即兴的

With John Dunstable and other English composers, partly through the local technique of fabutden(an improvisatory process in which a chant melody and a written part predominantly in parallel sixths above it are ornamented by one sung in perfect fourths below the latter, and which later took hold on the continent as "fauxbordon"), the interval of the third emerges as an important musical development; because of the Contenance Angloise("English countenance"), English composers' music is often regarded as the first to sound less truly bizarre to modern, unschooled audiences.

随着John Dunstable和其他英国作曲家在一定程度上通过当地一种叫faburden的技法的运用（这是一种即兴的技法，运用于圣咏的旋律中，下方有一个主要是平行六度的部分，而它们又由一个低于下方的纯四度演唱装饰，这种后来影响了整个欧洲大陆的技法被称为fauxbordon），三度音程的出现成为一种重要的音乐发展，这是因为Contenance Angloise ("English countenance")--这种英国作曲家的音乐常常被未经教育的听众认为是一听上去就不古怪的音乐。

Secondly,* The legislative, or supreme authority, cannot assume to itself a power to rule by extemporary arbitrary decrees, but is bound to dispense justice, and decide the rights of the subject by promulgated standing laws, and known authorized judges: for the law of nature being unwritten, and so no where to be found but in the minds of men, they who through passion or interest shall miscite, or misapply it, cannot so easily be convinced of their mistake where there is no established judge: and so it serves not, as it ought, to determine the rights, and fence the properties of those that live under it, especially where every one is judge, interpreter, and executioner of it too, and that in his own case: and he that has right on his side, having ordinarily but his own single strength, hath not force enough to defend himself from injuries, or to punish delinquents.

第二，立法权力或最高权力，不能自认为是通过即兴的肆意的法令来统治的权力，而只能局限于衡量正义（衡量罪行与惩罚是否相当，衡量伤害与补偿是否相当），并由公布的恒定法律和已知被授权的法官来裁定臣民之间的权利：因为自然法并非成文，所以只能在人们的思想中找到它们，在没有设立法官的地方，由于人们充满了激情或利益的考虑便会错误引证或应用自然法，从而就不能那么容易的确定他们的错误了：这样一来立法权力就不是服务于——它本来应该如此——裁定权利，保护生活于其下的臣民的财产，特别是在他自己的事件中，每个人都是审判者，解释者和执行者：有权利的一方，通常仅仅只能依靠他自己的力量，没有足够的力量来保护自己免于伤害，或者去惩罚犯罪者。

The open sky, the brown earth, the leafy trees, the golden sand, the blue tater, the stars in their courses, and the awareness of these: birdsongs, butterflies, clouds and rainbows, sunlight, moonlight,firelight,a large hand reaching down for a small hand, impromptu praise, an unexpected kiss, a straight answer, the glisten of enthusiasm and the sense of wonder, long days to be merry in and nights without fear, and the memory of a good home.

开阔的天空，棕色的大地，葱郁的树木，全黄的沙滩，蔚蓝的大海，运行有序的星辰，以及对以下事物的感知：鸟鸣，蝴蝶，云朵，彩虹，阳光，月夜，炉火；乐于助人的双手，即兴的赞美，意想不到的亲吻，直截了当的回答，富有魅力的激情，强烈的好奇心，悠长快乐的白天，无所畏惧的夜晚，以及美好之家的甜蜜回忆。

But first from under shadie arborous roof, Soon as they forth were come to open sight Of day-spring, and the Sun, who scarce up risen With wheels yet hov'ring o're the Ocean brim, [ 140 ] Shot paralel to the earth his dewie ray, Discovering in wide Lantskip all the East Of Paradise and Edens happie Plains, Lowly they bow'd adoring, and began Thir Orisons, each Morning duly paid [ 145 ] In various style, for neither various style Nor holy rapture wanted they to praise Thir Maker, in fit strains pronounc't or sung Unmeditated, such prompt eloquence Flowd from thir lips, in Prose or numerous Verse, [ 150 ] More tuneable then needed Lute or Harp To add more sweetness, and they thus began.

