes " epic body " of" Ancient ship "," body not mythical " to " September fable "," pour out body " of" Bai Hui "" Family "," the discipline spreads the body "of Book of other provinces"," lie body " of" Can not recall the hollyhock ". Its constant changes persuing of recreation and sports, has entered into the different book mode and narration of different class gradually too.

首先，张炜的长篇写作中可以看出一种跟随时代语境而不断发生的变化，这表现在：一是空间上的"大地意象"的渐趋淡化，"大地"不但是张炜小说中的一个创造，而且也是其作品的诗意的主要源泉，它在《九月寓言》之后的衰退，不但表明了张炜小说中诗意的衰减，而同时也反照出当代中国社会城市化和世俗化进程的不可违拗；二是精神意义上的"写作主体投影"的变化，其特征主要表现为作为作家思想代言者的"正面的知识者"形象的弱化，代表其另一面的"积极反抗的多欲者"的凸显，这也显示了当代知识分子价值的困境与调整；三是在"文体上的多变与另类化"，由《古船》的"史诗体"，到《九月寓言》的"神话体"，再到《柏慧》、《家族》的"倾诉体"，《外省书》的"纪传体"，《能不忆蜀葵》的"诳语体"，其文体不断求变，也逐渐走入了异书模式和另类叙述。

Today, our world's destruction has been averted, in defiance of our very makers!

今天，我们反抗了创世者，我们世界的末日被阻止了。

The process of Lu Xun's literary creation is guided by a prodent mind accompanied by subjectivity. Since the reality lost its validity and substantiality in his view, it turned to be an absurd and grotesque world. So he rejected this reality with the very reality in which he lived. Lu Xun also employed various ironies in his works; so both in spiritual essence and creative practice, Lu Xun was an ironist.

鲁迅的创作过程是审慎的过程，创作主体意识时刻在场，因而其作品呈现出高度的创作者的主体性；鲁迅身处的现实在他眼中已经完全丧失了有效性、实体性，现实对他而言已成为一个荒谬怪诞的世界，鲁迅以他所身处的现实来反抗这个现实本身，因而他对现实的否定是彻底而绝对的，这正是反讽的人生态度；鲁迅在作品中大量地使用了各种反讽手法，所以无论从精神本质还是从创作实践来看，鲁迅都是一个反讽者。

The Moros fiercely resisted Japanese occupiers, but in the postwar granting of Philippines independence on 4 July 1946, found themselves incorporated into the Republic of the Philippines.

该moros激烈反抗日本占领者，但在战后给予菲律宾独立於1946年7月4日，发现自己纳入菲律宾共和国。

S 揘ew Year? s Sacrifice?, this novel embodies 搇ife is all painful? because Sister Xianglin suffers a lot in her life; Juan Sheng in 揗ourn the Dead? leads a life devoid of meaning both before and after the death of Zi Jun, and he can? t escape from his emptiness; Lun Xun conveys his strong emotions and cries out against injustice in his novel 揗edicine? by way of making the ghost? s presence felt;揕oners? reflects inner loneness and pain, and manifests the creed of Buddhaism: Life is death, death is life;揥eeds? and 揅all to the Arms? sighs with feeling for life? s emptiness however, it also stronglyresists life? s emptiness. XuDishandwellson life? s emptiness in his book 揘atural Moutain and Rain?

鲁迅的《祝福》中满篇弥漫着佛教的袅袅轻烟，祥林嫂的遭遇使她受尽了人生的苦难，体现了佛教所宣扬的"人生皆苦"；在《伤逝》中，涓生在子君活着和死后都始终感到人生的空虚，无法摆脱；小说《药》结尾处借用佛教显灵的艺术手法抒发作者的情感，为革命者鸣不平；《孤独者》更是体现了内心的孤独和痛苦，表现了佛教生即死、死即生的轮回观点；《野草》、《呐喊》既感叹人生的虚无，又强烈地反抗虚无。

For life ; desperate protest ; a great interrogator of man's soul ; noumenal bewilderment ; metaphoricality ;"polytonality"; musicality

为人生；绝望的反抗；人的灵魂的伟大的审问者；本体性的困惑；隐喻性；"复调性"；音乐性

For life ; desperate protest ; a great interrogator of man's soul ; noumenal bewilderment ; metaphorically ;"polytonality"; musicality

为人生；绝望的反抗；人的灵魂的伟大的审问者；本体性的困惑；隐喻性；"复调性"；音乐性

Finally, some gay and lesbian critics have also argued against a politics based on a belief in authentic identities and authentic resistance, suggesting instead the CAMP or parodic reappropriation of straight gender roles for subversive purposes, including the subversion of the heterosexist assumption that gender is the expression_r of a biological essence that is by definition "straight".

最后，一些同性恋评论家也反对在对真正身份与真正反抗信仰的基础上建立政治。相反，他们暗示出需要对纯粹的性别角色采取"坎普"或戏拟式的挪用，以期达到颠覆的目的，包括那些歧视同性恋的异性恋者所持的观点，认为性别是生物本质的表达，所以根据定义就应该是"纯粹的"。

Finally, some gay and lesbian critics have also argued against a politics based on a belief in authentic identities and authentic resistance, suggesting instead the CAMP or parodic reappropriation of straight gender roles for subversive purposes, including the subversion of the heterosexist assumption that gender is the expression of a biological essence that is by definition "straight".

最后，一些同性恋评论家也反对在对真正身份与真正反抗信仰的基础上建立政治。相反，他们暗示出需要对纯粹的性别角色采取"坎普"或戏拟式的挪用，以期达到颠覆的目的，包括那些歧视同性恋的异性恋者所持的观点，认为性别是生物本质的表达，所以根据定义就应该是"纯粹的"。

Finally, some gay and lesbian critics have also argued against a politics based on a belief in authentic identities and authentic resistance, suggesting instead the CAMP or parodic reappropriation of straight gender roles for subversive purposes, including the subversion of the heterosexist assumption that gender is the expression_r of a biological essence that is by definition "straight".

最后，一些同性恋评论家也反对在对真正身份与真正反抗信仰的基础上建立政治。相反，他们暗示出需要对纯粹的性别角色采取&坎普&或戏拟式的挪用，以期达到颠覆的目的，包括那些歧视同性恋的异性恋者所持的观点，认为性别是生物本质的表达，所以根据定义就应该是&纯粹的&。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。