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又一个

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But Lee Chong Wei has over come so much fate to get into this. Car Accident that almost cost his life and the lost of his coach.

命运是不公平的,李宗伟差点就死在车祸里,然后教练李茅又离开了他,一个又一个的低潮。

What are we creating, intention by single intention, when we tell the world what we want?

当我们告诉这个世界我们想要什么时,我们通过一个又一个意图又创造出了什么?

Since then I have lived to see state after state extirpate its wolves. I have watched the face of many a newly wolfless mountain, and seen the south-facing slopes wrinkle with a maze of new deer trails. I have seen every edible bush and seedling browsed, first to anaemic desuetude, and then to death. I have seen every edible tree defoliated to the height of a saddlehorn.

从那时起,我看着一个又一个州灭绝了狼,我看着一座又一座山成了新的无狼山,我看着纷乱的鹿蹄印儿给朝阳的山坡新添了片片褶皱,我看着一株株灌木和树苗被啃得枯萎,啃到死去,我看着一棵棵可以吃的树,从地面到马鞍那么高之间的叶子全被吃光。

"Yes, yes, fine," said the Prime Minister distractedly, and he barely flinched as the flames in the grate turned emerald green again, rose up, and revealed a second spinning wizard in their heart, disgorging him moments later onto the antique rug.

"是,是,好,"首相心烦意乱地说,当壁炉里的火焰又一次变成翠绿色的时候,他都几乎没有畏缩,又一个巫师从里面旋转着显现出来,一转眼他又被火焰吐到那张古朴的垫子上。

The engine is falling to pieces while the joint owners of the car argue whether the footbrake or the handbrake should be applied. Notice how the cold, colourless men

要注意一下那些冷冰冰的、缺乏个性的人,他们是一些既无主意又无热情只求发迹的人,他们是如何在社会上青云直上,摘取一个又一个的李子,吮干果汁,尝尽甘味的。

In her tragedy she had become a giantess, and life does not or cannot stand still. She faced new tragedy in 1914 when, under the shadow of the dawn of the first World War, another baby was born—dead.

在自己的悲剧中,她变成了一个女巨人,而生活没有也不可能止步不前。1914年,她面临了新的悲剧,在第一次世界大战爆发前的阴霾笼罩下,又一个孩子降生了——又夭折了。

In her tragedyshehad become a giantess and life does not or cannot stand still.Shefaced new tragedy in 1914 when under the shadow of the dawn of the first World War another baby was born—dead.

在本身的喜剧中,她变了一个伟,而生没有也不可以或许止步不前。1914年,她面临了新的喜剧,在第一次世界大战产生前的霾包围下,又一个孩子降生了——又夭折了。

Because I myself was in the position of a peasant entering the city, it was these phenonmena more than anything else that inspired my creativity. In that period I completed the series "Lido" and "The Myriad Life", revealing the strengths of scenic sculpture. I represented scene after scene in a depictive and descriptive way, each scene reflected the novelty of the restless consumer age and materialistic desires.

由于我对这一切的读解颇具&农民进城式&的好奇,反而激发了我的创作灵感,这一时期我主要作了《丽都》、《人间万象》等系列作品,发挥了场景雕塑的特点,以叙事和讲述的方式表现一个又一个的情节,每一个情节的后面又都影射了消费时代的物欲横流,空前杂乱和浮躁。

With stronger wave of globalization, more and more MNCs, based on their mighty fund and technology, use the global influential brands as the vanguards, quickly enter the world market and change everyones life style.

在全球化浪潮越来越汹涌的今天,一个又一个大型跨国公司,以强大的资金技术为后盾,以一个又一个强大的全球性品牌为先锋,快速的冲击全球市场,改变着我们每个人的生活方式。

Reapings and Sowings)("And every science, when we understand it not as an instrument of power and domination but as an adventure in knowledge pursued by our species across the ages, is nothing but this harmony, more or less vast, more or less rich from one epoch to another, which unfurls over the course of generations and centuries, by the delicate counterpoint of all the themes appearing in turn, as if summoned from the void."

&任何一种科学,如果我们不是把它理解为一种表达力量和控制能力的工具,而只是当作我们人类世代所推进的知识探险,那她不是别的,就只是那个可以名之为和谐的东西。从一个时代到另一个时代,这个和谐或广或窄,或丰或乏,历经一代又一代,一个世纪又一个世纪,依次所显现出来的对于各个主题的精妙映照,仿佛就是琢空而现。&

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