反抗的

The conquerd also, and enslav'd by Warr Shall with thir freedom lost all vertu loose And fear of God, from whom thir pietie feign'd In sharp contest of Battel found no aide [ 800 ] Against invaders; therefore coold in zeale Thenceforth shall practice how to live secure, Worldlie or dissolute, on what thir Lords Shall leave them to enjoy; for th' Earth shall bear More then anough, that temperance may be tri'd: [ 805 ] So all shall turn degenerate, all deprav'd, Justice and Temperance, Truth and Faith forgot; One Man except, the onely Son of light In a dark Age, against example good, Against allurement, custom, and a World [ 810 ] Offended; fearless of reproach and scorn, Or violence, hee of wicked wayes Shall them admonish, and before them set The paths of righteousness, how much more safe, And full of peace, denouncing wrauth to come [ 815 ] On thir impenitence; and shall returne Of them derided, but of God observd The one just Man alive; by his command Shall build a wondrous Ark, as thou beheldst, To save himself and houshold from amidst [ 820 ] A World devote to universal rack.

由于试行某些节制，大地将生产富饶的东西，因此全部坠落、腐败，正义和节制，真理和信仰被忘得一干二净。除了一个人黑暗世代的光明之子以外，反逆世俗的先例，抵制反抗诱惑、习俗以及激怒的世界；不怕遭到非难、嘲笑或暴行，他批判他们的邪恶道路，当面指出正义，更安稳而满有和平的路，宣告他们的顽固不化，将要招致神的激怒；虽然受他们的嘲弄而返回，但神却认为他是惟一活着的义人。照神的命令，他制造了一条奇妙的方舟，如你所见的，从注定要灭亡的世界拯救出来他自己和全家。他立刻从人、畜中选择值得生存的一同寄宿在方舟里，严密封实舟的四周。

We are not covering silent films in this course. We will begin with the first talking motion picture, The Jazz Singer, released in 1927. The next week, we'll be looking at The Gold Diggers of 1933, a piece that is very representative of the escapist trend in films released during the depression. Some of the films we will be watching will probably be new to you, like Frank Capra's Why We Fight. Others you might have already seen on TV like Rebel without A Cause starring James Deane, or Stanley Cooper's Doctor's Strange Love. However, I hope you see even familiar film with new eye. In the last three weeks of the course, we will be watching films from the 1980s and you'll choose one of them as a subject for an extensive written critique.

这门课不讲无声电影，我们将从1927年放映的第一部有声电影＇爵士歌手＇开始，下周我们也将观看1933年放映的＇掘金人＇，一部非常能表现萧条时期逃避注意的电影，有一些电影对你们来说可能很新奇，象Frank Capra的＇为什么我们会打架＇，别的你们可能在电视上已经看过了，象James Deane主演的＇没有目标的反抗＇或Stanley Cooper的＇医生的怪癖＇，但是我希望你们对即使很熟悉的电影，也采取一种崭新的观点去看，在本课程的最后三周内，我们会观看一些80年代的影片，同时你们需要从中选出一部电影作为撰写深入评论的对象。

We are not covering silent films in this course. We will begin with the first talking motion picture, The Jazz Singer, released in 1927. The next week, we'll be looking at The Gold Diggers of 1933, a piece that is very representative of the escapist trend in films released during the depression. Some of the films we will be watching will probably be new to you, like Frank Capra's Why We Fight. Others you might have already seen on TV like Rebel without A Cause starring James Deane, or Stanley Cooper's Doctor's Strange Love. However, I hope you see even familiar film with new eye.

这门课不讲无声电影，我们将从1927年放映的第一部有声电影＇爵士歌手＇开始，下周我们也将观看1933年放映的＇掘金人＇，一部非常能表现萧条时期逃避注意的电影，有一些电影对你们来说可能很新奇，象F rank Capra 的＇为什么我们会打架＇，别的你们可能在电视上已经看过了，象 James Deane 主演的＇没有目标的反抗＇或 Stanley Cooper 的＇医生的怪癖＇，但是我希望你们对即使很熟悉的电影，也采取一种崭新的观点去看，在本课程的最后三周内，我们会观看一些80年代的影片，同时你们需要从中选出一部电影作为撰写深入评论的对象。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

HERE I cannot even begin to outline the absorbing, yet brutal history of the eight years of the North China people's war behind the Japanese lines - a period that was destined to gain for the Communists the affections of the Cow Skin Lanterns of Shansi and the rebellious plainsmen of Hopei, Shantung and north Honan and thus to be a prelude to the violent civil war that flared up after the defeat of Japan.

