反抗的

This writing attempts to explain Ms Su Yu"s work of absurdity genre and how Western existentialism and absurdity literature is employed as a creation theory and a source of writing techniques, combined with Albert Camus"s existentialistic anti-absurdity attitude, in presenting the theme of absurdity on a philosophic level, in revealing the absurdity of human existence and reality, in reflecting the modern human absurdity, in depicting the agonies and meaningless of life as well as the human complex of loneliness and anxiety, and alienation of human nature.

本文试图阐明女作家斯妤的荒诞小说创作，借鉴于西方存在主义哲学与西方荒诞派文学对于人类存在荒诞性的理论与技法，表现的是哲学意义层次的荒诞主题，以书写人的&生存荒诞&、现实的荒诞为主旨，主要反映当代人对于生存的荒诞感，描绘人生的苦痛与无意义，以及孤独、焦虑的情绪，揭示人性异化的丑陋，汲取了加缪存在主义的面对荒诞反抗荒诞的积极人生态度。

My younger brother is most loves me the person, is only he loves too frigidly, he looks like a completely not sensible child, although he has the mature male most perfect facial features, actually his innermost feelings have not grown up likely the child is the same, also willful is also frail, his spirit strength is stronger than me, actually the company revolts does not have to die under mine sword, dies time is also smiling, but in the smiling face bloomed that many sad, because he cannot give me to be free, cannot again and I stands together in the high city wall, is fulled floaded operation our white the windThe long gown, cannot with my same place, return to the snow fog forest again, returns to initial which all have not started.

我的弟弟是最爱我的人，只是他爱得太惨烈，他就像个完全不懂事的小孩子，尽管他有着成熟男子最完美的面容，其实他的内心像是没有长大的小孩子一样，又任性又脆弱，他的灵力比我都强，却连反抗都没有就死在我的剑下，死的时候还在笑，可是笑容里绽放了那么多的难过，因为他不能给我自由，不能再和我一起站在高高的城墙上，让风灌满我们的白色长袍，不能再和我一起，回到雪雾森林，回到一切都没有开始的最初。

His works are fanciful and weird. The unity of the fantastic content and strange form of Kafkaesque's works presents us successfully with a world of alienation for modern men. We can see the brilliance of the modern humanistic spirit through the complex and fanciful alienation world.

卡夫卡的作品荒诞、离奇，以一种与荒诞的内容相适应的荒诞的形式，成功地向读者展现了一个现代人的异化世界，充满了对生命孤独、世界荒诞、人的存在的痛苦以及对周围黑暗现实的顽强反抗等生命体验，透过这个纷繁复杂、光怪陆离的异化世界，闪耀的是现代人文精神的光辉，这种人文精神将激励和启发人们去追求自由和力量，让世界变得更美好。

This thesis intends to use a feminist perspective to analyze Caddy and other female characters. From the descriptions of her brothers', we sense the female's muteness and absence. By obliterating male's language hegemony, we can visualize an oppressed female image and see her endless efforts to fight against sexual oppression and reconstruct her female subject.

本文力图用一种新的女性视角去感悟女性的缄默与缺席，以期掀起男权主义的面纱，沥去男性话语霸权的喧嚣，从凯蒂的兄弟有关凯蒂的片言只语的叙述中连缀起她的支离破碎的形象，深入挖掘造成以她为代表的女性悲剧的真正原因，展现她们为反抗性别压迫、构建女性主体所做出的不懈努力。

Finally, some gay and lesbian critics have also argued against a politics based on a belief in authentic identities and authentic resistance, suggesting instead the CAMP or parodic reappropriation of straight gender roles for subversive purposes, including the subversion of the heterosexist assumption that gender is the expression_r of a biological essence that is by definition "straight".

最后，一些同性恋评论家也反对在对真正身份与真正反抗信仰的基础上建立政治。相反，他们暗示出需要对纯粹的性别角色采取&坎普&或戏拟式的挪用，以期达到颠覆的目的，包括那些歧视同性恋的异性恋者所持的观点，认为性别是生物本质的表达，所以根据定义就应该是&纯粹的&。

Finally, some gay and lesbian critics have also argued against a politics based on a belief in authentic identities and authentic resistance, suggesting instead the CAMP or parodic reappropriation of straight gender roles for subversive purposes, including the subversion of the heterosexist assumption that gender is the expression of a biological essence that is by definition "straight".

