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厌世

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Therefore, existentialism falls into to person's realistic destiny sighing with sadness, becomes the people from the sorrowful self-pity pessimism and misanthropy philosophy.

因而,存在主义陷入到对人的现实命运的悲叹之中,成为人们自哀自怜的悲观厌世哲学。

The high school time is sets up the correctoutlook on life the best time, the high school thought politicallesson teaching to sets up the correct outlook on life to have thevery important function, but the middle-school student in sets up inthe outlook on life process to have the personal interest supremely,seeks after leads a life of comfort, pessimism and misanthropy and soon the question, important reason is the thought political lessonteaching attenuation.

高中时期是树立正确人生观的最好时期,高中思想政治课教学对树立正确人生观有着重要的作用,但高中生在树立人生观过程中存在着个人利益至上、贪图享乐、悲观厌世等问题,其中的重要原因就是思想政治课教学的弱化。

He is handsome with wild oats and world-weariness and is living in scene of debauchery, but this doesn't influence his most works during his short life at all. He not only takes in early renaissance drawer Botticelli's accessorized lines and morbidezza female tinge, but also gets the inspiration(replanting the lateral nose to the frontal portraiture) from cubism, introjects the exaggeration way of ancient African woodcutting and brings the Pre-Raphaelite melancholy temperament into play fully so that forms his own extraordinary style from inspiration based on representation. Particularly, his special representation for female nude is noticeable.

他英俊潇洒、放荡不羁,厌世忌俗,终日流连于灯红酒绿之间,然而这丝毫不影响他在短暂的生命中留下大量的画作,他吸取了文艺复兴早期画家波提切利的装饰性线条和柔美女性气息,又从立体主义的建构手法上获得灵感(将侧面的鼻子移植到正面的肖像画中),糅合了远古非洲木雕的夸张方式,又将拉斐尔前派的忧郁气质发挥到了极致,从而形成了自己的以灵感为源以表现为本的独特唯美画风,尤为引人注目的是他对女性裸体画的另类表现。

He experienced the United States from the "freedom" property origin a doctrine to imperialistic of development process, its thought and creations also expresses for adjust to smile mordacity's irony to arrive a pessimism cynical development stage again from the agility.

他经历了美国从"自由"资本主义到帝国主义的发展过程,其思想和创作也表现为从轻快调笑到辛辣讽刺再到悲观厌世的发展阶段。

Wang Guowei believe that 'The Peach Blossom Fan' is with a kind of spirit to free one's mind from world-weariness,differing from traditional Chinese optimistical soul.

王国维认为《桃花扇》是中国戏曲中"具厌世解脱之精神者",异于传统的"乐天之精神"。

The announcement of his memorial meeting said he was a martyr of society. Mao Zedong said that "an useful man died for indignation". President Sun Zhongshan spoke in praise of his eager ambition for serving the country. President's secretary insisted that he was not "world-weary" but "salvation". Academia's discussion took it for granted that his character was cleanly and faithful, and spoke highly of his remonstrant spirit against bad customs as "three don't" and the significance of caution for people who was pursuing the idea society because of his devoting life.

1921年,革命党人、著名学者易白沙自杀后,陈望道称他是"厌见湖南政局",意在说明他的自杀是对湖南军阀反对孙中山政府的抗议;《大公报》报道称他为抗议污浊社会,杀身成仁;追悼会启事称他是"殉世";毛泽东说他是"有用之人愤死";孙中山总统表彰他是"志切报国";总统秘书说他是"救世"而非"厌世";学界认为他人品清白,赞扬他"三不要"的抗议不良习俗精神以及献身对人们追求理想社会的警示意义。

Live in self-abandonment, this is a snake which decays and chews to bite a mind forever, it absorbs the fresh blood of mind, and infuse into therein cynical with despairing venom.

32-22、壮志与毅力是事业的双翼?32-23、自暴自弃,这是一条永远腐蚀和啃噬着心灵的毒蛇,它吸取着心灵的新鲜血液,并在其中注入厌世和绝望的毒液。

The main cause of his suicide was the severe conflict between his ideal and the reality; leaving from the reality, Ge Mai lived in a language Utopia, confused the reality and the dream, and the isolation, confusion, illusion and the self-closing was his spiritual state; there was a strong consciousness of death in his inner world which was irresistible to him and the "death" was the only way for him to get a new life.

理想与现实的剧烈冲突,是戈麦走向自杀的主要动力;与"现实"的疏离使他成为一个"厌世者",他生活在语言的乌托邦之中,颠倒了现实与梦幻的关系,孤独、焦虑、幻想、封闭成为其精神状态;他的内心深处具有一种浓郁的死亡意识,死亡对他来说成了一种挡不住的诱惑,成为他获得"新生"的唯一途径。

Are most concerned about their no use, is superfluous man, the waste, so he would have low self-esteem and hate themselves, that psychological development to severe, they will self-flagellation, and world-weary.

可可 人最担心自己一无用处,是多余的人、是废物,那样他就会自卑和讨厌自己,这种心理发展到严重时,就会自虐和厌世

However, this feeble critic and weak struggler was introduced to public once again, decorated in an album called 《The Night Hasn't Slept》, vaguely driven away from monotony and sex; even the vulgar cardiotonics like 《Stars light lamps》《Sailor》were gone – the world-wearied youngster has grown up.

而这个无力的批判者和脆弱的奋斗者又被隆重推出,被装饰在一张名为《夜未眠》的专辑中,含糊不清地离开了单调和性别,就连《星星点灯》、《水手》那样的庸俗强心剂都没了,厌世的少年长大了。

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