原本

Unlike the grands, the uprights cannot produce loud sounds with the soft pedal depressed.

这就是为何在原本不需要使用踏板的地方却使用踏板的原委。

Upon the request of The Affiliated Middle School of Shanghai Academy of Music, the Sonatina was composed in 1957 when Mr. Wang was still a student in Shanghai Academy of Music, according to the original plan, the Sonatina should have been used as teaching material for The Affiliated Primary School of The Academy, but it was not in the end due to its too high technical level for children.

这首《小奏鸣曲》是汪立三先生1957年在上海音乐学院上学时，上海音乐学院附小征集钢琴作品时创作的，原本是想作为附小的学生的教材，因为技术上偏难而没被采用。

The Sonatina is consisted of three movements and each one was not titled at the beginning. In 1981, when it was republished by Peoples Music Publishing House, the three movements were gvien titles in order as above by Mr. Wang himself in order to let the learners to understand better the artistic conception of the work.

全曲由三个乐章组成，原本各乐章是没有标题的，直到1981年在人民音乐出版社出版时，为了便于孩子们更好的理解作品的音乐情境，汪立三先生才为其三个乐章分别加上了标题《在阳光下》、《新雨后》、《山里人之舞》。

In this song cycle, the music combines the lyrics to bring a higher level of artistic concept, as long as the relationship of the vocal and the piano is not mere accompaniment, but mutual co-operation.

这套作品的音乐结合歌词一起表达出比原本文字更高的意境，就如歌者和钢琴之间并不是纯粹的伴奏关系，两者间互相引导配合。

Though Brooke Haven is originally from Sonora, when she turned nineteen she headed for the big city of San Francisco to work as a stripper.

虽然布鲁克避风港，是原本来自Sonora ，当她把19她为首的为大旧金山市工作，作为一个脱衣舞。

Applying the dubious word "mature" is open for heated debate string arrangements and soppy ballads are blessedly absent but the music definitely reflects a sharp increase in experience.

热切矛盾的弦乐伴奏和原本那种湿乎乎的情歌的缺失给他们所谓的"成熟"带来了大大的疑问，但是这些作品还是显示出了他们在经验方面惊人的进步。

At Chen Chia the stream ran to the west and shortly afterwords turned a southwesterly direction.

到了 Chen Chia 原本流向西边的溪流不久后就改向西南方去了。

I could not accept this empty house which used to be very familiar. Its familiarity dated back to the days before Ran Jing came. All ofRan Jing's articles disappeared, and the former spacy house returned. But why did I feel so empty in this spacy house?

我无法面对眼前这个原本应该非常熟悉的房间，因为它熟悉的程度已经追溯到冉静还没有进入这里的那个岁月，冉静所有的物品已经不见了踪影，恢复了最初的那个房间，但是为什么我会觉得偌大的房间如此的空旷。

First it was a native city, then French, then Spanish, and finally American.

这里原本是原住民城市，后来归法国，然后西班牙，最后才成为美国城市。

In The Big Typescript, this dichotomy is detailed in his analysis of the temporal, spatial and genitive expressions, resulting in the distinction between the unspeakable"memory-time"(Ged〓chtniszeit) and the speakable"physical time", and that between the unspeakable"visual space" and the speakable"Euclidean space", etc;(4) From another perspective, the destruction of the conception of the "phenomenological language"could also be seen as the logical consequence of the radicalization of the one and the same conception, since this destruction does reinforce rather than weaken RLF's original intention of distinguishing the physical system from what are given in phenomena by demonstrating the incompatibility between this intention itself and the insistence on the speakability of the phenomena, which gives birth to the illusion of the"phenomenological language";(5) Nevertheless, what the radical distinction between the sense-data and the physical language (as the unique possible language) implies, according to Wittgenstein, is not that the latter has nothing to do with the former, but that the association between the two does not follow the"original sample-copy"pattern but the"screen-presenting-filmoperation"pattern, which indicates that phenomenon itself can be aroused by or included in-rather than to be described by-the physical language/system;(6) Thus Wittgenstein leads us to depart from the obsolete ambition of representing the immediately given data perfectly for a new destination where a comprehensive "perspicuity" of the"grammar"should be required and where his later philosophy is coming into being.

在《大打字稿》中，这一二分法在他对于时间表达式、空间表达式与人称表达式的分析中得到了细化，并导致了他对于"记忆时间"与"物理时间"的区分，以及对于"视觉空间"与"欧几里得空间"的区分，等等；(4)从另一个视角来看，维氏对于"现象学语言"观念的拆解也可以被视为同一观念在被加以彻底化后所导出的必然后果，因为这一拆解工作实际上乃是加强了，而不是削弱了他在写作《略论逻辑形式》时就已怀有的信念，即：必须将物理系统严格地区分于在现象中被直接给予的东西。换言之，维氏在这一拆解工作中所做的，只不过就是暴露了这一信念本身与对于现象之"可说性"的坚执之间的固有矛盾罢了——而所谓"现象学语言"的幻相，亦正是导源于上述坚执；(5)然而，根据维氏的本意，感觉予料与物理语言之间巨大的逻辑差异却并不意味着后者与前者毫无关联，而只是意味着两者之间的关系并不遵循着所谓的"原本—摹本"模式，而遵循的乃是"屏幕呈现—胶片运作"模式。

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！