最后，一些同性恋评论家也反对在对真正身份与真正反抗信仰的基础上建立政治。相反，他们暗示出需要对纯粹的性别角色采取&坎普&或戏拟式的挪用，以期达到颠覆的目的，包括那些歧视同性恋的异性恋者所持的观点，认为性别是生物本质的表达，所以根据定义就应该是&纯粹的&。

In the ongoing new creations during the year of boar, the people in the photographs, as new inflictors who actually are victims revenging upon their perpetrators, have finally opened their eyes in front of the artists' cameras. Their eyes are similarly dispassionate and even sorrowful, for it is humans' resistant nature that has driven them to revenge, to requite like for like.

2007年系列的新作品，作为对施害人的施害进行反动的新的施害者们终于在艺术家的镜头里睁开了眼睛，虽然依然是平淡甚至悲伤的，虽然这些反制的意识常常出自一种粗野的反抗本能――以暴制恶。

There were hundreds of uprisings, great and small, all of them peasant revolts or peasant revolutionary wars -- from the uprisings of Chen Sheng, Wu Kuang, Hsiang Yu and Liu Pang in the Chin Dynasty, those of Hsinshih, Pinglin, the Red Eyebrows, the Bronze Horses and the Yellow Turbans in the Han Dynasty, those of Li Mi and Tou Chien-teh in the Sui Dynasty, those of Wang Hsien chih and Huang Chaol in the Tang Dynasty, those of Sung Chiang and Fang La in the Sung Dynasty, that of Chu Yuan-chang in the Yuan Dynasty, and that of Li Tzu-cheng in the Ming Dynasty, down to the uprising known as the War of the Taiping Heavenly Kingdom in the Ching Dynasty.

从秦朝的陈胜、吴广、项羽、刘邦起，中经汉朝的新市、平林、赤眉、铜马和黄巾，隋朝的李密、窦建德，唐朝的王仙芝、黄巢，宋朝的宋江、方腊，元朝的朱元璋，明朝的李自成，直至清朝的太平天国，总计大小数百次的起义，都是农民的反抗运动，都是农民的革命战争。

But Mr Horspool's achievement is to show the sheer extent to which rebellion in its many different shapes and forms has been a continuous and conscious tradition shaping the behaviour of both the ruled and their rulers. The Levellers in the 17th century saw their oppression as dating from the imposition of the "Norman yoke" in the 11th century; the 19th-century Chartists took their inspiration from Magna Carta in the 13th century; and those late 20th- century rebels defying Mrs Thatcher's poll tax referred directly back to the Peasants' Revolt of the 14th century.

但是，霍斯普先生的成就在于他表明了：各种形式的反叛，在某种决定性的意义上，构成了一种有意识的，不断地在塑造着统治者与被统治者行为的历史传统。17世纪的平等派把他们所受到的镇压一直追溯到11世纪的&诺曼之轭&[注4]，19世纪的宪章派从13世纪的大宪章汲取灵感，而在20世纪后期反抗撒切尔人头税的人们，则把14世纪农民起义看作自己的直接渊源。

He made great achievements in collecting, editing and adapting Scottish folk songs and ballads, which also served as his nourishment, Among his best pieces are The Tree of Liberty (in praise of the French Revolution), Scots Wha Hae (calling upon his countrymen to fight against the English oppression), and the beautiful lyrics such as My Heart's in the Highland, A Red, Red Rose, etc.

彭斯在收集、整理和改编苏格兰民间歌谣方面取得很大的成就，这些民间歌谣也滋养了他的诗歌包l作。他最有名的诗篇有歌颂法国革命的《自由树》，号召他的同胞为反抗英国的压迫而斗争的《苏格兰人》，以及美丽的抒情诗《我的心呀在高原》《一朵红红的玫瑰》等。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。