去...

I will keep not only you from rash revenging but other people from it. Frankly, I've already checked several groups of people who tended to pursue elder brother.

心：我不但不会让你再去莽撞报仇，也不会让其他人去，老实说，自你招亲以来，我已拦下好几波要去追杀大哥的人马

Whether you're rooking for period inspiration, tracing the development of a trend, or seeking a specific image or fact, it's easy to thumb immediately to the year desired-and then easy to become engrossed in the fascinating history-in this essentiat reference for any design library.

作为资料性和史实性兼备的设计工具书，本书可以确立它在室内设计行业的不可替代的位置。阅读本书给我们带来诸多感慨，我希望我的同行们可以带着下面两个观点去读，去理解，去品味。

We call on you, in response to all those in Iran anxious about the fate of their loved ones, to urgently send a delegation to the cities of Iranian Kurdistan to investigate the human rights abuses by the regime; to inspect the prisons and meet with the prisoners, their families and the people of the cities, and in this way gain closer insight into the savageries of the Islamic Republic.

我们呼吁你，为了那些关心着他们所爱的人的命运的伊朗人民，立即派出一支代表团去伊朗库尔德人聚居地的城市，去调查那里侵犯人权的政权，去调查那里的监狱并会见那些囚犯、他们的家人和那里的市民，并通过这种方式更深入的观察伊斯兰共和国的暴行。

We got to touch it with our feet and hands and smell all its scents and hear its wildlife.

我们用自己的双脚、双手去触摸她，用鼻子去闻她的气息，用耳朵去倾听她的野生动植物。

It pays to look out for clever body language like wrist, arm, heel, and leg hooks, hip and shoulder scums, knee and arm bars, stems, hand jams, and even sitting positions.

需要注意找出灵巧的肢体语言，例如用手腕、臂、跟、及腿去勾，用臀部或肩膀去卡去摩擦，卡膝盖或手，劈腿似地把脚踢开，甚或使用坐的姿势。

It pays to look out for clever body language like wrist, arm, heel, and leg hooks, hip and shoulder scums, knee and arm bars, stems, hand jams, and even sitting positions.

需要注意找出灵巧的肢体语言，例如用手腕、手臂、脚跟、以及腿去勾，用臀部或肩膀去卡去摩擦，卡膝盖或手，劈腿似地把脚踢开，甚或使用坐的姿势。

It pays to look out for clever body language like wrist, arm, heel, and leg hooks, hip and shoulder scums, knee and arm bars, stems, hand jams, and even sitting positio.

需要注意找出灵巧的肢体语言，例如用手腕、臂、跟、及腿去勾，用臀部或肩膀去卡去摩擦，卡膝盖或手，劈腿似地把脚踢开，甚或使用坐的姿势。

Just as the foreman of a spinning-mill settles the work-people in their places, walks up and down the works, and noting any stoppage or unusual creaking or too loud a whir in the spindles, goes up hurriedly, slackens the machinery and sets it going properly, so Anna Pavlovna, walking about her drawing-room, went up to any circle that was pausing or too loud in conversation and by a single word or change of position set the conversational machine going again in its regular, decorous way.

像一个纺纱作坊的老板，让劳动者就位以后，便在作坊里踱来踱去，发现纺锤停止转动，或者声音逆耳，轧轧作响、音量太大时，就赶快走去制动纺车，或者使它运转自如――安娜帕夫洛夫娜也是这样处理事情的，她在自己客厅里踱来踱去，不时地走到寂然无声或者谈论过多的人群面前，开口说句话或者调动他们的坐位，于是又使谈话机器从容不迫地、文质彬彬地转动起来。

I have my difinately objuective that is to study overseas, bring there the chinese culture and voice, it's really need rational on boycotting, u slanging by chinese language, and make some jerk joke about foreigners, it's absolutely no concern, and when u slang the comments also include our friendly foreigners who plunk for china! hence, we really need rational, to learn a foreigner language, representing our real china, that what we should and could do. for boycotting carryfour, all i can say,supporting our own enterprises, i just cannot over my own block which let me feel that it is the market who insults chinese keeping, though i go for shopping there every week before, and it's really cheap...

我现在目标很明确，就是出国去学习西方的文明，并且把中国的东西带过去，抵制确实需要理智，你用中文骂了人家半天，说些骂外国人的恶心笑话，这有什么意义，你在骂的同时，也同时骂了那些原本对我们是有好的外国人，他们在帮我们~所以，一定要理智，学好一门外语，把真正的中国传达给世界，这才是我们要做的，至于抵制家乐福，这个，我只能说，支持民族自主产业，我自己是憋不过自己，感觉法国人都这样侮辱了自己，我是拉不下脸来再去那购物，虽然我以前每周都去，那的东西确实便宜。。。

Slurps the narcotics these people, because finally in the family did not have the money, they traded the narcotics for the narcotics, even stole snatches the thing, harmed more innocent people, affected the entire social stable.

吸食毒品的那些人，最后因为家里没有钱了，为了毒品他们就去贩卖毒品，甚至去偷去抢东西，危害更多的无辜者，影响整个社会的安定。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。