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即兴曲

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Chopin Fantasie Impromptu, Op.

萧邦幻想即兴曲

This thesis take the Faure's Five piano impromptus (OP.25, 31, 34, 91, 102) as the object of study, as the background of French culture characteristic and the time characteristic locate which the composer is in , carries on music analysis to these piano works, and discuss the music characteristic, simultaneously, unifies the performance style of French piano music ,and , to share the authors experiences of performance, also have the comprehens...

本文以福雷的五首钢琴即兴曲(作品25、31、34、91、102)为研究对象,以法国文化的特征与作曲家所处的时代特征为背景,对乐曲进行音乐分析,探讨音乐特点,同时结合法国钢琴音乐的演奏风格并通过笔者自己的演奏体会对作品的演奏要点进行综合论述。

Through classifying and summing up the five aspects of technical issues of melody levels, octave, scale, sound jumping and tone repeating, analyzing the six main aspects of the singing control of melody, levels of vocal parts, dynamics and changes of tone color, performance of grace note, application of pedal, and the handling of rhythm, this article analyzes the main points of performance, thereby elaborates the teaching value of the eight impromptus embodied.

通过对八首即兴曲的旋律层次、八度、音阶、跳音、重复音五个方面的技术课题进行了分类、归纳;从旋律歌唱的把握、声部线条的层次、力度与音色变化、装饰音的弹奏、踏板的应用、节奏的处理六大方面分析演奏的要点,并进一步阐述八首即兴曲在教学中的价值体现。

A short piece of music, often improvised on a solo instrument, played as an introduction to a larger work.

即兴曲:一段短音乐,常为乐器即兴独奏,作为大型作品的序曲

He invented some musical forms, such as the ballade, but his most significant innovations were within existing structures such as the piano sonata, waltz, nocturne,étude, impromptu and prelude.

他发明了一些音乐形式,比如:叙事曲,但他最具重要性的创新却是在当时已有的音乐形式上,如:钢琴奏鸣曲、圆舞曲、夜曲、练习曲、即兴曲和前奏曲。

The special performance in his deep mining and enrich the prelude, etudes, such as scherzos, nocturnes, impromptus, XieXue music genres of music and so on a series of potential artistic expression, give them a new society.

这特别表现在他深入地挖掘和丰富了诸如前奏曲、练习曲、叙事曲、夜曲、即兴曲、谐谑曲等一系列音乐体裁的潜在的艺术表现力,赋予它们以新的社会内容。

Fantaisie - Impromptu Op.66, in c-Sharp Minor 4:50

升c小调幻想即兴曲,作品66

Fantaisie-Impromptu in C-sharp Minor, Op.66

升C小调幻想即兴曲,作品号第66号

In "Impromptus" and "instant music", Shubote to sing a new lyrical piano style.

而在&即兴曲&和&音乐瞬间&中,舒柏特使钢琴唱出了新的抒情风格。

With literature reference and theoretical analysis as the main research approach, combining her own practice of piano performance, the author of this article studies and analyzes the performance and teaching of impromptus in the aspects of perception and reason.

本文运用文献参阅和理论分析为主要研究方法,结合自己的弹奏,从感性和理性相结合探析即兴曲的演奏与教学。

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