历史剧

Chronical play thus became a lively artwork between the contradictory of these two factors.

历史剧就是在二者的矛盾对立统一中成为一种鲜活灵动的艺术形态。

The chiefly meaning of chronical play ia as a being of artwork, it explain the history from a special angle of view, enjoy the history as a romantic poem.

历史剧的首要意义是作为一种艺术形式而存在，并不以传播历史知识为主要目的，是对于历史藉由某种视角的审美或者诗化浪漫的阐释，是对于历史的某种"言说"。

During the 1990s, Chronicle play became significant cultural phenomenon in Chinese teleplay.

九十年代悄然兴起的历史剧成为中国电视剧的一个重要的文化现象。

Nowdays, on one side, modernity is becoming an important aesthetics principle of the playwright who wants to express the thought of reality as well as explaining the history. On the other side, It is becoming another important aesthetics principle of audience who are interested in viewing the play because they find the same feeling between the chronicle play and the real society.

现今，当代性一方面成为历史剧创作者的一个重要的美学原则―剧作家在对历史的阐述中表达对现实的思考；另一方面也成为观众对历史剧欣赏的一个重要的美学标准―观众往往因为在历史剧中发现与现实的相通之处而增加观赏的兴趣。

With the booming of 90's chronicle teleplay, the contest of it is getting hotter. This comes down in one continuous line with the dispution and review of drama chronicle play which generated from 40's, sharpende in 60's and deepende in 80's, and get a deep thought.

与90年代以来电视历史剧的繁荣相应，有关历史剧的论争也再次趋于热烈，这与40年代开端、60年代激化和80年代继续深化的对于戏剧历史剧的争论和检讨一脉相承，并达到反思的相当深度。

The author thought that the chronicle play shoud get material from history, not from myth and legend, modern life or future life. Only persons or affairs which had been recodated in history canbe categoried in chronicle play.

笔者以为，历史剧须向历史取材，而不是以神话传说、现代生活或未来生活为表现内容，只有以史有记载的历史人物或历史事件作为叙事主体，才可以进入历史剧的范畴。

Here is the author' s opinion: teleplay series of history must bases on real history, rather than fables, modern life or life in the future. As for the scope of this field, Only those real historical persons or events can become the principal part of teleplay series of history. Teleplay series of history are the mixture of both history and drama.

笔者以为，历史剧须向历史取材，而不是以神话传说、现代生活或未来生活为表现内容，只有以史有记载的历史人物或历史事件作为叙事主体，才可以进入历史剧的范畴。

The change historical drama pan-politics allegorizing narrative pattern's key, lies in the connection "54" the time and "the new time" the historical drama modern history rational tradition, establishes one kind to have the multicultural value orientation and many kinds of artistic style pursue historical drama creation idea under the modern rationality energetic contemplation.

改变历史剧泛政治寓言化叙事格局的关键，在于接续&五四&时代和&新时期&历史剧的现代历史理性传统，建立一种在现代理性精神观照下的具有多元文化价值取向和多种艺术风格追求的历史剧创作观念。

This chapter deals with the following points: the origin of the historical plays by actors and their subjects' trends; people's value judgment and actors' historical playwriting; people's aesthetic value and actors' historical playwriting; the extreme growing of stylizing in actors' historical playwriting.

本章主要探讨艺人历史剧源流及其主题倾向；大众价值观念与艺人历史剧创作；大众审美价值与艺人历史剧创作；类型化倾向在艺人历史剧创作中的极端发展。

His plays fall into three categories: tragedies ( Hamlet, Romeo and Juliet, etc.), comedies ( Merchant of Venice, The Dreams of the Midsummer Nigh t, etc.) and history plays Henry VI, Charles II etc.

他的作品分为三类：悲剧、喜剧和历史剧，悲剧有《哈姆莱特》、《罗密欧与朱丽叶》等，喜剧有《威尼斯商人》、《仲夏夜之梦》等，历史剧有《亨利6世》《查理二世》等。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。