首先从密林如盖的荫翳下，走进一望无际的晨光普照的旷野，太阳还没有升起，他的车轮还徘徊在天边海际，他那带露的光线，平射在大地上，显现出乐园东部和伊甸福地的辽阔土地的风光，他们二人便卑躬虔诚地礼赞天神，像每天早晨一样，各种体裁的向创造主唱念，颂歌赞词，出口成章，有合乐的歌曲，即兴的颂词，都成神圣的欢乐，也有美妙的韵语和无韵散文，与丝竹合奏相比，更加和谐合律，更加妥贴亲切，于是二人开始这样唱道

There are hints in "Led Zeppelin 1", a stunning debut album reputedly recorded in only 30 hours, which has a live, spontaneous feel, but until now the only real evidence I have seen of their greatness is a black and white video of them playing a few tracks of a live set in Scandinavia in front of a silent and bemused audience, this tantalising snippet made me hyperventilate when I heard that at last after 30 years, the legendary BBC sessions were going to be released.

有线索显示，据说Led Zeppelin 乐队的处女专集，令人足以激动得昏倒的&Led Zeppelin 1&是在短短的30小时内就录制完成的，这张专集有一种即兴的，灵感油然而发的感觉，不过到目前为止唯一我能亲眼看到的这张专集伟大的证据是乐队在斯堪的纳维亚半岛的一群安静而又显得有些困惑和发呆的观众面前表演的几段黑白录影带。这四个不知天高地厚的英国年轻人使30年后听到这张专集的我发了狂。

The human-machine interfaces involved in analogue studios differ enomously from those of a computer, and permit a diverse range of approaches, from the highly methodical and formal to the highly physical and improvisatory.

从人机界面来说，使用模拟音乐设备的工作室与使用计算机的音乐工作室相比具有截然不同的差异。在工作方式上，模拟式人机界面允许不同程度的变化，它可以从高度正式的系统化到高度即兴的物理状态。

With John Dunstable and other English composers, partly through the local technique of fabutden(an improvisatory process in which a chant melody and a written part predominantly in parallel sixths above it are ornamented by one sung in perfect fourths below the latter, and which later took hold on the continent as "fauxbordon"), the interval of the third emerges as an important musical development; because of the Contenance Angloise("English countenance"), English composers' music is often regarded as the first to sound less truly bizarre to modern, unschooled audiences.

随着John Dunstable和其他英国作曲家在一定程度上通过当地一种叫faburden的技法的运用（这是一种即兴的技法，运用于圣咏的旋律中，下方有一个主要是平行六度的部分，而它们又由一个低于下方的纯四度演唱装饰，这种后来影响了整个欧洲大陆的技法被称为fauxbordon），三度音程的出现成为一种重要的音乐发展，这是因为Contenance Angloise (&English countenance&)--这种英国作曲家的音乐常常被未经教育的听众认为是一听上去就不古怪的音乐。

The size of the gourd largely dictates the overall tone of each berimbau and there a three types, in order of decreasing size and rising pitch: Gunga – the lead berimbau holds a steady base line; Medio; and Viola – upon which the majority of improvised variations are played.

按体积由大到小的顺序（随着体积的减小，音调随之变高）排列，一共有三种不同的Cabaca：Gunga是其中最主要的一个，通常是大师亲自手持，用来演奏歌曲的基准音；然后是稍小的Medio；最小的Viola会被用来产生即兴的小节奏变化。

Aside from some other unique instrumentation—including Arabian Violin and cello—Fernandez scores high marks for keeping his tunes short and to the point; each tune states its case, improvises and jams and ends within less than four minutes.

与其他独特的作曲法——包括阿拉伯小提琴和大提琴的演奏——不同的是，Fernandez的曲调简短但却突出重点；每种曲调都有自己的风格，无论是即席的演奏、即兴的改奏还是收尾都不超过四分钟。

Although people thought clowns are funny, but actually they need to deal with a lot of contingencies and emergencies.They did not perform impromptu clown show instead, they had trained and rehearsed for a long time.

她表示虽然小丑表面上很搞笑，但其实是非常考个人的应变能力及背后的训练，所有的表演不是即兴的，而是经长时间的训练的。

Fancy gold-plated dangling earrings with facetted White Opal crystals.

花式镀金悬垂耳环与facetted白欧泊水晶。

This essay chooses the study aim from biology teachers in middle school in Shi Jiazhuang which tells us that most of the middle school biology teachers in Shi Jiazhuang have the"burnout", lower successfulness, individualize.

本文选取石家庄市初中生物教师作为研究对象，运用问卷调查的方法对石家庄市初中生物教师职业倦怠的现状进行调查，调查结果发现，石家庄市初中生物教师这一群体普遍存在职业倦怠，情感枯竭程度偏高，成就感偏低，去个性化程度最为严重。