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"Man" is historical determinism's most perplexing element. As everyone who has read a history book knows, behind every crucial juncture in history, behind every moment viewed as being an "inevitable" product of history's trajectory, stood men and women who rewrote the course of history.

&人&的因素正是历史决定论者的大困扰,因为凡是看过历史书的人都知道,就在大家每每看到关键时刻,甚至以为历史已经成为&必然&的时候,总是有一个或者一群&人&把历史改写。

But, because of overemphasizing the subjectivity, Croce denied the historical objectivity and the uniformity together, thus he is unable to guarantee historical the authenticity, and moreover has marked "the tool" with the history brand.

但因过分强调历史的主观性,自然也就否认了历史的客观性和一致性,从而无法保证历史的真实性,而且给历史打上了&工具&的烙印。

A.S.Byatt 在小说 Possesion 中这样说: A man is the history of his breaths and thoughts, acts, atoms and wounds, love, indifference and dislike; also of his race and his nation, the soil that fed him and his forebears, the stones and sands of his familiar places , long-silenced battles and struggles of conscience, of the smiles of girls and the slow utterance of old woman, of accidents and the gradual action of inexorable law, of all this and something else too, a single flame which in every way obeys the laws that pertain to Fire itself, and yet is lit and put out from moment to the next, and never be relumed in the whole waste of time to come.

男人是一部历史,这是一部蕴含着他的呼吸、思想、行为、琐碎、创伤、爱情、冷淡和厌倦的历史;也是一部包含着他的种族、国家、祖先、喂养他的土地、熟悉的沙石、长期沉默的斗争和内心意识挣扎的历史;还是一部蕴藏着姑娘的微笑、老妪的低语、众多的事故、缓慢的行动和必然的法则以及所有其他事件的历史。无论从什么方面来看,一支火焰总是要遵守从属于火光本身的法则,而这支火焰也每时每刻被它点燃和扑灭;在即将到来的整个虚度中,火焰从来没有被重新点亮。

In the 1970s,influenced by the feminis t movement,the new social history,post-modernism and other academic t rends,researchers focussed their a ttention on the study of theshe historyand crowned it with quick success.

美国西部妇女史近半个世纪的探索与妇女研究发展轨迹相当。70年代受女性主义运动及新社会史、后现代主义等学术思潮的影响,研究者们致力于&她史&,使得该研究得到了迅速的发展。80年代以后,女性研究的焦点转入社会性别理论,西部妇女史的研究中也广泛采用这一分析范畴,同时强调西部妇女多元文化的历史背景。90年代以来,随着理论的不断深化和史料的丰富,该研究从微观上强调西部妇女的族裔、文化、阶级、职业等的差异,从宏观上强调全新意义上的&两性史&,即要求在一个新的历史基准体系之下对各种妇女群体作出价值评估,并将妇女的历史编入西部历史之中。

The compilation of their historical books had lasted for almost one thousand years, during this course the history of Israel became a vivid embodiment of the historical view that history is but the process of Jehovah salving Israeli people.

他们将对耶和华神的信仰融入对民族历史发展的思考和解释之中,其历史书卷的编写几乎持续了一千年之久,在这一过程中,以色列历史成为&历史就是耶和华神对以色列民族的救赎史&的生动体现。

The analysis of change of left-wing discourse prototype-revolution and love, drives home a historical trend that the former popular individual figures escaped gradually from left-wing writers' works and emotional relations were replaced by class ones. In addition, this chapter provides ananalysis and review of historical development on the redirection with regard to the fact revolutionary literature spumed Maxist's positive sublation and ignores Maxist's dialectic individual perspective. Furthermore, a revaluation of the writing mode-revolution and love is made.

同时通过对&革命加恋爱&这一左翼话语原型的历史变迁过程的分析,揭示了个体作为表现对象逐步退出左翼作家的表现视野,情感关系逐步被规训为阶级关系这一历史趋势,对革命文学创作向着背离马克思主义的积极扬弃论、遗忘马克思主义辩证个体观方向异化的历史进程进行了分析和检讨,同时对&革命加恋爱&这种创作模式进行了新的历史估价。

This article, based on the achievements of predecessors, with historical materialism as guiding principle, through excavating some related historical materials, combining research on whole with part, probes deeply into the emerging, development, upsurging, outcomings of the revolution in Jiangsu region.

本文在充分吸收前人研究成果的基础上,以历史唯物主义为指导,通过充分挖掘极其分散的相关历史资料,运用整体研究与个案研究相结合的方法,以时间为经,以事件为纬,系统地探讨了江苏辛亥革命发生、发展、高涨以及走向失败的历史进程,总结了历史经验教训。

Qingdao Beer Museum in the heart of the region's most valuable when the number of the first hundred years of history and culture of the region, where, along the temporal and spatial context, tourists can fax detailed information on the mysterious origins of beer, a long history of Tsingtao, Tsingtao numerous honors, Qingdao International Beer Festival, an important figure both at home and abroad to visit the case of Tsingtao; production process is displayed in the old regional buildings, old equipment and the workshop on Environment and scene, in the production process on behalf of each release of the site placed there as the equipment, introduced in Tsingtao and historical evolution of the production process, in order to reproduce the history of the original museum in the old workshop saccharification fermentation tank of the old workers set up a model of production and labor sculpture, reproduction of old scenes and workers over the laboratory Malt scene.

青岛啤酒博物馆中最具价值的核心区域当数第一区域百年历史和文化,在这里,顺着时空的脉络,游客可以通过详尽的图文资料,了解啤酒的神秘起源、青啤的悠久历史、青啤数不胜数的荣誉、青岛国际啤酒节、国内外重要人物来青啤参观访问的情况;生产工艺流程区域展示的是老建筑物、老设备及车间环境与场景,在生产过程中的每一个代表性部位放置有放像设备,介绍青岛啤酒的生产流程及历史沿革,为重现历史原貌,博物馆在老糖化车间的老发酵池设置了工人生产劳动雕塑模型,复制出老实验室场景和工人翻麦芽场景。

Cycle is the form of being and the condition of histoy.The cycle of being decidesthe cycle of consciousness.

循环是存在的方式、历史的状态,存在的循环决定了意识的循环,历史的循环决定了作为历史意识的历史解释理论的循环性。

One of them appeared in 1950s'—1970s' when novels were written in a deified and heroized style,and the other appeared in New Period when novels were narrated in secularized style.

一种是十七年时期的革命历史小说,一种是新时期的新历史小说,前者是一种将革命历史神化、英雄化的叙述,后者则是将革命历史世俗化、凡人化的叙述。

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