华北人民在敌后坚持八年抗战的惊心动魄而又十分残酷的历史，在此实难用三言两语予以概括。在这一历史时期，共产党自始至终都得到了山西的&牛皮灯笼&以及河北、山东和豫北平原地区富有反抗精神的广大人民群众的拥护。这个时期的斗争也是在日本投降后爆发的激烈内战的序幕。

S 揘ew Year? s Sacrifice?, this novel embodies 搇ife is all painful? because Sister Xianglin suffers a lot in her life; Juan Sheng in 揗ourn the Dead? leads a life devoid of meaning both before and after the death of Zi Jun, and he can? t escape from his emptiness; Lun Xun conveys his strong emotions and cries out against injustice in his novel 揗edicine? by way of making the ghost? s presence felt;揕oners? reflects inner loneness and pain, and manifests the creed of Buddhaism: Life is death, death is life;揥eeds? and 揅all to the Arms? sighs with feeling for life? s emptiness however, it also stronglyresists life? s emptiness. XuDishandwellson life? s emptiness in his book 揘atural Moutain and Rain?

鲁迅的《祝福》中满篇弥漫着佛教的袅袅轻烟，祥林嫂的遭遇使她受尽了人生的苦难，体现了佛教所宣扬的&人生皆苦&；在《伤逝》中，涓生在子君活着和死后都始终感到人生的空虚，无法摆脱；小说《药》结尾处借用佛教显灵的艺术手法抒发作者的情感，为革命者鸣不平；《孤独者》更是体现了内心的孤独和痛苦，表现了佛教生即死、死即生的轮回观点；《野草》、《呐喊》既感叹人生的虚无，又强烈地反抗虚无。

Newman's music appears on Sony Classical on the recently released soundtrack for Erin Brockovich (SK 89239), a film directed by Steven Soderbergh and starring two-time Academy Award-nominee Julia Roberts, who stars as the twice-divorced mother of three young children who defies the odds by taking on and defeating a major public utilities company.

Newman的音乐出现在Sony Classical公司最近发行的唱片中，这张唱片是为配合《Erin Brockovich》(SK 89239)，一部由Steven Soderbergh执导，并由获得两次奥斯卡提名的Julia Roberts主演的电影而发行的。Julia主演一位两次离婚、有三个孩子的母亲，通过与公用事业大公司的较量并获胜，反抗了不平等的待遇。

The study found that by using both the PMT program and the Hybrid Model of Executive Function the ADHD problem behavior of pre-school age children was reduced, attention span was improved and hyperactive and argumentative behavior was reduced. In addition, there were improvements in problems related to ADHD, including care-giver well being. This study showed that the combination of the methods was very effective and situational dependence, but the Hybrid Model of Executive Function should be continually applied to produce the best benefit. The study findings further indicate that although this method is very effective in a family environment when applied constantly, for other situations like in school, the method must be altered to fit those other situations and be performed continually in that environment in order to achieve the same results.

研究发现，在透过父母管教训练方案对执行功能技巧能力进行训练之后，的确可以降低学龄前ADHD儿童的症状行为，改善注意力问题、过动冲动问题，以及对立反抗行为，此外，也能够降低因症状行为所衍生的相关问题，如：照顾者的困扰程度等等；另一方面，本研究同时发现其具有「成效性」及「情境性」，即：技巧能力训练必须不断的进行，才能获得显著的治疗效果；而针对家庭情境进行处理时，治疗效果仅能展现於家庭情境下的不适应行为，若想要向外延伸到学校情境，除了需要针对该情境进行相关能力训练之外，仍然需要家长针对家庭情境所需的能力持续进行训练，才能够将家中的良好行为延伸至学校情境之中。

It was whilst living with Lewes that she started writing, changing her name as female writers were not as respected as men at that time.

这个神秘举止反映在她艰难的感情关系，及声名狼藉的举动；她第一个主要的反抗行为拒绝上教堂，她接著经历一连串的恋情及与已婚的乔治亨利路易斯私奔；而是在她与路易斯在一起的期间，开始写作及改名(因为当时女性作家不及男性的受尊重)她的创作包括 Mill on the

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。