原有

They regulated the organization and life of the order, and are the essential and original basis of the Dominican legislation.

他们规范了组织生活的秩序，是必要的，并在原有的基础上的多米尼加立法。

Alleged network doorplate, use a group namely 8, 12 arabic numeralses replace original unit address, label of number of every network doorplate all has uniqueness and reliability, once register a success, won't change forever.

所谓网络门牌，就是用一组8—12位阿拉伯数字代替原有的单位地址，每个网络门牌号码标识均具有唯一性和可靠性，一旦注册成功，则永远不会改变。

Their only choices were to hold the line or to double the price.

他们唯一的选择就是保持原有的价格，要不就是把价格翻一翻。

As the time of modern roboticized industry comes, quondam homochromous Color Tag is too simple to satisfy double-quick industrial demand.

随着现代自动化工业的来临，原有简单的单色色标识别已不能满足快速的工业需求，因此一种对系列色标组合判读的方法就诞生了。

The result shows that the transgenic chrysanthemum can grow normally in the greenhouse and is not resisted on introduced the foreign gene,and can keep intrinsic excellent characters.When blossoming,different lines exist definite difference.Flower doubleness of one or two plants of line 05 changed,but most characters including lower color were not changed.

结果表明，转基因菊花在温室中能够正常生长，不因外源基因的转入而使其生长受到阻碍，能够保持原有的优良性状，开花时不同的株系间存在一定的差异，05株系的个别单株重瓣性发生了变异，但包括花色在内的其他大部分性状没有发生变异。

The doxology commonly used to conclude the prayer is not well attested in the manuscript traditions, though it is consonant with the original theme.

该doxology常用结束祷告是没有证据证明，在这份手稿的传统，虽然它是与原有的主题。

And David took all the flocks and the herds, which they drave before those other cattle, and said, This is David's spoil.

大卫所夺来的牛群羊群，跟随他的人赶在原有的群畜前边，说，这是大卫的掠物。

And David took all the flocks and the herds, which they drave before those other cattle, andsaid, This is David's spoil.

大卫所夺来的牛群羊群，跟随他的人赶在原有的群畜前边，说，这是大卫的掠物。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xu's works, spur his works to enter audience's habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artist's conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesn't stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xus works, spur his works to enter audiences habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artists conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesnt stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

Prima rily, the prime crimina l's crime has nothing to do with lime and overtime.

首犯的犯罪基本上与石灰和加班无关。

Some would fail and some would prosper,some would die and some would kill,some would thank the Lord for their deliverance, and some would curse John Sutter's Mill.

有人无功而返，有人心遂所愿；有人长眠异乡，有人图财害命；有人将感激上帝解脱了他们，有人会诅咒约翰萨特的磨房。